I use color in art quilts intuitively: selecting “what feels right” for a piece. I am inspired by combinations found in nature, color combinations that I see in publications, and colors that I enjoy seeing together.
Below are a couple photos from my inspiration board in my studio:
I also have a palette that I love to use, an example is in my quilt below The Lesson & The Equation:
You can also see my palette repeated in this poster from first solo show in April 2019:
(It’s funny but it took a while for me to realize that I actually have a palette that I repeat!)
That being said, I have studied “color theory” in both formal art quilting classes as well as by reading many books. For example I love Joen Wolfrom’s book Color Play: Easy Steps to Imaginative Color in Quilts (2000), the first book I ever read on color theory.
In order to challenge and “break the rules” when creating innovative art quilts, first you have to understand the rules! Although it might be disinteresting to some of the students in my workshop, it is a foundation of artistic creation and one I should cover during my workshop.
I realized that if I am going to teach an art quilting class next year (see post A Year of Finishes: The Pivot) I need to brush up on color theory. I thought the best way to do this was to create a project I found in the book Quilt Color Workshop by T. Bruecher, B. Greenberg, L. Goldsworthy, and J. Adams (2014), that I borrowed from the library.
I am making the Colour Wheel Quilt on the front cover, which will serve as a class visual for my workshop as well as refresh my understanding of Primary, Secondary, and Tertiary Colors; and Pure Color, Tints, Tones, and Shades.
I have a lot of sorting to do to find the strips from my large collection of fabric scraps for the piece.
Currently I am sorting through my box of Reds, Purples, and Oranges to begin the project (I’ve organized many of my fabric scraps into wine crates that liquor stores have my kind enough to gift me or sell to me cheaply).
At first it was tedious, but then it became fun. It is a productive way to revisit my fabric scraps.
I am having fun mapping out the 6-day workshop I will give next year. I am planning to ship to the venue a large amount of my fabric scrap collection for the students to use if they like during the workshop. I am ready to move on from my crazy fabric scrap collection* and start digging into my crazy fat quarter collection (and create more scraps – ha!)
*75% of my fabric scrap collection is from fabric scraps others have given to me. So it is from others’ fabric choices. I am ready to primarily work from my fabric choices in the future…
Back in November 2021 I posted that one of my art quilts made from recycled materials, RECYCLED HOPE III: WINDOWS OF CONVERSATION, sold to a private collector via a Seattle based art consultant – Another Recycled Fabric Art Quilt Sold.
I thought perhaps the quilt went to a private home. I did not ask what became of the quilt after I sold as the art consultant did not disclose her client’s details.
Well my random decision to google “tierneycreates” the other day led to this result:
I discovered my quilt is hung in Building A, L7 at this upscale apartments in downtown Seattle Washington and that my photo and Artist Statement is on their website.
I had fun exploring their website, learning more about this lovely looking downtown Seattle residence.
I also watched a YouTube video posted on the residence’s website…
And found my quilt hanging on the wall in their lounge at time 0:19 into the video (see left side of image below, a screen shot from their YouTube video):
Wow! What an unexpected surprise!
In December I sketched out some plans to continue my Recycled Hope series someday. Coming across this info of what happened to that quilt has inspired me to revisit this series of art quilts in the near future and expand my portfolio.
Was it a message from the Universe to get back to working with recycled materials and making art quilts? Maybe…
The notification I received by e-mail from Public Art Program Coordinator stated:
“Your submission has been selected to be part of Prospectus #268 Southwest Artist Series Purchase Initiative. The submitted artworks will be made available for purchase through the Art in Public Places Program. Your work will be shown to various sites throughout New Mexico with available 1% for public art funds. If your work is selected for purchase, I will contact you directly to begin the purchase process. The work will be made available for purchase for two years…”
Fingers crossed my art quilt gets selected for purchase! If I does I will need to get the art quilt (which measures 18 inches by 39 inches) professionally framed and have it professionally installed at the location in New Mexico it was purchased for. An estimate of the cost to have this done was included in the price I proposed to New Mexico Arts. It would so fun to travel to our neighboring state and oversee the installation!
If you’d like to read the Artist Statement for this piece which was created for a Central Oregon SAQA show several years ago, here it is:
18” W x 39″ L, recycled clothing, recycled denim, and recycled home decorating fabric
THE STORY OF THIS PIECE:
If you peek inside the window to my creative heart you will see it filled with a desire to reuse, repurpose, and reimagine materials which otherwise would have been discarded. Part of my Recycled Denim Stories Series, this piece blends a corduroy shirt and pants, denim jeans, sweat pants, a tweed jumper, an old curtain, and home decorating fabric sample scraps into an assemblage of window-like structures.
This is the second piece I’ve had selected by the NMA for their Art in Public Places program. The first piece was Recycled Hope III: Windows of Conversation in 2020 (see post Recycled Hope and Acclaimed Artist Series). Recycled Hope III: Windows of Conversation however was sold to a private collector in 2021, so I had to pull it from New Mexico Arts’ catalogue of prospective art for purchase.
Here is the final installment in my series of posts about opening weekend of the Women of Color Quilting Network (WCQN) show Black Pioneers: Legacy in the American West at the James Museum in St. Petersburg, Florida where my quilt Langston Hughes, Pioneer Poet was showing.
If you are just joining us, here are the two previous related posts:
Before I share more about the show’s opening weekend, here is a little about my time in St. Petersburg, Florida.
WANDERING AROUND ST. PETERSBURG
I’ve been to several cities in Florida in the past, but I do not remember ever visiting St. Petersburg, so let’s call it my first visit to St. Petersburg, FL. The James Museum is located in downtown St. Petersburg and although my partner John and I had a rental car, we primarily explored the downtown area where our hotel was also located.
One day between opening weekend events, we walked down to the pier area and ran into some very friendly pelicans hoping for us to feed them (which we didn’t – we listened to the posted sign!)
One of the pelicans was following me around and after a while appeared annoyed that I hadn’t fed her/him yet!
There was all sorts of interesting birds wandering around downtown St. Petersburg, here are some curious birds we ran into at a public park:
They were sort of flamingo like but I am not sure if they are in the same family. If you know what they are, let me know!
And of course I had to take some Black & White photos while wandering downtown St. Petersburg, here is my favorite of the photos I took (the rest were “nothing to write home about” so I will spare you a B&W photo essay of downtown St. Petersburg):
John and I had lunch one day and a fun restaurant, Oak and Stone, that featured a self-sampling craft beer area where you got a wrist band that you scanned and selected whatever sampler craft beers you wanted (though they did have a limit of how many samples you could buy during one visit!). Each tap had information about the craft brew selection.
We had a lot of fun sampling beers!
John and I discovered that St. Petersburg has an unusually large number of museums for its size of city – 31! We joked that since there is a lot of wealth in St. Petersburg, “everyone and their brother” wanted to have their own museum!
And now we’ll return to the show’s opening weekend.
