Special Events, Studio

Color Sorting

I use color in art quilts intuitively: selecting “what feels right” for a piece. I am inspired by combinations found in nature, color combinations that I see in publications, and colors that I enjoy seeing together.

Below are a couple photos from my inspiration board in my studio:

I also have a palette that I love to use, an example is in my quilt below The Lesson & The Equation:

You can also see my palette repeated in this poster from first solo show in April 2019:

(It’s funny but it took a while for me to realize that I actually have a palette that I repeat!)

That being said, I have studied “color theory” in both formal art quilting classes as well as by reading many books. For example I love Joen Wolfrom’s book Color Play: Easy Steps to Imaginative Color in Quilts (2000), the first book I ever read on color theory.

In order to challenge and “break the rules” when creating innovative art quilts, first you have to understand the rules! Although it might be disinteresting to some of the students in my workshop, it is a foundation of artistic creation and one I should cover during my workshop.

I realized that if I am going to teach an art quilting class next year (see post A Year of Finishes: The Pivot) I need to brush up on color theory. I thought the best way to do this was to create a project I found in the book Quilt Color Workshop by T. Bruecher, B. Greenberg, L. Goldsworthy, and J. Adams (2014), that I borrowed from the library.

I am making the Colour Wheel Quilt on the front cover, which will serve as a class visual for my workshop as well as refresh my understanding of Primary, Secondary, and Tertiary Colors; and Pure Color, Tints, Tones, and Shades.

I have a lot of sorting to do to find the strips from my large collection of fabric scraps for the piece.

Currently I am sorting through my box of Reds, Purples, and Oranges to begin the project (I’ve organized many of my fabric scraps into wine crates that liquor stores have my kind enough to gift me or sell to me cheaply).

At first it was tedious, but then it became fun. It is a productive way to revisit my fabric scraps.

I am having fun mapping out the 6-day workshop I will give next year. I am planning to ship to the venue a large amount of my fabric scrap collection for the students to use if they like during the workshop. I am ready to move on from my crazy fabric scrap collection* and start digging into my crazy fat quarter collection (and create more scraps – ha!)

*75% of my fabric scrap collection is from fabric scraps others have given to me. So it is from others’ fabric choices. I am ready to primarily work from my fabric choices in the future…

A Year of Finishes - 2023, Studio, tierneycreates

7 Million Stitches+

Funny how you get sentimental over a sewing machine…

Last year I got my Bernina Aurora 440 QE (Quilter’s Edition) sewing machine serviced at a local Bernina dealer called Thread Play with Bernina. It just needed routine maintenance work and a “tune up”.

The awesome Bernina Service Technician told me when I picked it up after the service was complete, that I had sewn over SEVEN (7) MILLION STITCHES the machine!

Wow that is a lot of stitches!

I got really sentimental when I found that out as this Bernina sewing machine and I have been together since 2006, when I did a “24 months same as cash” financing to buy it. It was the most expensive sewing machine I ever imagined buying. But I’ve made so many things on the machine from utility quilts to art quilts; and lots of craft projects like bags, I definitely got my money’s worth!

I started quilting around 1999, while living in Seattle, WA, on a basic Singer sewing machine. A year or so later into quilting, I upgraded to a Husqvarna Viking sewing machine. I thought I had made it to the “big time” on that $300 machine!

As a beginner quilter I bought my fabric at discount stores like Joann Fabrics in Seattle. After a couple years of quilting and being influenced by other quilters, I began buying more expensive (and higher quality) quilting cotton fabrics from Quilt Shops.

By the time I moved to Bend, Oregon in 2005, I only bought fabric for quilt projects at Quilt Shops and one of those shops was Sew Many Quilts in Bend, Oregon.

Sew Many Quilts is a Bernina Sewing Machine Dealer; and every time I shopped there I began to drool over the beautiful engineered (that Swiss engineering and all metal internal parts) Berninas they had on display. Too many conversations with the friendly staff led to the purchase of my first Bernina!

Fast forward to 2022: My original Bernina is over 16 year old and although I’ve faithfully maintained it (nearly annual maintenance/tune-up visits; and staying on top of routinely cleaning and oiling it myself after each major use), the technology and features of Berninas has significantly advanced.

And now I am drooling over the latest Bernina models…

In early 2022, John decides to buy me one of the latest Berninas – the Bernina 770 QE Plus:

It is an AMAZING sewing machine, light years in features and functions than my old Bernina 440 QE.

But it just sat around looking pretty on the table in my studio, yet not being used. Despite my amazing new sewing machine, I keep sewing on my old and beloved sewing machine with 7 million+ stitches on it!

Recently I made myself put away the Bernina 440 QE and start using my dream machine the Bernina 770 QE. I made myself “break up” with my “longtime sewing buddy” and give the new machine a chance.

As part of the A Year of Finishes – 2023 project, I worked on quilting and adding the binding to a table runner I made from Batik fabric scraps (see post Update on Batik Scrappy Table Runner) for a friend which I promised a table runner many years ago.

I just did straight line quilting with a Walking Foot but the quilting was a breeze and so quick! It took half the time (or less) than it would have taken to quilt the table runner on my old Bernina.

I am now at the point where I am sewing down the binding so the table runner is nearly done and ready to ship off to my friend.

After she receives it I will share the full photo of the finished piece.

I hope my old Bernina is okay sitting around in its case not doing anything. Sigh, I love that machine so much but I need to be with more awesome technology now! My first Bernina sewing machine will always hold a place in my “sewing heart” and I am so grateful it got my through 7 million+ stitches!

(What I’ve left out from this story is how in 2021 I impulsively bought a used Juki sewing machine, but I’ll save that for another post once I figure out what I am going to do with the Juki. We ended up not getting along very well…)


Postscript

While I worked on the table runner, Mike the Miniature Schnauzer lounged under my studio cutting/work table.

He looked especially cute because he was snuggling with his favorite toy – Beary. Mike used to rip out the crotches of his toys (we do not know why) but he stopped a couple years ago. John and I thought the photo looks like Beary is looking gratefully at Mike because he still has his crotch – ha!

And an update on this post Cat Approved Quilt:

Now both of my stepson Z’s cats (both rescued kitties) are enjoying the quilt I sent him!

From the Woodshop, Studio

From the Woodshop: Some Additions to My Studio

John, my resident woodworker, was working on a remodel of our mudroom/laundry room beginning with a new bench (see post From the Woodshop: A New Bench and Beginning of the Mudroom Remodel ) but he is waiting on a new toy (a track saw) before he starts on the next part, the broom closet.

So he’s kept himself busy on the weekends instead with a couple projects for my quilting studio.

NEW EXTENSION TABLE

First he replaced the small plastic extension table with a pine slab on top that I was using next to my sewing/crafting table, with an actual table:

Here is Mike the Miniature Schnauzer checking out the new table:

The table has the schnauzer-stamp-of-approval!

