For those of you who’ve followed my blog for a while you know that my piece, The Lesson and The Equation is part of the traveling show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience.
This show, curated by Dr. Carolyn Mazloomi of the Women of Color Quilting Network (WCQN) celebrates the 70th Anniversary of the United Nations’ Universal Declaration of Human Rights and features a collection of art quilts based on the 30 Articles of this declaration.
The show continues to travel and is opening on Thursday February 21, 2019 at Texas Folklife in Austin, Texas.
If you’ve followed my blog for a while, you might remember that Spring to Summer 2018 I was working on a secret quilt for an unannounced exhibit.
Well the curator, Dr. Carolyn Mazloomi, has recently announced the show and now I can share my secret quilt with you; and I will share the story behind it in a series of posts.
Yours for Race and Country
The Women of Color Quilting Network (WCQN) exhibit, curated by Dr. Carolyn Mazloomi, is called Yours For Race and Country: Reflections on the Life of Colonel Charles Young. The exhibit will run from March 16, 2019 through August 17, 2019 at the National Afro-American Museum in historic Wilberforce, Ohio.
Colonel Charles Young was the first African-American to reach the rank of Colonel is the United States Army (the first African American officer to command a Regular Army regiment, and the highest-ranking black officer in the Regular Army until his death). He was also the first African-American Superintendent of a U.S. National Park – Sequoia National Park.
Here is a wonderful overview of some of his accomplishment I found on The Trust for Public Land website (tpl.org):
To read more about Colonel Charles Young and his historic accomplishments, check out the Arlington National Cemeterywebsite – Charles Young, Colonel, United States Army.
The Art Quilt Assignment
I was extremely honored and excited to be invited to participate in this art quilt exhibit.
For the exhibit, Dr. Mazloomi gave us options to select from of pivotal moments and accomplishments in Colonel Young’s life as inspiration for a 40″ x 40″ quilt.
I selected his time as Superintendent of Sequoia National Park.
Then it was history time! I wanted to learn more about Colonel Young’s life than was available online, so I ordered this book and read it – Black Officer in a Buffalo Soldier Regiment: The Military Career of Charles Youngby Brian G. Shellum:
image credit: amazon.com
After reading the book and studying images I found online of Sequoia National Park, I was ready to get to work on my quilt.
In the next post in the series, I will share the evolution of the quilt and my challenges to create something I felt honored the legacy of Colonel Young (oh the pressure!).
Postscript
Here are more details on the exhibit, as posted on facebook by the show’s curator, Dr. Carolyn Mazloomi:
My latest curated exhibition opens March 16, 2019 at the National Afro-American Museum and Cultural Center in historic Wilberforce, Ohio. The exhibition, Yours for Race and Country: Reflections on the Life of Colonel Charles Young, is a visual history of the life of Charles Young. Young’s life is triumph over tragedy. Charles Young was born in 1864 to former slaves, but went on to attend and graduate West Point. He mastered several languages, played and composed music for piano, violin and guitar, wrote poetry, was a master cartographer, military strategist, the first African American Colonel in the U.S. Army and first superintendent of Sequoia National Park. Young’s home in Wilberforce was designated by President Barack Obama as a National Monument of the United States Parks Service. The Charles Young Buffalo Soldiers National Monument is a testament to Young’s perseverance.
The international exhibition visually explores, using the medium of quilts, the life of Col. Charles Young from his birth, life at West Point, military career, experiences in Foreign Service and his time as a Superintendent for the National Park Service.The opening reception is March 16th from 11:00am to 2:00pm. Copies of the catalogue will be made available to the public at that time.
National Park Service website, courtesy of Library of Congress
In case you are wondering, I would like to attend the opening of the exhibit, I am just looking into if I can make it work with traveling in Winter and my job commitments. There is also going to be a private tour for the artists in the show of Colonel Young’s home in Wilberforce, OH. That would be a wonderful added bonus to getting to attend.
My quilt, The Lesson & The Equation, inspired by Article 1 of United Nations’ Universal Declaration of Human Rights, will be one of the quilts featured in this book from the exhibit.
First I want to clarify – this is not a political post but a post about a secret dream of mine being realized – to have a piece of my art shown in New York City.
The art piece, Seeds (2017), inspired by a Mexican proverb, could be considered political as it is a banner from the Women’s March. But let’s put all this aside and let me share this moment with my blogging community, no matter what your political views.
Seeds is showing as part of the exhibit Still They Persistfrom the FemFour at the LMAKgallery on the Lower East Side in Manhattan, New York City from October 17, 2018 – November 3, 2018.