BLACK PIONEERSSHOW OPENING WEEKEND CONTINUED
On Sunday September 11, 2022 the museum held a brunch for the artists and the show’s sponsors. After the brunch there was a panel presentation with the show’s curator Dr. Carolyn Mazloomi and 6 of the artists discussing the topic “In Search of Freedom: The Black Presence in the West”.
Each artist discussed their piece in depth and responded to Dr. Mazloomi’s discussion questions about the topic. It was an amazing panel presentation by amazing women. The women in the panel are educators, college professors, a civil rights attorney, historians, and professional artists. Dr. Mazloomi is a retired aerospace engineer and she was not the only PhD level educated artist in the room.
Some of the members of the WCQN have art quilts permanently installed at the Smithsonian Museum and the National Museum of African American History and Culture in Washington, DC.
I cannot begin to put in to words how it felt to interact with this entire group of talented and brilliant women that are part of WCQN during the Black Pioneers show’s opening weekend. Here is the group photo I shared in the previous post about the show opening:
image credit: James Museum facebook page
How lucky I felt to stand among this group of women! I had so many engaging conversations with the other artists during the show’s opening weekend and there are rumors that in the future we might have WCQN artist retreats and I cannot wait to be in their presence again!
If you’d like to read about how I first got involved with the WCQN, this post tells the story – Creative Inspiration: Stories My Father Told Me (re-post). Thank you Universe for letting me run across that magazine that led me to reaching out to Dr. Mazloomi while browsing at Barnes & Nobles in 2016!
I will close this series of posts with this recent interview of Dr. Mazloomi, a National Heritage Fellow of the National Endowment for the Arts (highest award given in the U.S. to an artist), that played on a loop on one of the museum’s walls during the exhibit. I think it is worth a listen.
We as African Americans have participated in the making of this country since we stepped off the boat. African Americans have been explorers, they’ve been business people, they were cowboys, they’ve been part of the fabric of every facet of this country and people will see that the quilts…Quilts have jumped off the bed onto the wall and they are now seen as works of art…these are not the quilts that your grandmother made, they are truly seen as works of art…with the use of cloth we tell the stories not only of our cultures but the making of America…
When I finally sit down in front of my laptop and open my blog (after a hiatus) the decision is: do I catch up on my blogging buddies posts first or do I write a new post. I am just going to go ahead and write a new post otherwise I will get distracted again (smile).
Here goes Part II, continuing the story I started in the post Black Pioneers: Legacy in the American West show opening weekend, Part I, about the opening weekend of the Women of Color Quilting Network show Black Pioneers: Legacy in the American West at the James Museum in St. Petersburg, Florida where my quilt Langston Hughes, Pioneer Poet was showing.
At opening on Friday Sept 9, 2022
Friday September 9th was the opening reception, and on Saturday September 10 there was a “Meet the Artists” event allowing show attendees to chat with and ask the artists questions.
For the “Meet the Artist” event, the museum lined up chairs by each piece so the artist could take a break and sit down during the 2+ hours talking to the public and signing books.
I talked to a lot of people about my quilt. I was especially touched by a mother and daughter duo who told me that my piece was the reason why they came to the show. As I shared in the post Black Pioneers: Legacy in the American West (upcoming exhibit)., my piece was used in the advertisement for the show. See more about the advertisement for the show at the end of this post.
I also had a wonderful conversation with young lady who asked me about how I became an artist. I think she was a preteen. I could tell she was a budding artist and in addition to answering her questions, I had her share her own artist journey to date. She had me sign her book and then brought her sisters by to have me sign their books also.
In addition to chatting with show attendees, I had fun chatting with my fellow artists in our little “pod” in the corner of the exhibit. Here they are hanging out or signing books for show attendees (we signed a lot of books!):
Wow there was some tremendous talent at the show. Here are some of my favorite pieces that I viewed at the show.
Artist: Carolyn Crump
I always “fan girl out” when I see Carolyn’s work. It is otherworldly!
Artist: Dorothy Burge
Dorothy Burge spoke at the Artist Panel during the Artist Brunch on Sunday and shared in detail the story of the amazing woman featured in her piece. I love how the quilt is only the figure of Mary Fields with no additional background.
Artist: Viola Burley Leak
The above 5 quilts were breathtaking in person, the photos do not them justice. The Watts Riot piece was huge and the colors were so vivid and powerful in person, a real masterpiece! I got to chat with the artist and she shared some of the daunting challenges of creating this piece.
Here is a little gallery below of more amazing art quilts at the show depicting the lives of Black Pioneers in the American West:
If you’d like to see all the quilts and read their full Artist Statement, the exhibit catalogue is available for Black Pioneers: Legacy in the American West by contacting the gift shop at the James Museum at (727) 892-4200.
It was such an amazing show. Here is a photo taken by the James Museum’s photographer and posted on the museum’s facebook page of the entire group of artists that attended:
image credit: James Museum facebook page
Postscript
I mentioned earlier in this post that my quilt Langston Hughes, Pioneer Poet was used as advertisement for the show originally (eventually they added other quilts to the advertisement or replaced my quilt).
image credit – The James Museumimage credit – James Museum facebook page
As a result my quilt was featured in press/media about the show. Below are a couple examples:
I accidentally found most of these when I was googling the show; and my friend Wendy sent me the SAQA one.
Here is a local television news story about the exhibit before the show officially opened:
You get a brief glimpse of my quilt for a moment. I saw this clip before I attended the show opening and got to see my quilt had a freestanding wall all to itself!
Last Friday, John and I headed to St. Petersburg Florida for the opening weekend of the show Black Pioneers: Legacy in the American West at the James Museum of Western & Wildlife Art.
The museum is really gorgeous inside (the Executive Director told us it cost 65 million to build and 5 million a year to maintain…) and filled with some amazing Western themed art, especially a lot of Native American themed art:
When we first arrived to the opening night reception on Friday, our first stop was the museum gift shop to pick up extra copies of the exhibit catalogue (they gave each artist a complimentary copy):
And we plopped ourselves down at the museum’s cafe/bar area with our complimentary adult beverage and thumbed through the catalogue to find my piece!
Yes, I won’t lie, it was pretty exciting!
After getting snacks at the cocktail reception, before we headed upstairs to the exhibit I stopped to pose with the exhibit poster sign:
Dr. Carolyn Mazloomi, the show’s curator and the founder of the Women of Color Quilting Network (WCQN) spoke at in the main hall stage at the museum during the reception and had all the artists come up on stage with her after her presentation:
Then it was time to go upstairs and see the exhibit! You’ll never guess what I did first – yes, find my piece on the wall and start taking photos:
Note: The museum placard for my piece is an abbreviated version of my full artist statement. If you’d like to read the entire artist statement, see the post Update on the Langston Hughes, Pioneer Poet Quilt.