Mike reviews the quality of John’s work (ha!) when he isn’t napping under the cutting table in the center of my studio:

Hopefully you can spot Mike somewhere in the schnauzer pillow…

MINI FRIDGE STAND

In the post The Horizontal Diaries, February 8, 2023, I shared that John had set up a breakfast station in the upstairs guest room when I was spend a lot of time resting (being “horizontal”) with my left leg elevated after breaking my ankle and having surgery.

Well I am spending less time horizontal these days and more time up and about; and I returned to coming downstairs for breakfast each morning. So we decided to move the small refrigerator (or “mini fridge”) out of the guest room and into my studio!

John built a stand for it and now I have a drink and tea area in my quilting studio:

I think John is encouraging me to spend as much time creating in the studio I can with beverages and snacks…

DECORATIVE STORAGE

When John was first teaching himself (via books and YouTube videos) on how to make drawers, he made a lot of practice boxes to start. He recently repurposed a couple of those practice boxes as some additional storage for my studio:

I think we’ve run out of projects for my studio for now, so John is probably going to return to making cutting boards (see post Never Bored When Making Boards (From the Woodshop) ) until his track saw shows up!

Guest Blogger, Studio

Guest Blog Post: Let There Be Light!

Hey this is Mike the Miniature Schnauzer guest blog posting.

Recently I had to help my humans add additional lighting to Tierney’s studio (the former main bedroom, see post A “New” Studio). Since it was a former bedroom, it was not set up for studio lighting, so the humans thought adding a two sets of track lights – one over Tierney’s ironing station; and one next to her design wall would help.

The above photo is the studio during the day and if you look for the faintly drawn green arrows on the ceiling you can see where the track lighting was planned.

So first of course I had to go to the home improvement store and supervise the humans while they picked out tracking lighting and supplies for installation:

What would the humans do without me?!?!

John installed the track lighting. He had to get into the attic (via the main bedroom closet) and drill the hole for the lighting box as well as set up the wiring.

The attic has layers of insulation so John got very creative on how to try and decrease the amount of attic insulation coming onto the floor of Tierney’s studio by attaching an aluminum pan to the “hole saw” attachment he had or his drill:

After a couple hours of drilling, wiring and lighting installation, Tierney’s studio was suddenly filled with light!

I was of course exhausted after all that human supervision and it was time for a nap:

Beastie Adventures, Guest Blogger, Studio, tierneytravels

Guest Blog Post: The Fayetteville Friend’s Studio Project, Part I

Hello this is tierneycreates Beastie, filling in for Tierney who has just returned from a couple days in Fayetteville, Arkansas. Mikelet my miniature Miniature Schnauzer and I went with her, and we consulted/helped with the unpacking and organization of her friend J’s studio in Fayetteville.

(if you are new to this blog, my story is on this post –  I’m A Monster!!! and you can see all my posts at this link: Beastie Adventures).

Tierney and J’s Central Oregon based friend MJ also met up with us there (and Tierney and I got to fly on the same flight from Denver to Bentonville, AR as MJ had a connecting flight from Central Oregon).

J had moved from Central Oregon (where Tierney and I used to live) to Fayetteville, AR and then had a major life changes and did not have the time and chance to unpack and organize her quilting/art studio. She invited MJ and Tierney to visit her and MJ came up with the idea that we could also work on getting J’s studio to the point where she could do her art again.

Here I am on my way to Arkansas – Mikelet and I traveled in Tierney’s backpack:

After visiting with J and MJ a while when we first arrived in Arkansas, we headed upstairs to J’s studio to see what we were getting ourselves into

Oh dear.

Looking around, I realized we’ve got a bit of work to do.

Well I went ahead and set up a temporary desk in the tissue box so I could blog about our project!

Next guest post I will show our progress, but for now I will close out this post with a funny sign J had in her studio:

Studio

Treasures Discovered in my Fabric Stash

Yesterday I discovered treasures in my fabric stash: a collection of what I believe to be South African Shweshwe fabrics.

Many years ago, an art quilting mentor in Oregon had shared with me some of the bounty of fabrics she inherited from her friend’s aunt who had died, who was a world traveler, and had collected fabrics from all over the world during her travels (primarily small samples and pieces, rarely yardage/metres).

I was able to select a sampling of fabrics from the huge stash of fabrics and I was attracted to a collection of blue and white fabric fabrics, that had a lot of texture to them, that I thought were Japanese textiles.

I end up shoving this collection of blue and white fabrics away with my collection of Asian fabrics and I did use a some of them to make this simple blue and white quilt years ago, along with a large collection of Japanese blue and white fabrics I got from the inherited stash:

I was just trying to put to use a bunch of the awesome fabrics I got from the late aunt’s stash, little did I understand the treasures I was using up….

So, as I shared in the August 2021 post Awesome Surprise Treats in the Mail!, my South African based long time blogging friend Mariss (@fabrications) sent me some treats in the mail all the way from the other side of the world, which included these awesome Nelson Mandela fabric pieces:

At the time I received these fabrics (June 2021), I did not make the connection to the similar other fabric in my stash, which I had mistakenly labeled as “Japanese”.

But yesterday a light bulb went on in my head (oh how dim my brain has been sometimes) and when I came across that stash of blue and white fabrics again, I took a close look at the label most of them had on the back:

3 Leopards fabric by the Da Gama Textile Company in South Africa! A little further research and the fabrics appear (and please correct me if my brain bulb is being dim) to be South African Shweshwe fabrics.

From the Da Gama Textile company’s website, here is some background on Shweshwe fabrics if you are not familiar with Shweshwe:

Shweshwe has a history going back thousands of years, with the shweshwe we know and love today making its way to SA for the first time in the early 1840s. Today, we produce shweshwe by the traditional processes, using a weak acid solution to bleach out distinctive designs. This gives the fabric an authentic look and feel, as well as the distinctive smell that consumers know and love. Shweshwe is a unique Eastern Cape fabric and Da Gama Textiles is aptly referred to as the “home of the original shweshwe”. It is not uncommon to see patrons taste, smell and feel the fabric before committing to a sale, to ensure the cloth is authentic. Shweshwe is sold by folded bolt and not on a cardboard core in roll form, staying as close as possible to its roots of origin. All of these unique characteristics date back to the long sea voyages from the UK to South Africa, which formed the original transport route for this cloth. A strong starch is used to preserve the fabric, resulting in the hard handle and distinctive smell, which disappear after washing.

The Shweshwe fabrics I am lucky to have in my fabric stash are so beautiful and have an amazing texture and feel to them. Here is a sampling of some of the fabrics I have:

All the backs are marked with either a full or partial version of the Da Gama Textile Co. label.

And here is the whole pile including the Nelson Mandela fabric that Mariss sent me:

I revisited that blue and white quilt I made many years ago and winced to see fabrics such as this example below in the quilt:

I was thinking: “I should have saved that fabric for something really special.” But then I remembered that I look at/enjoy this quilt every day as it at the foot of my bed on my partner John’s grandmother’s antique chest. So the Shweshwe I’ve already used in my stash has gone to good use!