What I did not realize until today, when I discovered it on social media, is that the exhibit had opened in New York City!
I am originally from New York and for me as a native New Yorker (well semi-native, I was actually born in Pittsburgh, PA) it seems that one of the ultimate achievement as an artist would be to show a piece in a major city such as New York City (or Paris, or London, or Tokyo, or Melbourne, etc.).
Although my piece of art is a banner I made for a protest march, I am going to embrace this moment as a realization of a secret dream!
Below is my piece in the center in a promotional photo of the exhibit on the LMAKgallery’s facebook page.
Image credit – LMAKgallery facebook page
Thanks for sharing this moment with me!
Postscript
This is a quick follow-up to the 10/12/18 post Impromptu Quilt Gifting. My colleague’s daughter received the quilt earlier this week and she sent me a picture of her daughter snuggled under the quilt.
The best thing is my colleague stated “The quilt is amazing, she has been sleeping with it since it arrived!” I cannot put into words how happy I am that a quilt I made will keep a child warm and cozy during her ongoing hospitalizations.
While attending a quilt retreat this weekend, I got the most fabulous news from Dr. Carolyn Mazloomi, the curator of Visioning Human Rights in the New Millennium: Quilting the World’s Conscience – My piece, The Lesson and The Equation is featured on the website of the Brussels, Belgium based organization Human Rights 70.
Image credit: humanright70.eu
(If you are just joining us on my blog, you can read background on my piece and the exhibit in these series of posts: WCQN )
This organization’s mission, according to their website:
is to contribute to promote the knowledge and application from individual up to supranational level, of the Universal Declaration on Human Rights, and in doing so contribute to the better living of all beings in the world
This Brussels based organization also has offices in Madrid, Paris, Geneva, Vienna, Amsterdam, Lisbon, Barcelona, Copenhagen, Bogota, and Mexico DF.
Here is a screen shot of the overview of the exhibit on the Human Rights 70 website:
To say I am excited and overwhelmed is an understatement (smile)!
Perhaps The Lesson and The Equation, inspired by Article 1 of United Nations’ Universal Declaration of Human Rights, will get to tour internationally someday…
The Lesson and The Equation at the show opening at Fitton Center for Creative Arts 08/17/18
For a high resolution image of the piece and to read the Artist Statement, see my page Art Quilt Stories.
All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. – Article 1, Universal Declaration of Human Rights
This is the final post in the series of four posts on the Women of Color Quilting Network (WCQN) and Friends Show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience, curated By Dr. Carolyn Mazloomi, and inspired by the United Nations’ Universal Declaration of Human Rights.
As I mentioned in the first post, Visioning Human Rights in the New Millennium, Part I show opening at the Fitton Center for Creative Arts in Hamilton, OH, was only the “soft opening”, featuring half of the quilts. At a future date the full show will debut and in Spring 2019 the book will be published featuring all the quilts in the exhibit as well as the story behind the exhibit.
This post features one more installment of a sample selection of powerful quilts from the show. (If you are just joining us you can click on this link – WCQN – to view the three previous posts – Part I, Part II, and Part III.)
Carolyn Crump – Waiting to Have My Say
Gloria Kellon – Freedom of Expression over the Water
Gwendolyn Brooks – On This Special Day
Julius Bremer – Let’s Gather Peacefully
Deanna Tyson – Black Lives Matter
Ifa Felix – The Green Book
James Mardis – Cruelty Comes for Us All
The photo does not capture how amazing and powerful this quilt is! The artist is one of the long-time male quilters in the WCQN. I had a chance to chat with him during the show and listen to him talk about this multi-textured piece made from a multitude of materials besides cotton fabric.
I wish I had taken some close up photos of the piece. I think I was so overwhelmed by the whole show and trying to meet and chat with the amazing artists that I got distracted from my photography! When Dr. Mazloomi’s book on the show comes out in Spring 2019 it will have professionally photographed detailed images of these quilts.
L’Merchie Frazier – Going Beyond the Self: Lale and the Omo Children
Helen Murrell – Capital Punishment
Lauren Austin – Parole Denied
Ed Johnetta Miller – So What Skeltons Are in Your Closet?
Sandra Noble – Detainment
It was an honor to be part of this show and an honor to be able to share some of the amazing quilts from this show with you all.