I also had Dr. Mazloomi sign my exhibit catalogue and took a photo with her:
This is the second show opening I attended, I did not attend the one for Yours for Race and Country: Reflections on the Life of Colonel Charles Young as my husband had recently died and although I was so honored to be in the show I was not emotionally ready to attend events like that. I am so happy I got to attend the opening for Black Pioneers: Legacy in the American West, and it was awesome to have my partner John there with me (and he acted as my photographer when I was in group shots or busy talking to show visitors.
I am going to close Part I of this series of posts about the show with a less than a minute walk through video of the show on Instagram and a longer version (over 3 minutes) on YouTube that John took. More to come in future posts in this series to include some close up images of several of the amazing quilts in the show!
I accidentally deleted the minute long video I took landscape perspective after I loaded it to Instagram (and I even figured out how to set it to music), so darn it I could not load it on to YouTube!
This post is not about starting a specific art quilt* (though I will share an art quilt I am in the progress of making), it about a little of the process I use to design a new art quilt.
*When I use the term “art quilt” I mean a quilt using an original design that you design/create; not based on an existing pattern (though a pattern could inspire it); and either improvisational or based on a specific idea/concept/photo that inspired the quilt.
What do you find successful when you are creating a design?
What is one thing you do that helps you focus and get rid of all the noise and clutter that come with color, design, prints, etc.?
There are so many complicated variables (in making an art quilt), how do you start?
I let her know I would answer her questions in a blog post in case anyone else finds my musing interesting and possible useful. (And at the end of this blog post I am going to invite you all to weigh in with your answers, so start thinking about them now as you read mine!)
What do you find successful when you are creating a design?
THE MEMORY QUILT
What I find successful in creating a design is to sit down and write out my general concept and what I want to accomplish with this quilt. For example on the memory quilt I made my friend I wanted to 1) make a quilt from as many of her mother’s favorite clothes that I could; 2) make something that feels like it is a hug from her late mother; 3) try and use some of the more challenging fabrics in the design.
In writing out my general concept, I consulted some traditional quilting books for ideas. I did not want to make it “improvisational” with a lot of little pieces placed randomly (or in a format such as a free form log cabin). I wanted it to have some defined structure.
During my research (looking through my collection of quilting books) I found a pattern that had hearts appliquéd over plaid (via four patches) squares. I thought – “yes that is it!” – the hearts could represent love from her late mother; and the plaid design (four patches) was doable with the challenging fabrics I needed to work with (like velour, a polyester scarf, etc.).
MY CURRENT ART QUILT IN PROGRESS
Recently I’ve started a new art quilt for a special show I am hoping to get into. It would be my first international show. I’ve been invited to submit a quilt for it but it has to be acceptable for the exhibit in order to make it into it. That’s all the details I’ll provide on the reason for the quilt for now, but more to come in the future.
My art journal where I sketch out ideas, I made a cover for it to make it special
Ideas about the quilt are not just focused on how the finished quilt might look. They are also about what I’d like a viewer of the quilt to see, experience, think about, etc. What feelings and thoughts so I want to evoke when someone looks at the quilt? What do I want the quilt to say (or try to say). What is the theme of the art quilt, what is it about. I might also start to write a draft Artist Statement for the quilt to really get me thinking what I want the quilt to “say”. See my little “side bar” below for more discussion on this concept.
*** SIDE BAR ***
For example, all of quilts I’ve made for the Women of Color Quilting Network (WCQN) shows that I’ve been in had specific themes so I had a starting point. I knew what the quilt needed to in general “be about”and from there I had to narrow it down to what I wanted to share about that topic. Example below with the quilt I did for the WCQN show “Visioning Human Rights in the New Millennium: Quilting the World’s Conscience“ which was inspired by the U.N. Universal Declaration of Human Rights. I was assigned (actually I got to select which Article from the Declaration I wanted to use) Article I: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.”
So that was my starting point. I knew what I needed to portray in the quilt, I just had to figure out how to get there.
Here is an early sketch from my journal as I was working on the quilt:
And here is the completed quilt:
I am not sure how to put in to words how I got from the sketch to the completed quilt but it was through trial and error, and lots of experimentation. But I knew I wanted it to be a classroom with a person who looked like my father in the 1970s teaching because he was the one who taught my two siblings and myself the values in Article I. Also I come from a long line of teachers and I wanted to honor education/teaching.
If you know what you want to accomplish with the art quilt, then it helps you have a clearer vision.
Okay that the end of the side bar, so back to the current art quilt in progress….
This time the quilt was inspired by a collection of machine embroidered blocks a friend gave me years ago along with coordinating 10 inch x 10 inch sections of coordinating fabric; as well as a group of fabric printed “trees” I designed and printed years ago in a fabric ink printing class.
What I want to accomplish with this quilt I am still working out. I am thinking through whether I want it to be a deeply personal piece about grief based on the somber colors of the quilt and the tree images, or it if I want it to be more uplifting (or some blend of both).
After I came up with my initial concept/idea/layout, I laid out all the fabrics I’d selected for the piece on my cutting table in my studio:
All the fabrics I am considering laid out on the table
Then I put up a sample of each fabric and the special blocks (the embroidered blocks and the printed trees) up on my studio’s design wall:
One of each laid out on the design wall
Having the fabrics up on the wall helped me think about addition and subtraction (what I need to add to the design as far as fabrics, and what I need to take away) and I decided not to use the gold tinged fabrics in my design. I decided to just stick with muted grays, browns and taupes.
Here is a close up of some of the embroidered blocks I am using in the piece, one of the printed trees, and an example of the cool fabric my friend gave me:
If these fabrics looks familiar (and you’ve been following my blog a long time) I first shared them back in 2018 in a post called What’s Simmering on the Design Wall. But I abandoned the project as something else caught my attention (I guess I let it “simmer” too long and the inspiration evaporated away!).
Here I am with the quilt design right now – I am thinking of a medallion quilt layout…
Okay time to move on to the next question…
What is one thing you do that helps you focus and get rid of all the noise and clutter that come with color, design, prints, etc.?
Writing down my ideas on in my art journal, that is the number one thing that helps me focus. If my ideas change as I play with the fabrics on the design wall or the table I have them laid out upon, then I write down my new ideas.
As far as eliminating “the noise and clutter”, for me that is reduced by having a clear concept of what I want to accomplish (see “SIDE BAR” above).
I usually select a color palette early on in designing a piece. I’ve noticed that I am attracted towards “Southwest” and “Desert” type colors – rusts, beiges, greens, sky blues, etc. and I have repeated that palette in several art quilts. I read somewhere that if artists select a palette that they usually work from it can become a signature of their work.
Here is an example of an early art quilt I did called Central Oregon is Central to Me which uses that palette:
And then you can see I repeated this palette years later in a quilt I made for the WCQN show Yours for Race and Country: Reflections on the Life of Colonel Charles Young”. The name of this piece is Giant Among the Sequoias.
Color is very powerful and I’ve read a couple books about select coloring in the design of quilts. Two that I highly recommend were written by one of my teachers when I lived in Central Oregon – Jean Wells Keenan: Intuitive Color and Design and Journey to Inspired Art Quilting.