POSTSCRIPT

I found this awesome blog post from 2018 by Urbanstax called What is Shweshwe, that is worth a read:

urbanstax.com

Did you see that blue and white wedding dress photo in the blog post made from Shweshwe fabrics – WOW!

A Crafter's Life, Studio, Sunflowers!

Update on Memory Quilt

Thought I would give a little update on the memory quilt I am making for a grieving friend who lost her mother, with her mother’s favorite clothes. Here is a link to the previous post if you’d like some additional background – Update on “The Challenge” .

Here is the quilt top completed that I shared in that previous post:

Originally I was thinking of sending it out for professional long-arm quilting and my friend was going to pay for the professional quilting. Then I got concerned with there being issues over the unusual fabrics I had used in the quilt (acrylic sweater, polyester scarf, velour robe, etc) with the long arm quilting machine.

I discussed it with my friend and she was good with me quilting it myself (though it would not be nearly as lovely quilting as a professional long-arm) and she would give me money for the cost of the batting, etc. She is not a quilter and does not have expectations of super high quality machine quilting on my part – whew!

Last week I was trying to figure out the logistics of domestic machine quilting and thought I better hand stitch some of the blocks that have special logos, embroidery, etc. to secure them instead of trying to machine quilt around the logos. I found some heavy embroidery thread from my stash of thread of Sashiko* stitching and did some lap quilting (in the middle of the hot summer):

(*but wait a minute Tierney: I’ve followed your blog a long time and I do not remember any posts about Sashiko stitching…Why yes, I have the supplies and started a piece like 10 – 12 years ago…but someday I am really going to pick the piece up again and then blog about it..)

It was fun and for a moment (yes only a wee moment), I actually considered hand quilting the entire quilt. But I came to my senses as that would not be very fun in the hot summer and I would like to get this quilt to my friend, who is facing some other life challenges right now, sooner than in 6 months to a year! (Exhibit A – “Seattle Scrappy” which took me over a year to hand quilt – Seattle Scrappy is Done!)

Speaking of hot summer, I recently got my first full sized tomato (as opposed to the grape or cherry tomatoes I have successfully grown) in my little container garden on my upper back deck and I was so happy!

As I joked on my @tierneycreates Instagram account, I wanted to frame it! As of this writing, I now have two full sized tomatoes. Right now both tomatoes are sitting as decoration on my kitchen counter and I better use them before they go bad!

I am also celebrating the appearance of the first sunflower in my garden. I love love love sunflowers and I’ve blogged about them several times in the past especially when I lived in my house in Oregon where I grew sunflowers every year.


Postscript

We are at that point in summer (August), where for me I am OVER summer and the heat, longing for Fall/Autumn.

I was so longing for Fall that I made one of my favorite colder weather dishes – chicken pot pie:

I made two because we help feed John’s recently widowed father (John’s stepmother suddenly passed at the end of 2021) who lives nearby and he loves my chicken pot pie!

Yes it was lovely (not) having the hot oven, in the heated up kitchen due to the hot oven, in the hot weather outside. Brilliant, eh?

Also just sitting around one evening with that memory quilt on my lap hand quilting it made me yearn for cooler weather.

But then I reminded myself that come early March, I am only dreaming of warm weather! I have to always remember to just embrace the current season I am in.

So back to relishing in my 2 full sized tomatoes and my sunflowers (smile).

Studio, What's on the Design Wall

Update on “The Challenge”

I keep getting away from blogging as I seem to be having a very busy summer. We just returned from Chicago where we met up with my brother and his family for the weekend. Tomorrow my sister arrives and we go on a road trip to celebrate her birthday for a couple days and I show her a little of Colorado. Then the following week I head to a quilt retreat on the Washington coast.

I did in between traveling, get the quilt top done on the quilt I discussed in the post The Challenge… , of my friend’s late mother’s favorite clothes that she asked if I could turn into a quilt. As I shared in that post, here is what I started with:

The challenge laid out

The sweatshirt, T-shirt, jean jacket, jeans and shirts did not scare me. The sweaters, scarf and the velour robe did!

I bought woven interfacing (like 12 yards of it) and fused it to all the deconstructed clothing (my first step was to deconstruct the clothing).

Deconstructing the clothing

I was able to pull out the logos on the t-shirt and sweatshirts; and embroidery on the jean jacket. After fusing all the non denim fabrics to the woven interfacing, I was able to cut them into 5.5 inch x 5.5 inch blocks and create 10.5 inch by 10.5 inch 4-patch blocks.

What to do with these sweaters?

I did consult with my friend Wendy who suggested Solvy, a water soluble stabilizer. Wendy has a lot of experience with Solvy. Wendy did a little workshop for me at her house years ago and I made a little thread bowl with thread scraps like in her book Fast, Fun & Easy Incredible Thread-A-Bowls: 2 Techniques-5 Projects-Unlimited Possibilities. I still had a sample of it that she gave me.

image credit – amazon.com

Solvy is a little on the messy side and I decided to just try using the woven interfacing on a section of one of the sweaters as a test. It worked, not perfectly, but good enough. I was able to cut some hearts out of one of the sweaters, and then fuse the heart to a 10.5 inch by 10.5 inch block and satin stitch it down:

Ta da – was able to use one of the sweaters

I did not use the other two sweaters, I am returning them to my friend.

So here is the completed quilt top which I will machine quilt myself to batting and backing fabric; and then figure out what to use for binding.

up on the design wall

It’s not my greatest work as the fabrics were very challenging to work with and I cannot believe I added a thin polyester scarf to a quilt, but I did it! Don’t even get me started on the velour robe – the deconstructed fabric shed everywhere and was a disaster when I tried to press the blocks with it in it. But I made it work also…

It does look better in person, you’ll just have to trust me (smile).

When I get it quilted and the binding sewn down, I will give you all the final photo as well as what ended up being the measurements on the quilt.

Studio, What's on the Design Wall

The Challenge…

My friend lost her Mom, who she was very close to, and she is having a difficult time with grief.

She’s kept some of her Mom’s favorite clothes and she asked if I would make a quilt out of them.

I agreed to making the quilt, without knowing what the clothes looked like as she planned to snuggle under the quilt and feel comforted by her Mom’s beloved clothing.

When she dropped off the clothing, I realized I had a challenge ahead:

I’ve made art quilts from recycled clothing; and when my Father passed, I made my brother and sister each a quilt from the T-shirts he used to wear, so I was comfortable with the idea of deconstructing clothing and turning them into fabric for a quilt.

However, I’ve never worked with knitted fabrics such as these in a quilt:

I think I can work the first two sweaters on the left into the design, but I might have to return the black and white sweater to my friend to just keep. I bought some special interfacing (and softer one, not the Pellon SF 101 I usually use that I think would be too stiff). I am sitting outside (lovely day) writing this blog post and sorry I do not feel like running upstairs and seeing exactly what interfacing it is – ha!