I have to say of course, the most exciting moment of attending the show was walking into the exhibit area and seeing my quilt on the wall:
The second most exciting moment, was seeing an image of my quilt projected up on the screen in the auditorium before the panel discussion began:
Before the panel discussion, Dr. Mazloomi gave a powerful talk on the power of art. Here is a quote from her talk (which I have on video but could not figure out how to upload onto YouTube to share, perhaps at a later time):
For me as an artist I strongly believe that art has the capacity to touch the spirit, engage people, educate and heal in ways that words cannot.
Dr. Mazloomi stated that the show was inspired by the 70th anniversary of the signing of the Universal Declaration of Human Rights; and that she is long-time admirer of Eleanor Roosevelt who was instrumental in getting this declaration done.
Postscript
I had a bit of adventure getting to Hamilton, OH for the show. Central Oregon is a long way from Hamilton, OH!
Since I was going to be in the Eastern part of the country (well Ohio could be considered Midwest) I thought I should also visit with my family and I met up with my family in Washington, DC for a couple of days before flying onto Cincinnati, OH.
While in DC I went with my brother, sister, sister-in-law and 5 and 14 year old nephews to the National Geographic Museum and saw two amazing exhibits on the Tomb of Christ and the Titanic.
I may share additional photos from those exhibits in a future post.
From Cincinnati I rented a car and drove 45 minutes or so to Hamilton (which is not within a reasonable distance to a major airport).
While in Hamilton I stayed in sweet Victorian Airbnb rental (only $56 for the night) 6 blocks from the Fitton Center where the opening show was held. Here are some photos of where I stayed which was built in the late 1800s and had cool architecture and period related decor (and handmade antique quilts on the bed!):
I will not share my airline travel saga but it did involve spending two nights sleeping in an airport (on the way there and on the way back) because of severe thunderstorms that grounded planes. But I did make the most of my time stuck in airports and will have a future posts on the cool exhibits and sights at the various airports along my journey!
Yesterday’s post with quilts from the Women of Color Quilting Network and Friends Show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience (Curated By Dr. Carolyn Mazloomi) were just to whet your appetite.
This post features more powerful quilts from the show. If you are just joining us you can click on this link – WCQN – to view the two previous posts (Part I and Part II).
As I mentioned in the previous post, some of these quilts made me want to just step away from my sewing machine and find a new hobby.
I’ve seen many beautiful art quilts over the years – at shows and online – but I’ve never seen in person such a collection of powerful inspirational quilt all in one venue.
Sandra Scott – Bloodties
The photos do not do this quilt justice. This is definitely one of the quilts in the show that made me want to just give away my sew machine because now I see how art quilts “are done”. It is an absolute masterpiece and reading the Artist Statement and viewing this quilt in person can bring you to tears.
Speaking of quilts that can bring you to tears, this one had me quietly sobbing…
Dorothy Burge – Stop Killing Us
And now the piece that attempted to completely blow out my tear ducts – a piece inspired by news story of a young Syrian refugee child discovered washed up on the shore.
April Shipp – The Waters Returned Him: In Honor of Aylan Kurdi, Age 3
This quilt was a 3D quilt with a large set of hands coming forward holding a handmade doll representing the drowned Syrian refugee child. If seeing this quilt in person did not stir someone, then they were emotionally dead inside.
I got to chat with the amazing artist who passionately shared the story behind her inspiration. While listening to her I was desperately trying to keep it together (the tear ducts were starting to crumple) as she shared her beautiful compassion and intense feelings of heartbreak over hearing the news story (okay so I am getting weepy just trying to write this…).
Yes I kept having that “imposter syndrome” feeling being at this show with these significant pieces of work and these amazing artists (some of who are professional artists).
Here are a couple more quilts in the show to close out this post with a little less intense topics.
Carolyn Crump – Deeds, Not Words
Sharon Ray – Hamtramck, My Home
I hope you found these pieces as stirring and amazing as I did. In the next post I will share the rest of the sampling of pieces from the show.
If you are an artist/crafter have you ever attended an exhibit that made you want to just put away your art/craft supplies and find a new hobby?
This is what happened to me (no worries, it was only for a moment), when I saw the art quilts in the opening night of Visioning Human Rights in the New Millennium: Quilting the World’s Conscience at the Fitton Center for Creative Arts in Hamilton, Ohio on Friday August 17, 2018.
This post is a continuation of the post Visioning Human Rights in the New Millennium, Part I and rather than ramble on about how many of these inspirational, provocative, powerful, creative, masterpieces made me want to shut down my sewing machine and walk away, I will just share a sample of images of the amazing quilts in the show.
I’ve included the Artist Statements that explain these amazing art quilts inspired by United Nations’ Universal Declaration of Human Rights. Note I am going to share images of quilts from the show over several posts.