It was actually in her Journey to Inspired Art Quilting Workshop series that I took at the Stitchin’ Post in Sister, Oregon that I began the quilt Color Story V: Abandoned Water Structure, which was the first of my art quilts purchased by the City of Seattle for their Portable Works Collection (the City of Seattle now owns 4 of my art quilts made from recycled silks which they rotate through their municipal offices).
I might be rambling at this point, but I want to take a moment to share two additional major things that have helped me “get rid of all the noise”: 1) reading books about art quilting; and 2) taking classes with experienced art quilters (ongoing workshops are especially helpful – a series of classes with the same instructor helps you build upon concepts learned). You can also find a mentor and that can come from joining either a local or national art quilting group.
You cannot become an art quilter on your own (well maybe you can but I couldn’t) – you need mentors and teachers and it is very helpful to learn some formal art quilting concepts and techniques so you have them in your “tool bag”.
I know I need to take some more in person classes in the future. For now I just read art quilting journals, watch YouTube videos, and read books. So many awesome books have been written by some very talented art quilters!
Now on to the last question.
There are so many complicated variables (in making an art quilt), how do you start?
See above (smile).
So those were my answers to the three questions:
What do you find successful when you are creating a design?
What is one thing you do that helps you focus and get rid of all the noise and clutter that come with color, design, prints, etc.?
There are so many complicated variables (in making an art quilt), how do you start?
I INVITE YOU TO SHARE YOUR ANSWERS AND FEEL FREE TO RAMBLE AS I DID 😉
Some great news: I was able update the art quilt RECYCLED HOPE III: WINDOWS OF CONVERSATION on my Portfolio page as: “OWNED BY PRIVATE COLLECTOR”!
A month ago I was contacted through my tierneycreates Inquirespage by an art consultant in Seattle, Washington who was interested in purchasing this piece for her client.
We worked out the details, I created an invoice and they purchased the piece!
So with this sale, I’ve now sold 11 of my art quilts over the past 5 years (and yes I would be very hungry if I’d tried to live off the sale of art quilts as that averages to 2.2 quilts sold per year – ha!).
The City of Seattle owns four (4) of my art quilts which you can check out on my Portfoliopage:
COLOR STORY I: FLYING TRIANGLES
COLOR STORY II: SILK LANDSCAPE
COLOR STORY IV: COLOR CHANGE
COLOR STORY V: ABANDONED WATER STRUCTURE
And the rest of the seven (7) that have sold were purchased by private collectors:
WE WILL NOT BE DISCARDED (not in my Portfolio but you can see a post on it – We Will Not Be Discarded’s Debut; it sold at a show at Twig’s Gallery in Sisters Oregon in 2016)
There is one more on my Portfolio page that states “owned by private collector” – COLOR STORY VII: IT’SGETTING WARM IN HERE – was actually a gift to my sister, I did not sell it.
Writing this post is serving two purposes for me:
Providing me with an easy reference to see just how many I’ve sold; and
Encouraging me to get back to making art quilts as my portfolio or available art quilts is dwindling!
I am running out of art quilts my portfolio. On one hand this is a good thing, as many have sold including 4 that the City of Seattle own as part of their Portable Works Collection. On the other hand – I am running out of available pieces in my portfolio for shows/calls for entry. I explained why I’ve not made many recent art quilts in my postSecret Quilt and Design Wall Struggle.
I am approaching 3 years in Colorado (in April 2022) and in early 2021 I realized I want to show my work in my new home Colorado and since I was not up to making any additional art quilts at that time, I needed to try and get some of my remaining pieces in a Colorado based show.
So back in April 2021, I responded to a call for entry for a Textile Arts show at the R Gallery in Boulder, Colorado and my art quilt Color Story III: Random Not So Random was accepted.
Random Not So Random, photographed by Jeremy Koons
I was “over the moon” with excitement as I was going to be in my first Colorado show!
When it came time to deliver the quilt to the gallery for the show I carefully packaged it up and we set it in the back of the car (we have a hatchback).
Unfortunately my partner John also (accidentally) set his large open beverage in the back of the car, and forgot it.
We stopped for lunch along the way and John went to check something in the back of the car and discovered his drink (which he had forgotten about and did not know he left it there) had spilled and soaked my recycled silk art quilt.
We could not deliver the quilt to the gallery as it was a “hot mess” to say the least.
I am just now able to write about it, and laugh about it, as it was an upsetting moment for me to say the least.
I contacted the gallery and told them what happened and that I would not be able to be in the show.
John felt absolutely terrible about it and ended up buying the quilt from me for what I was going to list it at in the gallery. The positive outcome was that I did not have to lose 30 – 50% of the sale to the gallery commission. Another positive outcome is that the quilt dried out and although to me it does not look exactly like it did originally, John loves it and has it displayed on the wall near his home office downstairs:
John’s home office and his coworker Mike the Miniature Schnauzer always ready to consult
John says he is proud to own one of my art quilts.
Lately my blog has primarily focused on my recent travels and I’ve joked I should change the name from “tierneycreates” to “tierneytravels”. Well over the past 6 months I’ve been tierney-creating a lot (when not traveling!) working on a “secret quilt” for a Women of Color Quilting Network (WCQN) show that opens next year.
The name of the show is Black Pioneers: Legacy of the America West and it opens next spring at the The James Museum of Western & Wildlife Art in St. Petersburg, Florida. After a stint at The James Museum it will tour nationally (museums across the U.S. have already contacted the curator and head of the WCQN, Dr. Carolyn Mazloomi to request that the exhibit show at their museum).
Recently I put the final touches on my quilt for the show and sent it off to the curator to be professionally photographed for the book, etc.
We were provided with a list of Black Pioneers that contributed to the growth of the American West and my quilt is about one of those pioneers.
You’ll have to wait until Spring 2022 to find out more as the museum asked for no social media images of our quilts prior to the opening.
I am pretty excited about participating in this show; and this will be my third WCQN exhibit (see posts Visioning Human Rights in the New Millennium, Part I and “Giant Among the Sequoias” Returns Home). I’ve had the opportunity to participate in several other WCQN exhibits since Yours for Race and Country: Reflections on the Life of Colonel Charles Young (“Giant Among the Sequoias”) but I’ve had artist block when it comes to art quilts for a show over the past several years since my husband Terry died in December 2018.
I finally figured out what it was (beyond part of grieving) – I used to, in my previous home I shared with Terry for 14 years, work on art quilts in the giant design wall that spanned our small hallway of our home:
Working on “Giant Among the Sequoias” in Spring 2018
I loved creating textile art in that hallway and I would always have Terry down the hall watching TV, playing a computer game, or reading a book while I worked. Occasionally he would walk by on his way to the bathroom and give me an approving nod.
In my current home in the Denver metro area, I have a large design wall inside my lovely studio that my partner John put together but for me creating art quilts was about being in that hallway.
So I had to overcome that, and it was more difficult than I thought, to be able to work on the quilt for this show. I knew I did not want to pass up on any more WCQN exhibit opportunities (nor did I want to give up making art quilts) so I had to overcome this hurdle to my creativity.