I also have this challenge – a scarf, but I think I can just use interfacing for it also and work it into the design:

I have found a pattern that I want to use (I think) that I will share in a future post. Right now I have deconstructed the clothing and sorted them.

I am looking forward to working her Mom’s favorite T-shirt and sweatshirts into the design, as well as her beloved velour robe:

And the embroidery from her Mom’s favorite jean jacket should be fun to incorporate also:

I’ve deconstructed the jean jacket, saving the embroidered flower separately and saving any salvageable denim as fabric for the quilt.

I’ll update you as I make progress on this challenge!

I welcome ANY THOUGHTS on how to best interface the sweaters to incorporate them into a quilt.

Studio

Quilter Distractions: Good Mail filled with “Taupe”

My friend the quilt artist, quilt book author, and quilting teacher, Wendy Hill (@wendyquilter) was generous enough to send me a package of good mail the other week.

Inside the package were fabric scraps (small and large to very large) and completed blocks from when she was fascinated with making “Taupe” quilts.

She had an article in the July/August 2007 publication Quilters Newsletter Magazine which discussed Taupe quilts and featured her amazing Taupe quilt – Isotaupe.

Here is an image of it from her website (she now uses Instagram as her primary social media) Wendy Hill Quilt Artist:

image credit: wendyhill.net

This image does not do it justice, it is amazing in person; and I first saw either this quilt or another Taupe quilt of Wendy’s at an art quilting show when I lived in Central Oregon. It was before I knew Wendy as a friend, she was an amazing local artist and quilt book author.

I got to know Wendy through running in to her at the Stitchin’ Post in Sisters, Oregon. I believe it was at the annual Pajama Sale (see this old post of mine for information about the annual Stitchin’ Post Pajama Sale where you would get huge discounts on fabric if you showed up in the PJs before 8:00 am – Pajama Sale and Finished Pieces, a lot of great memories of attending that each year…), when I was working on my first Taupe quilt and Wendy consulted on fabrics and admired my blocks in progress (I cannot find a picture of that quilt which I gave as a gift to someone long time ago…)

So Wendy knew of my love for Taupe quilts and how much I was blown away with her Taupe quilts; and recently she was Spring Cleaning and sent me the lovely package of Taupe fabrics and blocks from quilts in progress that she decided not to complete.

Example of some of the blocks she sent:

Included in the package was also this pile of blocks:

I wasn’t sure of what pattern these blocks were supposed to be until I laid them out on my design wall:

Wow! The picture I took does not do these blocks justice as they are in a collection of amazing Taupe fabrics.

I knew I wanted to finish this quilt and I thought I could disassemble one of the blocks to create a pattern. Then I discovered from Wendy that this was a quilt she designed called SuperSymmetry and it was published in the October 2010 edition of The Quilt Life.

Here is a picture of the quilt SuperSymmetry from Wendy’s gallery page on her website wendyhill.net:

image credit: wendyhill.net

Isn’t it breathtaking?

I think I have enough Taupe scraps to finish the quilt as well as some Taupe in my collection such as these Japanese Taupe fabrics in my stash:

HOWEVER I am supposed to be focusing on working on my Tula Pink’s City Sampler 100 Modern Quilt Blocks quilt (see post And then there were 88), but I’ve become very distracted by the contents of the package Wendy sent me!

I also came across this pattern recently, which would look wonderful with Taupe fabrics, in the January/February 2003 issue of Quilters Newsletter Magazine I picked up at a thrift store for 50 cents:

But I made myself put the contents of the package Wendy sent me away, so I can get back to finishing the quilt I am working on.

You know us creative types, we can be subject to easily distractible “squirrel’ moments like the dog Dug in the movie Up:

“I have just met you, and I love you” – one of my all-time favorite movies lines, as well as one of my all-time favorite animated movie!

I must focus on my current project.

I must focus on my current project.

I must focus on my current project.

SQUIRREL!


Postscript

If you would like to learn more about “Taupe” as a color/concept, here overview of Taupe, from Colorpsychology.org:

Taupe is considered to be intermediate shade between dark brown and gray, which shares similar attributes of both colors. However, taupe does not describe a single color, rather, it is used to describe a vast range of colors from dark tan to brownish gray. Taupe is a neutral hue — neutrals are created by combining complementary colors (colors that are opposite each other on the color wheel) which results in desaturated brownish colors or mutes — likewise, taupe hues are achieved by mixing together umber and white pigment.

The word, taupe, originates from the French word, taupe, and the Latin word, Talpa, which translates to “mole,” as it was primarily used to describe moleskin. Notably, variations of taupe have appeared on the Pantone Color Trend Reports over the years. Recently, ‘Warm Taupe’ was featured on the Fall 2016 color palette. Taupe provides the perfect backdrop to complement and offset brighter colors.

Studio

A “New” Studio

A week or so ago my partner John and I came up with a crazy idea: We have a large master bedroom and only use about 1/2 of it (the other 1/2 I used for occasional yoga and daily stretches) – why don’t we switch my sewing/quilting studio to the master bedroom and we move our bedroom to a smaller guest bedroom down the hall?

Yes, we’d have to access the master bathroom through my studio but we could keep the closets the same as our clothes are inside the master bathroom in a walk in closet at one end. So all we’d have to do (well it is a BIG “ALL”) is move a couple rooms of furniture around…

THE OLD STUDIO (IN A SMALL BEDROOM)

First, here is what my OLD studio looked like in one of the smaller bedrooms upstairs in my house:

Here is a little video tour of my old studio I posted to Instagram last year. I uploaded it to YouTube:

As you can see I had it jammed packed with stuff, but I made it work!

So over the past 3 – 4 days, doing a little here and there and then doing some big moves, we got rooms switched around. It took another day to get art, etc. hung and finishing touches.

THE NEW STUDIO (IN THE FORMER MASTER BEDROOM)

Here is the reveal of my NEW master bedroom tierneycreates studio:

I really like the table placed in the alcove (where I used to do yoga) with the windows on three sides. During the day it gets a lot of natural light to craft by and I have a nice view of a wooded area.

As far as our “new” small master bedroom, everything is going well so far. All our furniture fit and it feels rather cozy.

I cannot wait to get back to working on projects in my new big studio space!

Studio

Stuffing it the Eco-conscious Way!

In my sort of recent post, Preparing for Quilt Retreat, I shared that I was preparing for an upcoming quilt retreat with my long time quilting friends by pre-cutting blocks from the book Tula Pink’s City Sampler 100 Modern Quilt Blocks for a quilt, and saving them in individual packets so I’d be ready to work on each block at the retreat:

I ended up getting 20 of these cut for the retreat, so that is 1/5th the blocks needed for the quilt

Well, cutting the fabric for 20 – 6.5 inch by 6.5 inch blocks made a lot of tiny scraps, especially since many pieces/parts of the blocks were 1.5 inch x 1.5 inch or a little larger.