Earamicha Brown – A Woman’s Worth
Behrooz Assani – The Dawn of Human Rights
This quilt was not by a “Woman of Color” but by a Persian man, originally from Iran who wanted to show that although this part of the world has a reputation for the violation of human rights, Persia was in ancient times a forerunner on the concept of human rights.
Barbara McCraw – Every Man, Woman, and Child
Cynthia Lockhart – Created to Be Me
Beverly Smith – Plant a Seed
Glenda Richardson – Article 25
I will leave you with these 6 quilts to think about and next post I will continue with more quilts from the show.
Over a week ago I attended the opening of the show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience at the Fitton Center for Creative Arts in Hamilton, Ohio.
This show is curated by Dr. Carolyn Mazloomi, founder of the Women of Color Quilting Network (WCQN). It is inspired by the United Nations’ Universal Declaration of Human Rights.
According to the United Nations’ website (un.org):
The Universal Declaration of Human Rights
The Universal Declaration of Human Rights (UDHR) is a milestone document in the history of human rights. Drafted by representatives with different legal and cultural backgrounds from all regions of the world, the Declaration was proclaimed by the United Nations General Assembly in Paris on 10 December 1948 (General Assembly resolution 217 A) as a common standard of achievements for all peoples and all nations. It sets out, for the first time, fundamental human rights to be universally protected and it has been translated into over 500 languages.
Dr. Mazloomi invited members of WCQN and friends to design a quilt inspired by one of the 30 Articles in the Universal Declaration of Human Rights.
As those of you who’ve followed my blog for a while know, I designed a 50″ x 50″ quilt inspired by Article 1 and Stories My Father Told Me (this is a new category on my blog which contains all related posts about the first quilt in a series of quilts I plan to make inspired by stories/lessons my father told me as a child), titled The Lesson and The Equation.
The Lesson and the Equation (2016) by Tierney Davis Hogan. Photo by Dr. Carolyn Mazloomi.
The Lesson and The Equation debuted at this show along with many mind-blowing and inspirational quilts.
Friday August 17, 2018 was the “soft opening” of the show and contained about 25 – 30 quilts, half the entire show. The entire show will be opening in the future at a larger venue and there will be a book that accompanies the show.
Here are some examples of books from other WCQN shows that can be found on amazon.com (just search “Carolyn Mazloomi”):
In addition the soft opening of the show, Friday 17, 2018 was also the celebration of the 25th anniversary of the Fitton Center for Creative Arts.
Around the exhibited quilts, there were placards with the Preamble and the corresponding Articles of the Universal Declaration of Human Rights, below are a couple examples:
I was very overwhelmed to be part of the this amazing show and here I am absolutely amazed that I got to be an “Exhibiting Artist”:
I was also overwhelmed and very honored that two of my long-time blogging buddies Sandy and Cindy of graybarndesigns.com came from Ohio and Western NY to meet me and see the show!
Tierney and the GrayBarns Sisters!
Next post I will share images from the amazing and inspirational pieces in the show!
“Our hopes for a more just, safe, and peaceful world can only be achieved when there is universal respect for the inherent dignity and equal rights of all members of the human family.” – UN Women Executive Director Phumzile Mlambo-Ngcuka
My 18′ x 40″ quilt from recycled materials, The Recycled Love (2018) is part of the – Threads That Bind Central Oregon SAQA exhibit at Cascade Sotheby’s International Realty Gallery, downtown Bend, Oregon that opened August 3, 2018 and is running through August 2018.
Cascade Sotheby’s International Realty, downtown Bend, Oregon
I did not get to attend the opening but luckily I met a friend for lunch the morning of the show’s opening. After our lunch we peeked into the gallery and luckily the pieces were already hung in preparation for the evening’s opening.
I took photos quickly as I needed to return to work – here are images from the show (apologies to the artists for the less than stellar photo images of their amazing quilts – the quilts were all perfect rectangles unlike my camera image portrays!):
Each art quilt had a placard with the name of the piece and the artist’s name, but I wish the Artist Statements were also displayed. Our SAQA group met in June at one of the member’s gorgeous homes (the house was a piece of art itself!) and we took turns unveiling our pieces and sharing our Artist Statements/the background on each piece.
The art quilts in this show each have an amazing story and I am sorry I cannot share those stories with you (I should have taken notes at the unveiling). I do remember part of one story, a piece by the incredibly talented Jan Tetzlaff – it was inspired her trip to South Africa and seeing the prison where Nelson Mandela was imprisoned for for 27 years:
In case you are new to my blog, you can read more about my piece The Recycled Love in this post – The Recycled Love.