All I can say is widowhood is a long road filled with potholes (some you think will kill you or at least break both your legs) and pits of muck getting you stuck.
Image credit: Firestone
But then ever so often the road smooths out and you can travel peacefully for a while. You can also learn to avoid some of the potholes and pull yourself quickly out of the muck when you slip in.
You keep learning that you are stronger than you think you are.
Glad I got unstuck from the muck to create this quilt. I will update you in the future on the creation of the quilt, the finished quilt, and more information about the show.
Okay time to take a break from “tierneytravels” and get back to “tierneycreates” (smile).
It only took like a year+ but I’ve finally finished hand quilting a lap sized free form log cabin quilt I started back in January 2020 at a quilting retreat which I named “Seattle Scrappy”. Now I need your help to decide which fabric to use for the quilt binding.
I know crafters are opinionated and like helping other crafters with their design, so I am looking for your opinions.
But firsthere is a little quick background on the piece and some additional photos.
In January 2020 (before the pandemic was a reality) I attended a mini quilt retreat with a couple quilting friends in Poulsbo, Washington. I brought a couple hand work projects and had EVERY INTENTION of only working on my hand work projects. But, my dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
Out of that bag of scraps came a whole lots of free form pieces log cabin blocks and you can read about those in this post – What’s on the…Design Carpet.
Since February 2020 I’ve had a series of posts on the evolution of this quilt:
I’ve had an update or two on my @tierneycreates Instagram feed since these posts but basically I’ve just been plugging along (when I remember to work on it) hand stitching it with perle/pearl cotton thread.
Last night I finally finished stitching it; and this morning I trimmed off the extra batting on the edges!
I didn’t have the best light when I quickly took these photos this morning, but they give you a general idea of the hand quilted quilt.
Now it’s time to choose the binding (this is where you come in) and here are the four options I am considering:
As you can see they are all some shade of gray. You might be thinking: “Well Tierney, what about the turquoise, aqua, or the burnt orange in the piece?” I did think about those for a moment but first of all I do not have enough of any of those fabrics to create a binding; and second I do not want to frame it in a strong color. I want to frame it in a gray.
So here are the four gray fabrics up close up against the quilt for you to select from when you share your thoughts:
A – fabric with faux stitching pattern
Fabric A
B – medium-dark gray fabric
Fabric B
C– medium gray fabric
Fabric C
D – variegated gray fabric (the tone/shade of gray will change along the binding
Fabric D
Here is a poll below for you to vote and I will report back on the result of the poll and my final decision (which will likely be heavily influenced by your votes):
****If you’d like to participate in voting/respond to the poll, you have to go to my actual website. It will not show in the WordPress Reader, sorry (thanks @tammiepainter for making me aware). If you are in the WP Reader, click on “Visit Site”.****
I’d appreciate any additional thoughts you have in addition to your vote in the Comments section of this post.
Please note however, I will only tally votes through the poll above just to make sure I do not duplicate votes, thanks!
Seattle is where I originally learned to quilt and it continues to be connected to my quilting journey (and not just because the awesome person, Judy D., who got me into quilting still lives there). I lived in Seattle, Washington from 1997 to 2005 before moving to Bend, Oregon in 2005 and then to Colorado (Denver Metro area) in 2019.
If you’ve been following my blog for a while you might remember that the City of Seattle’s Office of Arts and Culture invited me to have my first solo show in 2019 (see post Solo Show Seattle Municipal Tower (re-post) ), and ended up purchasing 3 pieces of the 12 pieces in my solo show for their permanent collection (see section on City of Seattle’s Portable Works Collection later in this post).
Depending on how long you’ve followed my blog, you might also remember that the City of Seattle first purchased one of my works, Abandoned Water Structure, in 2016 and exhibited it in 2017, for their Portable Works Collection (see post “Your Body of Water” Exhibit, Seattle Municipal Tower Gallery).
Abandoned Water Structure (2015), photo by Deborah Paine, Curator of show at the City of Seattle’s Municipal Tower Gallery
Surprisingly opportunities like the above keep happening for me tied to Seattle, WA. This year several amazing things have happened tied to Seattle and my (art) quilting journey and I am going to share them in the rest of this post.
Scream: 2020 CoCA Gala and Auction
A couple of months ago I was contacted by the Curator for the Center on Contemporary Art in downtown/Pioneer Square Seattle, and invited to submit work to be juried into an invitation participate in their annual Gala and Art Auction. I was juried into the show that opens Saturday September 19, 2020 and three of my pieces (Random Not So Random, Archaeological Dig – The Vessel, and The Loud Color Shift) are part of the event, which this year due to the pandemic, is being held virtually – SCREAM: COCA’S ANNUAL GALA & AUCTION).
Here are some images from the social media promotion of the show which is the annual fundraiser for the gallery (note the artist and gallery split the auction proceeds on the artist’s piece that sells in case you are curious):
So Saturday I will find out if my pieces get purchased in the auction and if so if they fetch a decent price (smile). If we were not in the midst of a pandemic, the event would have been live in person and I would have been invited to attend the Gala in person (and play dress up!) while visiting my friends in Seattle.
The crazy thing about this is that 1) I did not seek out this opportunity, it came to me; and 2) back when I lived in Seattle (and before I ever dreamed of “art quilting”) I used to visit this gallery during the First Thursday Gallery Walkin downtown/Pioneer Square. I never imagined I would make art that would be part of a show associated with this gallery!
If you’d like to see images of and read my Artist Statement on any of the art quilts mentioned above check out my page – Art Quilt Stories.
Request from Seattle Art Teacher
In December 2019 I received a request from Deborah Kapoor an artist and art teacher in Seattle, WA to use an image of my piece Random Not So Randomas inspiration for her art students.
She wrote:
Hi Tierney, I teach painting and drawing at South Seattle College, and wanted to share your beautiful work with students. If you are open to the idea, I would just need a high res image sent to me, and I plan to print on 11 x 17 inch paper and laminate, sort of like a mini-poster, for the art room. I think it would really inspire the students! The piece I am interested in is Color Story III: Random, Not so Random
I sent her a high resolution image which she printed into a poster and put on her “wall of fame” in her classroom.
Random Not So Random
Here is a partial image she sent me of that wall (other artists work edited out of image) in early 2020:
She said her students are inspired by my piece!
City of Seattle’s Ethnic Artist Roster
In November 2017 I was juried into the City of Seattle Office of Arts & Culture’s Ethnic Artist Roster (see postEthnic Artist Roster). The Office of Arts & Culture updated their Ethnic Artist Roster website and now each artist has their own page.
I was contacted in July 2020 by artist @salmakingstuff (Sally Lavengod) who was asked to create a mural in Capitol Hill, Seattle supporting the Black Lives Matters (BLM) movement. She asked if she could list my @tierneycreates Instagram handle in the part of the mural listing inspirational Artists of Color. I was honored and said yes.