Here is my little bucket of scraps:

Most of the pieces were too small to use in anything, and I already have a collection of “leaders and enders” for sewing on my machine and did not need more.

So I decided to use the scraps as stuffing for some pincushions I needed to finish up, sitting in my WIP pile. The tops for the pincushions were paper pieced (see posts Paper Pieced Pincushion and Another Paper Pieced Pincushion & Amazing Thrift Shop Find), the bottoms cut and I needed to sew the strips around the middle, stuff them and put on the buttons.

Here is one of the pincushions getting stuffed with scraps:

And here are a couple images of a finished pincushion, all stuffed with tiny scraps (and thread clippings) that could have ended up in the trash (then landfill!):

I was feeling quite eco-conscious after using those tiny scraps (and thread clippings) to stuff the pincushion!

Studio, tierneycreates, What's on the Design Wall

Another Bag Making Class and Another Project

Last evening I took another bag making class like I did a month ago (see posts Did something awesome – took an in person crafting class! and Adventures in Bag Making: Range Backpack DONE!) at a Denver quilt shop.

This time we worked on the Firefly Tote by Noodlehead. A month ago I shared photos of the quilt shop’s class sample of the tote:

Class sample photo 1
Class sample photo 2

The pattern has instructions for two sizes – a smaller “project” size; and a larger “tote” size. I figured I would make the tote size.

I decided to make it in the same fabrics as the Range backpack also by Noodlehead that I made in the previous class and here are photos in progress during the class last night:

My partially finished Firefly Tote

That was as far as I got (photo above) during class and I still need to make the lining and the drawstring topper. I found the “blingy” gold handles at the quilt shop and they go with the shiny gold zipper I used also in my coordinating backpack, also found at the quilt shop.

One class attendee got way farther than I did, and she was making the “project” size tote bag. Here is her nearly finished adorable project size bag being held up by our wonderful instructor:

Another student’s nearly finished project size Firefly Tote

Another student in the class brought her finished Range backpack to class and it was so cool I had to photograph it – she has it lined with a custom Yellowstone map fabric she found on Spoonflower:

If you are just joining us, here is the Range backpack I finished a couple weeks ago from the class I took a month ago. As you can see my Firefly Tote will coordinate with it:

And speaking of backpacks, I am currently working on a commission project of a scrappy Tula Pink Range backpack for a gift for someone who is a Tula Pink aficionado. The family member who commissioned it as a surprise gift asked me to include lots of Tula Pink fabrics. I am trying my best but I have a limited range of her fabric lines (but lots of scraps!)

Lots of Tula Pink All Stars line fabric scraps in my stash

Here is my design wall in progress as I work on piecing together/creating my own “fabric” to start cutting the sections for the backpack:

This is just a little bit of the fabrics I am using, it will be super scrappy. I am going to first make “fabric” from the scraps and do some simple quilting on it to reinforce it before I start cutting sections for the backpack pieces. I will share a photo when it is done!

I have to set finishing my Firefly Tote from last night’s class aside for now as I need to get the backpack done and shipped so they can surprise their sister for Christmas!

Are you working on any last minute December projects?

Fabric Scraps Obsession, Studio

Little Scrappy People

Back around the beginning of November my blogging buddy in Pennsylvania, Claudia@claudiamcgillart posted this post about how she was making little people out of recycled eye medicine vials:

Tiny People Made from Eye Drops Vials

I loved how she was doing some very creative recycling with individual eye medicine vials that most people would have discarded into the trash.

Around the same time I was in the process of cleaning up my fabric scrap collection and pulling out the tiny pieces I was likely never to use. I started to discard the scraps into the trash bin (gasp) but then I realized they were the right size for Claudia’s eye medicine vial people (or other art projects she does with small fabric scraps).

So I sent her a package of small to tiny fabric scraps.

Then last week (or so…time is getting foggy at the end of the year) I received a wonderful surprise in the mail from Claudia – my own collection of little eye medicine vial people.

Here’s a close up of the little people in groupings of three:

For now I have them all hanging out on my white board ledge in the studio:

They definitely make the boring whiteboard more interesting!

Studio, tierneycreates

Seattle Scrappy is Done!

I was going to give you the last post in the series of posts on my first Rocky Mountain Quilt Shop Hop but I thought I would just do a quick post and tell you all that “Seattle Scrappy” is done!

If you are just joining us – “Seattle Scrappy” is a quilt I pieced from my friend Dana’s scraps at a quilt retreat in early 2020 (pre-Covid pandemic) in a free form log cabin quilt style. Then I took over a year to hand quilt it. After I finished hand quilting it, I had the tierneycreates blog readers help me select the binding.

If you happen to be curious on the full story on this quilt and its journey to completion, here are all the posts:

Of course you might be thinking: “Tierney maybe you would have had the quilt completed sooner if you weren’t blogging about it so much!” – ha!

So here is quilt with the binding on, fresh out of the dryer. I like to wash and dry utility quilts after I put the binding on (I do not wash art quilts):

I gave it little pressing and now it hung in our bedroom so I can look at it each morning when I wake up!

I better get another hand quilting project started before winter starts! I was definitely fun to sit under the quilt while I was hand quilting it in the colder months.

Studio

Are You a Peeker?

I know that sounds like a really personal question doesn’t it? (I am a proud “peeker” but we’ll get into that in a moment…)

I’m about to ask those of you who quilt/put bindings on projects some really deeply personal questions, are you ready?

Working on sewing on the quilt binding that won the votes (see posts Help Me Pick the Binding for Seattle Scrappy! and And the Winner of the Binding Fabric Poll is…) yesterday got me wondering what other crafters’ practices are related to sewing on a binding.

First a couple questions related to the initial sewing on of the binding to the quilt:

Are You a Peeker?

When you first sew the binding onto to the quilt (before you hand stitch or machine stitch it down), do you peek after your first couple inches or so to see how the binding is going to look finished

I do! I am a proud peeker! As soon as I have enough binding sewn on to the quilt I flip the edge it over to the backside so I can see how it is going to look:

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It is just so pleasing to me and like instant gratification to see a preview of how the finishing quilt binding will look!

Do You Measure or Eyeball?

When it comes to turning a corner on a quilt when initially sewing on the binding, do you eyeball the quarter inch (or whatever measurement you use), or do you whip out the ruler and measure?

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I am an “eyeballer” and so far it has served me well (but I have screwed up a couple times). Occasionally, as you can see in the image above,  I do also pin it in place before sewing down the next section after turning the corner.

Now a couple questions related to hand stitching the binding to the back of the quilt after you’ve initially sewn it on:

How Do You Do Your Corners?

After you finish initially sewing on the binding, do you sew all the corners of the binding first and then sew down the rest along the quilt; or do you just start at one section and work your way around the quilt?