Are you ever intimidated by the work of other artists? I struggle at times between feelings of inspiration and intimidation but I try to focus on INSPIRATION.
This post is part two of the posts on the July 2018 QuiltWorks Gallery exhibits. In the previous post, QuiltWorks Gallery July 2018, Part I , and in this post I will share images from the other side of the gallery – the show of the Featured Quilter Betty Gientke.
Betty is a member of my SAQA (Studio Art Quilt Associates) group and an unbelievably talented art quilter. Her use of color and her color palettes are amazing and very inspirational (note I am focusing on “inspiration” not “intimidation”, ha!)
Betty gave me permission to share the images from the show and here she is at her show:
Here are some of my favorite pieces from the show – enjoy!
And then there was this piece. Mind blown. The photos do not capture how spectacular it is:
Turquoise and Orange – what an incredibly yummy color combination. In addition to the impressive palette, she had many different fabric textures in her pieces.
I took photos of the Artist Statement of several of her pieces but forgot to tie them with the piece, so I am just going to share some of her Artist Statements below alone. Even without the piece to directly connect them to it is still interesting to read about her inspiration for each piece:
Well the weekend grows near and I hope you all have summer fun or summer crafting planned.
My beloved sister in laws (both quilters) are in town for the Sisters Outdoor Quilt Show(Saturday July 14) and I took time off work to go play with them. Terry the Quilting Husband (TTQH) and I are taking them quilt shop hopping around Central Oregon!
The important thing for you is to be alert, to question, to find out, so that your own initiative may be awakened. – Bruce Lee
Are you inspired by the work of other artists like I am?
Last Friday was filled with inspiration as I attended the QuiltWorks Gallery opening of two shows: Tree Quilts and Featured Quilter Betty Gientke.
Here is a view of the downstairs QuiltWorks quilt shop from upstairs in the gallery:
This post I will share some of images from the Tree Quilt Show, held on one side of the upstairs QuiltWorks gallery, that my piece Tree of No Hurry was in (see my post “Tree of No Hurry” at QuiltWorks Gallery).
Next post I will share images of mind-blowing art quilts (including orange and turquoise together in inspirational and spectacular combinations) of Betty Gientke, who also belongs to my local SAQA (Studio Art Quilt Associates) group.
Note – the July QuiltWorks show was crowded and I did my best to take photos quickly between groups viewing the quilts – so apologies on the less than stellar photos…
Tree Quilt Show
Central Oregon Winter by Joan Fox
Her Majesty by Bonnie Tomsheck
Pretty amazing or should I say “majestic”, huh?
Leaves All Around by Mary Stiewig
Hope by Martha Phair Sanders
Okay this one took my breath away (the piece itself and the Artist Statement) but then I know Martha from the SAQA group I belong to – and she is incredibly talented.
There were also these two wonderful pieces in the show that I forgot to photograph their Artist Statements, so I have no talented artists to credit:
I like the modern quilt interpretation of trees set in a bold red-orange background!
And then there was my piece, with it’s simple message to slow down as all will be accomplished:
Yes my piece was not as “artsy” as the other pieces in the show but the message in it makes me smile!
As I mentioned in the post “Tree of No Hurry” at QuiltWorks Gallery, QuiltWorks hosts monthly fiber art shows in their upstairs gallery. The shows open the first Friday evening of the month and includes appetizers and drinks for opening attendees. There is also drawings for fat quarters and other treats. The shop/gallery owner, Marilyn Forestell, always makes opening night fun and is usually showcasing one of her eclectic outfits!
Marilyn Forestell, QuiltWorks owner, modeling the cool vintage skirt she wore at the opening
As a bonus, Marilyn’s dog Piper can usually be found wandering around the shop:
One of the things I love about the QuiltWorks shop (besides Marilyn and her dog) is the inspirational words in the windows about the shop (one of them is the feature image for this post).
Here are the word posted in the windows around the shop:
Create
Inspire
Dream
I think those are very good words!
Next post: Serious art quilt masterpieces by Betty Gientke at the QuiltWorks Gallery July 2018 show (the other side of the gallery from the Trees Quilts Show).
Postscript
Speaking of trees, here is a follow up to the 07/07/18 post Creative Inspiration: Bark, with a couple more B&W photos of tree bark that I took yesterday while wandering around a local park:
Okay I think I have collected enough inspiration for the piece I am working on. Enough with the tree bark for now (smile).
Tree of No Hurry (2017) will be part of the Trees Exhibit at QuiltWorks Gallery which opens on Friday July 6, 2018. The show will run through July.