She created a 4 sided mural of Colin Kaepernick, Fred Hampton, Malcom X, and Afeni Shakur on the corner of 12th and Spring in Capitol Hill in response to the BLM movement. To the mural she added Instagram handles of Black Artists who inspired her to include mine – @tierneycreates:
City of Seattle’s Portable Works Collection
According to the Seattle.gov, the City of Seattle’s Portable Works Collection is a rotating collection of over 3,200 artworks in all media, representing hundreds of artists collected by the city since 1973. The collection includes sculpture, painting, mixed media, prints, photography and textiles.
As I mentioned earlier in this post, 4 of my pieces are now part of the City of Seattle’s Portable Works collection. Recently I discovered the updated listing of my pieces on the Portable Works website.
I am so honored that several of my art quilts circulate around City of Seattle offices (of course during the pandemic they might be hanging out alone in offices with no one to view them right now!)
Although I haven’t lived in Seattle for 15 years but I continue to be connected to this city through my art quilting. It’s mysterious and magical to me.
Postscript
I am learning how to use the new WordPress Editor and it is not intuitive (it is actually downright painful…). I think I am going to have to find a tutorial.
Next post I will update you on my Granny Square crochet block obsession that I first mentioned in the post Making My Own Granny Square Afghan.
I’ve crocheted 46 blocks so far after using YouTube videos to learn how to crochet again.
A couple days ago my art quilt Giant Among the Sequoias (2018)arrived in the mail. It was touring in an exhibit: “Yours for Race and Country: Reflections on the Life of Colonel Charles Young”, curated by Dr. Carolyn Mazloomi, head of the Women of Color Quilting Network (WCQN).
Giant Among the Sequoias (2018) by Tierney Davis Hogan
It was bittersweet having this quilt returned to me.
This quilt was the last “art quilt” I created before my husband Terry (Terry the Quilting Husband (TTQH)) suddenly died in December 2018. I remember having the quilt up in the design wall in the hallway in my former home in Central Oregon and soliciting his feedback as the quilt organically evolved.
I’ve continued quilting and making little craft projects since he died, but for the past year and a half I’ve lost my art quilt muse. I can make improvisational quilts like Seattle Scrappy (see post Seattle Scrappy (What’s on the Design Wall)) but I’ve struggled with wanting to create storied/pictorial quilt like Giant Among the Sequoias. I even passed up an amazing invitational only opportunity in the spring of 2019 which would have led to my first quilt showing at the Houston International Quilt Show.
I am so happy I had all the quilts already made when I had my first solo show at the Seattle Municipal Center in April 2019 (see post Solo Show Seattle Municipal Tower (re-post)) as I could not have made new art quilt pieces for that show.
I did not attend the opening for the exhibit “Yours for Race and Country: Reflections on the Life of Colonel Charles Young” which opened March 16, 2019 in Wilberforce, Ohio. I had planned to attend it before Terry died and my sweet brother wanted me to meet him in Ohio and attend the show with me.
I just was not up to it and in retrospect I regret not attending the show and also missing on an opportunity to spend time with my wonderful brother Raoul.
Alas grief is a strange beast and now a year and a half into widowhood I have learned to tame that beast a bit, or at least live somewhat peacefully with it.
The narrative quilts are a history lesson captured in fabric.
“Giant Among the Sequoias,” a quilt created by Oregon artist Tierney Davis Hogan, is a re-creation of a forest scene made from recycled batik fabric scraps. In the center, an image of Young is stitched into the largest tree, keeping watch over the park.
“I love that because it’s quite a twist,” Mazloomi said. “It’s not necessarily a narrative quilt but it is a modern quilt in geometric form and it goes on to tell a story about his work in Sequoia Park.”
I am so honored!
My muse has slowly returned and I am going to create a storied/pictorial art quilt for an important show, which I hope to get juried into. Even if my piece is not accepted, it will be my next piece (I only have one so far) in my series Stories My Father Told Me (see series of posts Stories My Father Told Me).
I did hang up the quilt in the hallway headed downstairs to the daylight basement as there is other wall art related to national parks and the outdoors in that area.
I am working on this post from 40,000 feet, at least I think that is what the pilot said over the intercom a little while ago. I thought I would treat myself and pay for the flight WiFi service as I travel from Denver to El Paso Texas to visit old friends.
Unfortunately the in flight WiFi appears not have the bandwidth to handle adding images to this post, so I will have to return to the post when I land and add in images.
Speaking of traveling, my quilt The Lesson & The Equation which toured in the traveling exhibit Visioning Human Rights in the New Millennium: Quilting the World’ Conscience, has been returned to me as the show has completed its schedule tour.
The show’s curator, Dr. Carolyn Mazloomi, did an excellent job of packaging up the quilt for return to me and I learned a lot about how a quilt should actually be packaged for mailing. Thinking about mailing quilts, reminds me of a post I did early in my blogging adventures (September 2014) in which I share a near disaster the first time I mailed a quilt into a show –True Tale of Shipping Terror (and Packaging Obsessions).
I so appreciate my friend and the amazing art quilter Wendy Hill (Instagram – @wendyquilter) who mentored me on mailing quilts to shows.
The “Dad Quilt” Comes Home
I nicknamed the art quilt I made for the show Visioning Human Rights in the New Millennium: Quilting the World’ Conscience – The Dad Quilt. The quilt was inspired by the lessons I learned from my father Raoul A. Davis, Sr.
If you are new to this blog, the links below can catch you up to speed on creation of this quilt and the amazing show it got to be in if you check out this series of posts: Stories My Father Told Me.
Here are the series of posts about the Visioning Human Rights in the New Millennium: Quilting the World’ Conscience show opening:
Now the quilt is back with me and I hung it in what used to be sort of a formal living room or parlor in the house I now live in. I “Tierney-fied” the room.
I turned it into a reading room where my partner and I now like to sit and read.
The room is perfect for sitting with a pot of tea and a book, or snuggling with a miniature schnauzer (Mike the Miniature Schnauzer is awaiting his snuggles):
Why are you taking photos? Why are you not snuggling with me? – Mike
The quilt is featured in the book from the exhibit, which is available on amazon.com:
I repurposed a cookbook stand to feature the book in the room near the quilt:
Sometimes I talk to the quilt and say hello to my father. I sort of feel like the quilt watches over me!
Postscript
You’ve likely figured it out that I’ve now landed as there are images now in this post. Not only have I landed but it is actually the next day and I am sitting in the hotel lobby finishing this post.
I am staying in a lovely hotel in downtown El Paso and guess what images they have on the wall of the hotel rooms:
It was awesome to sleep under antique sewing machines!
I have some wonderful news to share and a follow up to my series of posts about my current solo show at the Seattle Municipal Tower in downtown Seattle, Washington (most recent post Solo Show Seattle Municipal Tower, Part III).