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What I do is preview the corners, that they are sitting correctly and sometimes leave some pins or some clips in the corner, and then I randomly select a place to start to sew down the binding and work my way around the quilt.

And the most private and personal question of all (smile):

How Do You Select Thread Color to Sew Down to Back?

I’ve always struggled with this – do you go with trying to match the color of the binding or the color of the backing/back of the quilt?

I went with what was in my sewing machine – a medium-ish gray and I hope it works between the medium-dark binding color and the light gray backing!

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I think that is enough probing questions.

Okay, so in the comments below feel free to share your most personal binding related secrets – it’s OK you’re among friends (smile)!


Postscript

I was also going to ask how do you initially measure how much binding you need to bind a quilt? I eyeball it by holding up my fabrics strips, that will be made into the binding, up to the quilt. But many times I end up with this situation: too much leftover binding…

Studio

And the Winner of the Binding Fabric Poll is…

Okay we are doing this in sort of “real time” as I have not looked at the final poll results yet, and I am going to do it while I type this post!

Wait to back up in case you are just joining us – in my July 30, 2021 post Help Me Pick the Binding for Seattle Scrappy!  I asked for my blogging buddies to vote on which binding fabric I should use for the quilt Seattle Scrappy which I recently finished hand quilting.

Thanks so much to those of you who voted, and the winner is (drumroll as I am about to peek at the results myself)…

A TIE BETWEEN FABRIC B AND FABRIC D!

Okay it is up to me to break the tie.

As much as I love fabric D, I have thought about several of the comments that were left on the post about framing the quilt in a darker fabric and I am going to go with Fabric B for the binding.

So I will start assembling the Fabric B binding and share photos when I get the quilt binded…bound…when I finish attaching the binding (smile).


Feature image Photo by Case Hubbart on Unsplash 

Fabric Scraps Obsession, Studio

Help Me Pick the Binding for Seattle Scrappy!

Okay time to take a break from “tierneytravels” and get back to “tierneycreates” (smile).

It only took like a year+ but I’ve finally finished hand quilting a lap sized free form log cabin quilt I started back in January 2020 at a quilting retreat which I named “Seattle Scrappy”. Now I need your help to decide which fabric to use for the quilt binding.

I know crafters are opinionated and like helping other crafters with their design, so I am looking for your opinions.

But first here is a little quick background on the piece and some additional photos.

  • In January 2020 (before the pandemic was a reality) I attended a mini quilt retreat with a couple quilting friends in Poulsbo, Washington. I brought a couple hand work projects and had EVERY INTENTION of only working on my hand work projects. But, my dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
  • Out of that bag of scraps came a whole lots of free form pieces log cabin blocks and you can read about those in this post – What’s on the…Design Carpet.
  • Since February 2020 I’ve had a series of posts on the evolution of this quilt:
  • I’ve had an update or two on my @tierneycreates Instagram feed since these posts but basically I’ve just been plugging along (when I remember to work on it) hand stitching it with perle/pearl cotton thread.
  • Last night I finally finished stitching it; and this morning I trimmed off the extra batting on the edges!

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I didn’t have the best light when I quickly took these photos this morning, but they give you a general idea of the hand quilted quilt.

Now it’s time to choose the binding (this is where you come in) and here are the four options I am considering:

As you can see they are all some shade of gray. You might be thinking: “Well Tierney, what about the turquoise, aqua, or the burnt orange in the piece?” I did think about those for a moment but first of all I do not have enough of any of those fabrics to create a binding; and second I do not want to frame it in a strong color. I want to frame it in a gray.

So here are the four gray fabrics up close up against the quilt for you to select from when you share your thoughts:

A – fabric with faux stitching pattern

Fabric A

B – medium-dark gray fabric

Fabric B

C – medium gray fabric

Fabric C

D – variegated gray fabric (the tone/shade of gray will change along the binding

Fabric D

Here is a poll below for you to vote and I will report back on the result of the poll and my final decision (which will likely be heavily influenced by your votes):

****If you’d like to participate in voting/respond to the poll, you have to go to my actual website. It will not show in the WordPress Reader, sorry (thanks @tammiepainter for making me aware). If you are in the WP Reader, click on “Visit Site”.****

I’d appreciate any additional thoughts you have in addition to your vote in the Comments section of this post.

Please note however, I will only tally votes through the poll above just to make sure I do not duplicate votes, thanks!

Awaiting your votes…
Beastie Adventures, From the Woodshop, Studio

Guest Blogger: Updated Tour of Beastie’s Home

Tierney is on vacation and she’ll tell you about her trip when she gets back. So I am going to step in and be the guest blogger so she does not go too long without having a new post on her blog (I know, I know, I am so awesome for helping her!).

Oh in case you are new to this blog: my name is tierneycreates Beastie and I am a Monster, but the good kind of Monster. I was made by Helen of CrawCrafts Beasties in Dublin, Ireland. You can read my story at I’m A Monster!!!. You can also check out the other posts I’ve had to guest blog on (i.e. when the human Tierney falls off the blogging-wagon and I have to help) in the series of posts: Beastie Adventures.

A photo from last year of me writing a guest blog post

When I am not guest blogger posting, then Mike the Miniature Schnauzer has to guest blog post:

Someone else Tierney uses to do her work: Mike reviewing the draft of his guest post before posting…

Oh and now the subject of this post (which is not to just show how Tierney falls of the blogging wagon and we have to rescue her…) – I wanted to show you the recent updates to my home, which is also Tierney’s crafting studio.

Tierney’s partner John (human John, not to be confused with my Beastie fiancé “John Beastie”, see post Guest Blog Post: Mail Order Groom) has been busy in his Woodshop making things for her studio.

MY NEW “HIGH RISE

Human John built Tierney a storage unit for her fat quarter collection and fabric scraps which she keeps in wine crates:

“Beastie Towers”

My dog Mikelet and I live on the “second floor”:

IRONING (AND CUTTING) TABLE

Human John also built Tierney a table with shelves for her new large iron board he made her (see post “From the Cutting Table”: Update to tierneycreates Studio (Guest Blogger)) a couple months ago. She stores her rulers in there as well as miscellaneous sewing supplies:

She’s also been known to store a Miniature Schnauzer in there:

THE TABLE

Last year from her local community board for free stuff, Tierney picked up a large black table to use for crafting. It was scuffed up but it worked:

Tierney was “making-do” with the table and covered up the scuffs with an old table cloth but John wanted her to have a decent looking table in her studio so he created a new tabletop for it! John created a pattern with wood like a “nine-patch” quilting block.

A month ago Tierney bought herself a used Juki sewing machine which is in the image above.

Alas, she did not buy ME another sewing machine, I have to just be happy with my Beastnina:

So those are the changes to my home, the tierneycreates studio!

Tierney will be back on the next post telling you about her trip and she might even catch up with reading her blogging buddies posts and responding to comments.