Tree of No Hurry (2017)
QuiltWorks is a Central Oregon quilt shop that has a gallery upstairs and supports the Central Oregon traditional and art quilting community through its monthly shows featuring the works of local quilters, quilting groups and guilds.
Here is more about the QuiltWorks Gallery from their website:
If you are new to my blog, Tree of No Hurry began in an appliqué class with the wonderful teacher Janet Shorten at the Stitchin’ Post quilt shop in Sisters, Oregon in May 2016. Here are the related posts about the beginning of the piece, it’s evolution, wrangling embroidery floss, etc.:
Tree of No Hurry is part of my “Nature Stories” series of quilts. You can view my current four series of art quilts on my Art Quilt Stories page.
Here is the Artist Statement/story behind it:
TREE OF NO HURRY (2017)
25.5” W x 27” L, cotton fabric, embroidery floss
Designed, pieced and quilted by Tierney Davis Hogan
THE STORY OF THIS PIECE:
How often do we hurry about in our lives attempting “to do” everything we feel we must accomplish?
This quote by ancient Chinese philosopher Lao Tzu reminds us that a force as powerful as Nature (with a “to-do list” greater than we could imagine) does not hurry and still gets the important stuff accomplished.
Nature does not hurry, yet everything is accomplished. – Lao Tzu
The show postcard for the Women of Color Quilting Network (WCQN) show Human Rights in the New Millennium: Quilting the World’s Conscience has been published and the show’s curator, Dr. Carolyn Mazloomi shared it on her facebook page, so I am sharing it on my blog:
The show opens August 17, 2018 at theFilton Center for Creative Artsin Hamilton, Ohio. The show is based on the United Nations (U.N.) Universal Declaration of Human Rights. Show participants had to select one of the thirty (30) Articles in this declaration and make a 50″ x 50″ quilt inspired by the Article.
I will be attending the opening and I am excited and honored that my piece The Lesson & The Equation (2016) will be in the show.
The Lesson and the Equation (2016) by Tierney Davis Hogan. Image courtesy of Dr. Carolyn Mazloomi.
All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. – Article I, U.N. Universal Declaration of Human Rights
I’ve been waiting to share this with you for quite a while. First, I needed to wait until the show’s curator gave me permission to share, and then I needed to be ready to share.
I am ready to share!
This post is an overdue follow up to my post Creative Inspiration: Stories My Father Told Me, originally posted in April 2016. You are welcome to read the original post but here is a synopsis of some of this post and a little bit of additional information:
While browsing the magazine section at our local Barnes & Noble bookstore in March 2016, I came across this magazine that I’ve never seen before: American Craft Magazine:
Image credit: craftcouncil.org
In the April 2016 issue of American Craftthey had an article about an exhibit, And Still We Rise by the Women of Color Quilting Network (WCQN). I never heard of WCQN and immediately knew I wanted to join!
I reached out to Dr.Carolyn Mazloomi, founder of WCQN, shared my blog links with images of my work and asked if I could join and she said yes.
I then spent a lot of time looking through the WCQN website and was inspired to create a series based on the incredible stories my father, Raoul Davis, Sr., told me while growing up – Stories My Father Told Me.
I shared this with Dr. Mazloomi and she invited me to participate in the next WCQN show. (I was terrified and wanted to say “No” but I made myself say “Yes”)
The Lesson & The Equation
The WCQN show that I was incredibly lucky enough to be invited to participate, was based on the United Nations (U.N.) Universal Declaration ofHuman Rights. Participants had to select one of the thirty (30) Articles in this declaration and make a quilt inspired by the Article.
I selected Article 1 as it aligned with the lessons and values my father taught us as children:
“All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.”
I’ve shared partial images from the quilt I created, which is the first quilt in my series Stories My Father Told Me. Here is a full image of the quilt, courtesy of Dr. Carolyn Mazloomi, and below the image is my Artist Statement.
Image courtesy of Dr. Carolyn Mazloomi
ARTIST STATEMENT
The Lesson & The Equation (2016) 50 x 50 inches
Applique, cotton, batiks, quilted
“Article I: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.” – U.N. Universal Declaration of Human Rights
Article I of the Universal Declaration of Human Rights resonates the values that my father instilled in my siblings and me, as young children. My father grew up in the segregated South in the 1940s and embraced at an early age that change comes from respectful dialogue, not violence.