The City of Seattle is purchasing three of my pieces made from recycled silks:
COLOR STORY I: FLYING TRIANGLES
COLOR STORY II: SILK LANDSCAPE
COLOR STORY IV: COLOR CHANGE
These pieces will become part of the City of Seattle’s permanent rotating art collection, like my piece that they purchased in 2016 – COLOR STORY V: ABANDONED WATER STRUCTURE:
Since 2016 this piece has rotated display through the City of Seattle’s offices. I was informed that currently it is on display at the City of Seattle Courthouse.
There are no words that would capture my excitement and the honor I feel that my pieces were selected for purchase. The whole experience has been magical. The City of Seattle’s Office of Arts & Culture reached out to me about the solo show (which at first I misunderstood that they were inviting me to be part of a show with other artists).
I am so incredibly grateful to the coordinator of the Ethnic Heritage Arts Gallery, the Curator for the Office of Arts of Culture, and the talented person who hung my art quilts so beautifully at the Seattle Municipal Tower.
In addition to the three pieces being purchased by the City of Seattle, I also have two private collector purchases pending/in the works for these two pieces:
RECYCLED DENIM STORY III: RECYCLED ROAD
COLOR STORY VI: ARCHAEOLOGICAL DIG – THE VESSEL
I am also very honored that several friends of mine want to have my art in their homes!!!!
Now I need to make more art as my available collection is dwindling (and that is a good thing!)
No need for any petitions, tierneycreates Beastie and I have been in negotiations for a new space for her and Mikelet to hang out.
Free from the plastic box
I’ve moved them to the cutting area in my sewing area to hang out. Though this sounds like a potentially dangerous idea in case she begins playing with my rotary cutter – see post Guest Blogger: October Quilt Retreat Part II…
A friend at a quilt retreat handing a Beastie a rotary cutter…not the best idea…
Now I am just using the plastic box to store her off season clothes (her Aran sweater and hat beautiful knitted by Helen @Crawcrafts Beasties!)
A couple weeks ago I was contacted by a member of the City of Seattle’s Ethnic Heritage Art Gallery (EHAG) and invited to participate in what I thought was an art show featuring myself and other artists at the Seattle Municipal Tower in downtown Seattle, Washington. This show was to run from April to July 2019.
Image credit: Seattle Municipal Tower
In August 2016, the City of Seattle purchased one of my art quilts made from recycled silk and linen couture fabrics, Abandoned Water Structure (see the post Seattle Public Utilities’ Portable Works Collection).
This piece was part of the City of Seattle’s Office of Arts & Culture exhibit “Your Body of Water, Part II” at the Seattle Municipal Tower gallery from April to July 2017 (see post “Your Body of Water” Exhibit, Seattle Municipal Tower Gallery).
I thought I was invited to participate in the April – July 2019 show at the Seattle Municipal Tower because I was a member of this roster and they were doing a show featuring artists on this roster.
Last week, however, I discovered that I misunderstood. I was not invited to be part of a show, I was invited to have my own SOLO show!
I also discovered I was invited to have a solo show because a member of the Ethnic Heritage Art Gallery worked in a building in which my piece Abandoned Water Structure was hung and looked at it every day for a year. She wanted to work with me and give me an opportunity to have a show featuring more of my work because of what Abandoned Water Structure meant to her!
The show (name of show pending) featuring my work opens at noon on 04/18/19 and run through 07/15/19. I will be attending the show opening in Seattle.
Over the next couple of weeks I will be focusing on:
Preparing my existing pieces from my catalogue for the show (tentatively I have 8 – 10 art quilts for the show);
Providing the information to the coordinator on the name of the show (I have an idea in mind that I am working through);
Finalizing the display/placard information for each piece; and
Working with the gallery on the flyer to promote/advertise the show!!!
I will hand deliver the quilts to the gallery for storage prior to the show during an upcoming business trip to Seattle before the show.
More to come, I just wanted to share this exciting news with you that the municipality of the largest city in the Pacific Northwest Region of North America has invited me to have this glorious opportunity.
Photo by Felipe Galvan on Unsplash
Postscript
In addition to being very excited to have my first solo show, I am also excited to have a reason to have a reunion with my Seattle friends (I lived in Seattle for 8 years before moving to Central Oregon in 2005) before I move to Colorado this Spring.
April is beginning to look very busy but it will be a “good busy”!
In this post I announced the exhibit for which I was working on a secret quilt (the curator ask us not to post photos of our quilts until the show was announced) from April to August 2018.
“Working” is a term I am using loosely as I was procrastinating on completing the quilt during that time. I was given over one+ year (maybe 1.5 years) to complete the quilt from the invitation to be part of the Women of Color Quilting Network show, but alas, I was burning the midnight oil to get it done in time for the October deadline!
The show is called “Yours for Race and Country: Reflections on the Life of Colonel Charles Young”. It opens on March 16, 2019 and the exhibit will run from through August 17, 2019 at the National Afro-American Museum in historic Wilberforce, Ohio.
Image courtesy of Dr. Carolyn Mazloomi
Please check out the “Part I” post of this series for more details on Colonel Charles Young.
So now it’s time to reveal the quilt I made for the show.
Honoring His Service at Sequoia National Park
As I discussed in the previous post, the show’s curator provided us with options of what part of Colonel Young’s life could inspire out quilt. I selected his time as Superintendent of Sequoia National Park.
I read a book about his life and accomplishments (Black Officer in a Buffalo Soldier Regiment: The Military Career of Charles Young by Brian G. Shellum) and studied images I found online of Sequoia National Park to inspire my piece.
After sketching out numerous ideas (in my journal, see post Creative Inspiration: Peek Inside My Journals) I knew that I wanted to make Colonel Young part of the beauty of Sequoia National Park since his role, as the first African American Superintendent of a National Park, was to preserve its beauty.
Also I decided I wanted to use only recycled materials to create the piece which would also honor his conservation efforts. I decided to only use cotton Batik fabric scraps.
Here is the forest as it developed on the large design wall in my hallway (I added this post of my series What’s on the Design Wall, as it was secretly on my design wall!):
I wanted to incorporate Colonel Young and his accomplishments into the trees. So first I worked on a tree with his image as part of the bark:
I also wanted to honor the National Park Service, so I created a fabric version of a U.S. Parks Service sign and edited the image to be the name of the quilt – Giant Among the Sequoia.
I had so much fun making this “monument marker”!
And here is the full quilt which measures 40″ x 40″:
Here is the Artist Statement:
Giant Among the Sequoias (2018)
Tierney Davis Hogan
40” x 40”
Recycled cotton batik fabric scraps, batik cotton fabric, recycled cotton and polyester batting, ink
Inspired by Brian G. Shellum’s biography, Black Officer in a Buffalo Soldier Regiment: The Military Career of Charles Young (Bison Books, 2010), this piece honors the legacy of Colonel Charles Young, the first African-American Superintendent of a national park.