Until then, here is a sign she saw a couple months ago to give you some inspiration:

From the Woodshop, Studio

Peg, Peg, Pegboard

Yup. So much for my plans to do daily postings to my blog. I even asked Mike the Miniature Schnauzer, who guest blog posted on Sunday 2/21/21, to fill in like he did in the post Guest Blogger: Obsession with Making Crocheted Dishcloths, but he was busy napping and still seems irritated over some dishcloth-crocheting-while-riding-in-the-car incident… (I have a hashtag I use on Instagram sometimes for posted pictures of Mike: #miniatureschnauzerfirstworldproblems).

Rulers Gone Awry

This is probably not unusual but as a quilter I have a lot of different rulers and templates. I have the standard cutting rulers and then I have special rulers and templates I’ve collected over the years for various projects (or being lured by a demo at a quilt shop into buying a ruler/template I thought I might need someday!). 

My organization of these rulers and templates was sort of haphazard and irritating to me. I thought that adding pegboard to my crafting studio would help resolve this – so I consulted with my partner John, aka “Mr. Woodworker” and he figured out a solution.

First he installed a floating shelf he built above where the pegboard was to be placed:

Then he cut the pegboard to fit the area of wall; and painted the pegboard to match the wall:

And then he installed the pegboard. Here is my original set up with the pegboard hooks and pegboard baskets were bought:

At first I tried giving tierneycreates Beastie and her dog Mikelet (see series of post Beastie Adventures) their own little balcony on the pegboard wall but they did not like it.

So I moved her to another area on my studio (she will probably do a guest post in the future to show you her new home and other changes to my studio) and repurposed that “balcony”:

The pegboard has been wonderful to organize my commonly used and miscellaneous rulers. For now I still keep my very large rulers (like my 15″ x 15″ ruler) on my cutting table:

“Mr. Woodworker” is building me a new cutting table in the future which will have slots for my large rulers underneath the cutting surface!


Postscript

My friend Dana was inspired by my new pegboard and recently she had her husband install one in her studio!

At first she was going to have the pegboard painted a neutral color like the color of her studio walls, but then she decided she wanted a pop of color:

I think she did an amazing job organizing her pegboard! Thanks to Dana for sharing images of her new pegboard.

From the Woodshop, Studio

Handmade Spools

My partner John (“Mr. Woodworker”) has been busy in his workshop. In the next several weeks I will have some new improvements to my studio to show you.

For now I thought I would show you that he has taught himself to make wooden spools, which I can use for my decorative ribbon.

He has a special drill-thingie (I guess I could ask him the official name but what would be the fun in that) which he used to create the top and bottom of each spool:

And he attaches the top and bottom discs to an oak dowel to create the spool.

The spools are around 5.5 to 6 inches in height and I think they add a decorative touch to my studio!

Beastie Adventures, From the Woodshop, Studio

“From the Cutting Table”: Update to tierneycreates Studio (Guest Blogger)

It’s been a while since I guest blogged. Hi there – it’s tierneycreates Beastie and I wanted to share some changes to my home (Tierney’s studio).

I’ve titled my post “From the Cutting Table…” because my dog Mikelet and I now live on the cutting table in Tierney’s studio:

 In case you are new to this blog, here is a little background on me:

My name is tierneycreates Beastie and I am a Monster, but the good kind of Monster. I was made by Helen of CrawCrafts Beasties in Dublin, Ireland. You can read my story at I’m A Monster!!!. You can also check out the other posts I’ve had to guest blog on (i.e. when the human Tierney falls off the blogging-wagon and I have to help) in the series of posts: Beastie Adventures.

I like the cutting table, I have plenty of room and it is not too scary like it was when Tierney had me next to all those creepy giant schnauzers (see January 2020 post Guest Blogger: What the heck is going on here?)

Can you see the look of sheer terror in my eyes??!?!

Whew, glad those days are over! Oh you might wonder what became of my fiancé John Beastie (see post Guest Blog Post: Mail Order Groom), well he spends most of his time in John the Human’s office downstairs. Tierney and John Human feel it is best not to let a couple of Beasties spend too much time together as mischief is certain to happen! (Just wait until we get married, they’ll never keep us apart!!!)

Here we are in July 2020 celebrating our engagement

Oh I think I am getting off track on my post…

So yes my dog Mikelet and I spend most of our time on the cutting board in Tierney’s studio and we like it, though I have to keep an eye on Mikelet because sometimes he plays in the pincushion and I think that might be dangerous.

By the way my maker Helen of CrawCrafts Beasties made me my own sewing machine so I could help Tierney sew projects and once I figure out how to use it maybe I will have a guest post about my projects instead of Tierney’s!

Now what I was I originally planning to tell you? Beasties are easy distracted. Oh yes, I wanted to tell you about a recent change to my home the tierneycreates Studio.

John, Human John not Beastie John, Tierney’s partner, recently made an ironing board table for the studio. Before the new ironing board table, Tierney was using a traditional ironing board and iron.

What started this change was for Christmas John got Tierney a cordless iron:

Perhaps you wanted to see a full image of the iron but isn’t the iron much cuter with me in front of it?!!?!?

Okay here is the iron:

Image from Amazon.com

Now that Tierney had cordless iron she had more flexibility on where her iron could be located, so John (again I mean Human John as Beastie John could not have handled the tools involved which are bigger than him…) built her a 2 foot by 4 foot ironing table for her studio.

First John cut a piece of plywood the same size as the table base being used (an old counter height folding table). Then John and Tierney wrapped and stapled four (4) layers onto the plywood base:

  • Batting
  • Insul-Brite heat resistant batting
  • Heat resistant fabric (like the type used for old ironing board covers)
  • Cotton fabric

Tierney is really pleased with her new ironing table and she used it while making all those tote bags she talked about in her recent post (see post Tote, Tote, Tote Bags).

So that is the big change to the studio.

Somedays I get tired of the studio and miss the days when I used to go on adventures with Tierney. The pandemic has slowed down my adventures. Tierney promises that soon we will resume our adventures, I just need to be patient.

For now Mikelet and I will wistfully stare out the studio window…


Postscript

I am going to close this guest post by sharing a secret: Tierney is sort of a slob in her studio.

Look at these mini Toblerone candy bar wrappers she left on the cutting table!

I caught Mikelet sniffing them, luckily there was no candy in them as chocolate is bad for dogs.

I hope she will be more respectful of my space and clean up her wrappers!

From the Woodshop, Studio

In the Studio, additional

Just a quick(ish) post as I try to catch up on reading all my dear blogging buddies’ posts that happened while I was away from blogging for a little while.

This is an unexpected continuation of my previous post – In the Studio.

“Mr. Woodworker” (my new nickname for my partner John) is a little obsessed with getting my sewing studio in shape for maximum-creativity-efficiency (or he is just looking for more pandemic projects and we continue to primarily be stuck at home).