He taught us that regardless of what adversity we faced in life, we must face it with grace; and treat others with respect, dignity, and brotherhood. The foundation for a life lived embracing the values illustrated in Article I, begins at home, modeled and mentored by the adults in a child’s life. (THE LESSON)
In this quilt, a father (modeled after my own father in the 1970s) is teaching his children, on the main blackboard, THE EQUATION to achieving a world in which people are Free and Equal: Reason + Conscience = Spirit of Brotherhood
The two individual blackboards, “Dignity” and “Respect”, are the building blocks of the Free & Equal equation. I am from a family of educators, beginning with my great-grandfather. The blackboards in the quilt honor that legacy.
My father also taught us another key lesson, which is best expressed in the words of Mahatma Gandhi: “I will not let anyone walk through my mind with their dirty feet”.
WCQN Show
This quilt will debut in the WCQN show, Visioning Human Rights in the New Millennium: Quilting the World’s Conscience, on August 17, 2018 at the FiltonCenterfor Creative Arts in Hamilton, OH.
Image credit: ohio.org
Yes I will be attending the opening in August and there are no words I could type that would convey my excitement to be participating in this important exhibit. I am feeling very blessed to have been given this opportunity.
There will also be a book that accompanies the exhibit and Dr. Mazloomi’s books are incredible. Search “Carolyn Mazloomi” on Amazon to see a sample of books related to past exhibits. I own several of these books and to call them “inspirational” would be an understatement.
Below is an example of one of the books from a WCQN exhibit (which is currently touring):
Image credit: schifferbooks.com
And Still We Rise: Race, Culture and Visual Conversationsis on exhibit at the Freedom Center until September 1, 2018 – here is thelink if you would like to check out more information on this exhibit.
I had the opportunity to finally meet Dr. Carolyn Mazloomi in person this past September when I attended Quilters Take Manhattan (see post The “Dance Partner” – Michael Cummings at QTM 2017). I tried not to behave like too much of a “fan girl” but I was completely in awe of this amazing and accomplished woman.
What is Next?
I mentioned in my post Art& Fear, etc., I was struggling with two looming art quilt deadlines.
One of those quilts is for my local SAQA group annual show which I have started (will share in upcoming post); and the other one is a new art quilt for the next WCQN show I have been invited to participate in. I cannot share the details at the time, I need to wait until the curator is ready to officially announce the show – but it is another really exciting opportunity!
With the first quilt done in the Stories My Father Told Me series,I have mapped out the next 6 – 8 quilts in the series based on stories from my father’s life and lessons he taught me.
I just need to start making them (and if I win the lottery I plan to work full-time on completing this series)…
Postscript
I think my whole experience demonstrates that you have to take risks in life and when an opportunity comes to your door – take it!
“Go out on a limb. That’s where the fruit is.” — Jimmy Carter
Imagine if I never contacted Dr. Mazloomi? (Of course imagine if I never randomly opened that magazine at my local Barnes & Noble…thank you Universe!)
This post was originally published on 07/02/16 on the Improvisational Textiles website. It being moved to tierneycreates.
I have two new pieces, made from recycled textiles that will show in the Central Oregon SAQA (Studio Art Quilt Art Quilt Associates) exhibit Doors during the upcoming at the 2016 Sisters Outdoor Quilt Show.
Thanks to Marion and Jan the Central Oregon SAQA representatives that coordinated this exhibit!
The Recycled Door (2016), photographed by Marion S.
TheRecycled Door (2016) will become part of my Recycled Denim Series.
I am moving old posts from the Improvisational Textiles blog over to my blog.
Originally posted June 3, 2017
My improvisational piece, Jiko’s Robe (2015) is currently on display at QuiltWorks Gallery in Bend, Oregon.
It is part of QuiltWorks Gallery’s Asian Exhibit of Asian inspired/themed quilts and quilted wallhangings. The exhibit opened during the First Friday Art Walk on 06/02/17 and will show through the end of June.
Jiko’s Robe was originally created for the Deschutes Public Library Downtown Branch’s Novel Idea Art Show in 2015. It is inspired by A Tale for the Time Being by Ruth Ozeki, the selected novel for the annual “community book group” read for Central Oregon.
Deschutes Public Library, in Central Oregon, selects on an annual “community read” novel and invites the entire Central Oregon community to read the selected novel, attend discussions and special events including art shows inspired by the book.
The annual A Novel Idea program concludes with an evening talk (usually sold out) by the author at a community venue. It is like a community-wide “book club”.
In 2015, I participated in the annual juried A Novel Idea Art Show held at the Downtown Branch of the Deschutes Public Library. I was quite excited when her piece, Jiko’s Secret Robe, the only textile art shown at the Downtown Library, was selected to be in the show.
My Artist Statement provides more information on this piece:
This piece was inspired by Ruth Ozeki’s Novel – A Tale for the Time Being.
In the novel, the protagonist Nao’s great grandmother, Jiko, is a humble and wise 100+ year old Buddhist nun who wears simple robes and lives a simple life. Jiko however carries in her being – powerful history, mysteries, and depths of understanding of her place in the universe.
Inspired by a printed kimono panel, this piece represents Jiko’s “secret robe” – a robe not visible to the eye but visible to the soul. It represents the complexity, turmoil and beauty of her spirit, her experience, her wisdom and her great compassion for all beings and the earth upon which they dwell.
This post originally appeared on the Improvisational Textiles website on May 23, 2017. It is being moved to tierneycreates.
“YOUR BODY OF WATER” EXHIBIT, SEATTLE MUNICIPAL TOWER GALLERY
My piece Abandoned Water Structure (2015), is on exhibit April 5 – July 3, 2017 at the Seattle Municipal Tower Gallery.
It is being shown as part of the Your Body of Water, Part IIexhibit and was purchased from Tierney in 2016 by the City of Seattle/Seattle Public Utilities/Office of Arts & Culture.
From the Seattle.gov website for the exhibit:
Your Body of Water, Seattle Public Utilities’ (SPU) newest additions to their portable works collection, are a visual exploration of our connections to water and how it is protected and cared for by SPU. The poet Jourdan Keith, who created the theme, explained it to mean the following: “We are all bodies of water, connected to one another through the water web. Your Body of water is connected to streams, rivers, lakes, waterfalls, and tides, to toilets and faucets…to present homes, childhood homes and ancestral ones by memory, by the water cycle, by stories.” The exhibition will feature 15 contemporary artworks ranging from paintings, photography, prints and sculpture.
Abandoned Water Structure was inspired by the White Falls Power Plant near Maupin, Oregon. Below is my original photo.
The White River Falls Power Plant and located at White River Falls State Park in the Tygh Valley of northern central Oregon. Here is a link to an article, Nature and modern history mix at White River Falls, by station KATU on the history of the hydroelectric dam and powerhouse that was built in 1910 and decommissioned in the 1960s. Around 6 – 7 years ago, we went on a day excursion to White River Falls and I fell in love with abandoned power plant. I took many photos and the photo below inspired the piece:
Using recycled silks and linens from garment manufacturing set into a gray ombré, Tierney turned the photo into the art quilt shown below. Guadalupe Designs used the same photo as inspiration for detailed quilting.
Here are some detailed photos of the piece:
The show’s curator, Deborah Paine, with the City of Seattle’s Office of Arts & Culture, was kind enough to send me photos of the piece in the Your Body of Water, Part II show:
This post originally appeared on the Improvisational Textiles website on September 17, 2014.
Color Study IV: Color Change (2012), part of the Color Stories Series, was accepted into the Pacific International Quilt Festival.
Color Story IV: Color Change (2012) by Tierney Davis Hogan. Quilted by Guadalupe Designs. Photographed by Jeremy Koons.
The Pacific International Quilt Festival (PIQF) will be held October 16 – 19, 2014 at the Santa Clara Convention Center in the greater San Francisco Bay Area.
According to the show’s website the show contains a “collection of over 800 quilts and works of wearable and textile art” and is the largest quilt show on the West Coast.
This post was originally published on the Improvisational Textiles website on August 27, 2014 and is now moved over to tierneycreates.com
One of my recycled silk art quilts from my Color Stories Collection – Color Story III: Random not so Random, was selected to be shown at NEW DIRECTIONS ’14, Barrett Art Center’s 29th Annual National Juried Contemporary Art Exhibition. The distinguished juror for New Directions ’14 was Lynne Warren, Curator, Museum of Contemporary Art Chicago, Chicago, IL.
Color Story III: Random not so Random was selected as one of 82 works by 74 artists from a total of 653 eligible entries from 202 artists nationwide.
New Directions is a premier national exhibition of contemporary art in all visual art media, showcasing the current work of established and emerging artists from across the United States working in a varied array of medium and genres.
The New Directions ’14 exhibit will be on display from Saturday, September 27, 2014 through Saturday, November 8, 2014in the historic Barrett Art Gallery 1850’s townhouse, located at 55 Noxon Street, Poughkeepsie, New York.
To read more about Colonel Charles Young and his historic accomplishments, check out the Arlington National Cemetery website – 
Below are images from the show and the interpretation of the word “Pathways” by a group of very talented Central Oregon Art Quilters.
tierneycreates 