He and I came up with the idea of adding some shelving on each end of my new floating shelf he just installed:

Before the additional shelves

Here are the new shelves (just installed yesterday) – one on each side of the window in my sewing studio!

I cannot begin to tell you how pleased I am with my two new bookcases/shelving on each end of the new floating shelf. These bookcases are things I did not even realize I needed until we spontaneously came up with the idea and Mr. Woodworker whipped them up!

I now feel really organized!

What does Mr. Woodworker have planned next for my sewing studio? Well he wants to build me a matching cutting table, a sewing table and one additional bookshelf area. I asked him to hold off for now as I need to focus on using my studio to keep making stuff for my tierneycreates Etsy shop I hope to reopen in January 2021.


Postscript

Mr. Woodworker has been working on his own studio too, which is located in the basement. He built himself a clamp stand for his woodworking clamps:

Functional – yes. As cute as my sewing studio area – no – ha!

From the Woodshop, Studio

In the Studio

It seems like it’s been a bit of a while since I posted.

To get myself through December (see Postscript section of the post Pillow for a Kitty) I’ve been spending a lot of time in my sewing studio working on various projects. I will share these projects over the next several posts.

Some of the projects have to do with preparing to re-open my tierneycreates Etsy shop after taking a hiatus for 4 (?) years (it appears I last sold something in my shop in 2016).

I’ll talk more about my decision to re-open my shop and the offerings I am working in some future post, but my studio currently shows evidence of my progress to eventually stock my shop.

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My sewing studio has really been an oasis and making things has made me feel centered and peaceful. My partner John has been supporting my studio time and progressing with his new hobby woodworking by sprucing up my studio with some new handmade furniture.

New Bookcase

He made a bookcase for my studio (his first bookcase). The first image is of the bookcase being built in his studio in the basement:

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New Floating Shelf

He also built a floating shelf across the wall of windows in my studio to add extra storage:

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(By the way, my studio is a mess because I’ve been busy making things and not always tidying up between projects…)

In addition to making many things over the past several weeks, I’ve also added in some additional organizational touches to include re-organized my fabric scraps into baskets in my sewing studio’s closet and getting additional wine crates to organize fat quarters.

Re-organizing Fabric Scraps

Here is what I did with the fabric scraps:

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It looks messy but it is a much better way for me to access my fabric scraps which are organized by color groups:

  • Black, white and gray
  • Cream and yellow
  • Orange and brown
  • Red and purple
  • Green, blue, and all the blue-greens

I have batik scraps in their own separate bucket and I have speciality fabric scraps in their own basket.

The plastic bags are scraps for special projects.

While organizing my scraps I purged a lot of small pieces. I decided to finally let go of the small/tiny pieces as well as any scraps that “did not bring me joy”.

Fat Quarter Wrangling

I’ve collected a lot of fat quarters over the years and it feels like I am always searching for the best way to store them. A couple months ago I came up with the idea to organize them in wine crates that I got from local liquor stores. Some stores will give you 1 or 2 for free while others charge $5 a wine crate.

Using an old bookshelf (that I’ve had for like 20 years), I organized the fat quarters by color groups into crates, which I keep next to my cutting table:

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A week ago I added one more crate – the prettiest crate I’ve picked up to date and it was given to me for free by a local liquor store. It even came with a lid:

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I keep my beloved collection of Asian and Japanese woven fat quarters as well as a couple other special fat quarter fabric sets (like my Marcia Derse fat quarter collection, see post Fabric Fangirl Frenzy for the story of when I met Marcia and went a little “fabric designer fan girl” on her… ) on the top of the bookshelf with the wine crates:

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I love the sign I found at a thrift shop: “Happiness is homemade”. It feels like a lot of my recent happiness (or at least breaks from grief) is tied to working on handmade items!

As I mentioned earlier in the post, my next group of posts will be what I’ve been working on in my studio over the past couple of weeks.


Postscript

In case you are wandering what Mike the Miniature Schnauzer has been up to – he is back riding the aisles of home improvement stories and his continues to provide emotional support to his male human working on woodworking projects!

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He actually loves going to home improvement stores and does not like John to leave the house without him!

Studio, What's on the Design Wall

The Patriotic Quilt

Recently I made a patriotic themed quilt for my partner John to go next to his framed U.S. flag from a mission in Iraq his adopted son Kyle, who serves in the U.S. Air Force, dedicated in his honor.

When I purchased the panel a month or so ago from Missouri Star Quilt Company I was feeling strangely patriotic. Now I have mixed feelings but I like the way the quilt came out and how it looks next to the mission flag, which I will show you later in this post.

Here is the panel with the piecing in progress:

2020-08-25_18-35-37_061I made a lot of “flying geese” using the quick method for flying geese and had a lot of little trimmings to throw out but it was better then the slower way to may flying geese!

2020-08-24_11-09-42_2842020-08-24_11-10-25_9322020-08-24_11-10-01_225Here is the finished quilt next to the framed mission flag:

IMG_20200826_1600492020-08-26_16-15-39_6822020-08-26_16-15-29_378As you can tell, I machine quilted it myself (smile).

I mentioned earlier in this post, when I purchased this panel (thanks to a lovely birthday Missouri Star Quilt Company gift certificate from my friend Michele) I was feeling strangely patriotic.

I think I am still feeling patriotic but I am also feeling fairly discouraged and a little sad about the state of  my country. However, I am trying to focus on all the good people here and not the “less good” (and I am not talking politics as I am fairly disillusioned by both sides of the U.S. political parties).

My parents raised us to be patriotic, my father was even born on the 4th of July (Independence Day) and served his country is the U.S. Army.

Even though as people of African decent our ancestors were brought to the country against their will, I came from a family who tried to make the best they could of a not so good situation (Stories My Father Told Me). We focused on education (I come from a long line of teachers) and did not let racial discrimination hold us down. I was taught to keep moving forward and to focus on raising others up (for example my father worked as a social worker with gangs in New York City after finishing his Masters Degree in the early 1960s and then was the head of the Urban League in several major cities; and my mother worked as a Director of  a Head Start Program).

The 4th of July used to be an important holiday for me, always celebrated (plus it was my father’s birthday!). I loved wearing red, white and blue in honor of the U.S. flag. As a kid I loved standing and reciting the Pledge of Allegiance each morning at school; and I loved to sing the National Anthem at the top of my lungs.

But I’ve been struggling over the past 4 years and I’ve been embarrassed by this country’s leadership (both sides of the political spectrum) who seem to be overall very “self-serving”, intentionally polarizing this country, and spending most of their time “pointing fingers”.  I feel like my heart is broken…at times actually shattered.

However, this is the only country I have, and to hate it just makes me even sadder and more heart broken. So I’ve decided despite all the strife and unhappy stuff going on in the U.S. to remain patriotic and still believe in my country.

I am just sharing my feelings and I am not making any particular political point. I respect that others may feel quite different and thanks for reading my musings.

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