Floating among the trees in a mythical scene inspired by an image of a section of Sequoia National Park and by Brain G. Shellum’s book, are phrases describing the work that this groundbreaking leader accomplished during his time as Superintendent of General Grant (now Kings Canyon) and Sequoia National Parks:
Overseeing Operations, Park Superintendent, Clearing Trails, Providing Leadership, Stopping Livestock Grazers, Park Patrolling, Protecting Against Poachers, Road Building, Respected by the Community; and Inspiring Youth
In the center of the piece, a giant Sequoia tree with Colonel Charles Young’s image surveys and protects the park. Adding a bit of whimsy to the piece, an image of a real U.S. Forest Service sign in Sequoia National Forest was creatively edited.
This piece also honors the precious natural environment of our national parks and is made primarily from recycled materials (batik fabric scraps) that would have otherwise ended up in a landfill.
I’ve add this piece to my Nature Stories Series of my Art Quilt Stories.
Postscript
By the way, if you’ve been following my blog for a while and remember this post – Creative Inspiration: Tree Bark – now you know why I was studying tree bark this past summer!
My piece Color Study I: Flying Triangles, the first official recycled textiles art quilt I made was juried into this show which opened on February 7, 2019 in Norfolk, Virginia.
Color Study I: Flying Triangles. Photographed by Jeremy Koons.
As it is deep Winter in the Northwestern part of the U.S. where I live it was a bit much to fly to the other side of the country for the opening.
I did however discover photos from the opening on the d’Art Center facebook page and here are a several of those photos:
d’Art Center facebook page
d’Art Center facebook page
I appreciate the unknown person who took these photos who gave me an opportunity to see how my piece was displayed. Whoever hung the pieces did a nice job “color coordinating” the pieces on display!
One of my early recycled silk art quilts was juried into the national Art (yes “art” not quilting, ha!) Show – “Soulful: A National Exhibition of African American Artists”. It opens February 7th and runs through February 28th at the d’Art Center in Norfolk, VA.
image credit: d’Art Center
My piece that will appear in the show is called Color Story I: Flying Triangles. It was the first recycled silk art quilt I made when I began to experiment with using recycled materials. Below is the piece and the updated Artist Statement I did for the show.
COLOR STORY I: FLYING TRIANGLES
Photographed by Jeremy Koons
45 ” W x 44.5″ L, silk & linen garment scraps pieced on muslin foundation
ARTIST STATEMENT:
The Color Stories series of art quilts are vibrant colored compositions, created from recycled textiles including silks, wools and linens. Many of the recycled silks and linens are from samples and remnants from NYC Fashion District couture fabrics from the 1990’s European textile houses of Ratti, Braghenti, Castellini and D’Este.
Instead of ending up in a landfill, these couture fabric samples with their complex colors, patterns and textures inspire my textile art.
This is piece is from my first art quilt series: Color Stories. If you’d like to see the other art quilts in this series, check out my page Art Quilt Stories.
Postscript
Next post I will share where I am moving or some of my plans for my next adventure in life. If you would like to take a guess, it is one of the states in the image of AAA travel books below (if you know already don’t ruin the surprise for any other readers, thanks!)
Featured image credit: d’Art Center (d-artcenter.org)
If you’ve followed my blog for a while, you might remember that Spring to Summer 2018 I was working on a secret quilt for an unannounced exhibit.
Well the curator, Dr. Carolyn Mazloomi, has recently announced the show and now I can share my secret quilt with you; and I will share the story behind it in a series of posts.
Yours for Race and Country
The Women of Color Quilting Network (WCQN) exhibit, curated by Dr. Carolyn Mazloomi, is called Yours For Race and Country: Reflections on the Life of Colonel Charles Young. The exhibit will run from March 16, 2019 through August 17, 2019 at the National Afro-American Museum in historic Wilberforce, Ohio.
Colonel Charles Young was the first African-American to reach the rank of Colonel is the United States Army (the first African American officer to command a Regular Army regiment, and the highest-ranking black officer in the Regular Army until his death). He was also the first African-American Superintendent of a U.S. National Park – Sequoia National Park.
Here is a wonderful overview of some of his accomplishment I found on The Trust for Public Land website (tpl.org):
To read more about Colonel Charles Young and his historic accomplishments, check out the Arlington National Cemeterywebsite – Charles Young, Colonel, United States Army.
The Art Quilt Assignment
I was extremely honored and excited to be invited to participate in this art quilt exhibit.
For the exhibit, Dr. Mazloomi gave us options to select from of pivotal moments and accomplishments in Colonel Young’s life as inspiration for a 40″ x 40″ quilt.
I selected his time as Superintendent of Sequoia National Park.
Then it was history time! I wanted to learn more about Colonel Young’s life than was available online, so I ordered this book and read it – Black Officer in a Buffalo Soldier Regiment: The Military Career of Charles Youngby Brian G. Shellum:
image credit: amazon.com
After reading the book and studying images I found online of Sequoia National Park, I was ready to get to work on my quilt.
In the next post in the series, I will share the evolution of the quilt and my challenges to create something I felt honored the legacy of Colonel Young (oh the pressure!).
Postscript
Here are more details on the exhibit, as posted on facebook by the show’s curator, Dr. Carolyn Mazloomi:
My latest curated exhibition opens March 16, 2019 at the National Afro-American Museum and Cultural Center in historic Wilberforce, Ohio. The exhibition, Yours for Race and Country: Reflections on the Life of Colonel Charles Young, is a visual history of the life of Charles Young. Young’s life is triumph over tragedy. Charles Young was born in 1864 to former slaves, but went on to attend and graduate West Point. He mastered several languages, played and composed music for piano, violin and guitar, wrote poetry, was a master cartographer, military strategist, the first African American Colonel in the U.S. Army and first superintendent of Sequoia National Park. Young’s home in Wilberforce was designated by President Barack Obama as a National Monument of the United States Parks Service. The Charles Young Buffalo Soldiers National Monument is a testament to Young’s perseverance.
The international exhibition visually explores, using the medium of quilts, the life of Col. Charles Young from his birth, life at West Point, military career, experiences in Foreign Service and his time as a Superintendent for the National Park Service.The opening reception is March 16th from 11:00am to 2:00pm. Copies of the catalogue will be made available to the public at that time.
National Park Service website, courtesy of Library of Congress
In case you are wondering, I would like to attend the opening of the exhibit, I am just looking into if I can make it work with traveling in Winter and my job commitments. There is also going to be a private tour for the artists in the show of Colonel Young’s home in Wilberforce, OH. That would be a wonderful added bonus to getting to attend.
I made my first four (4) recycled silk art quilts in 2012 and in 2013 I had them professional photographed. For the past 5 years I had the high quality files of these photos and have only used them for images on my blog.
A couple of months ago one of my art quilting buddies, Kristin Shields of Kristin Shields Art and @kristinshields on Instagram shared images of professional printed cards of some of her art quilts and she began selling her cards at Dudley’s Bookstore (a bookstore featured on my December 2016 post Independent Bookstores (wonderful & magical places)) and I was very inspired!
After consulting with Kristin on resources I decided to have 5″ x 7″ blank cards of my first four art quilts professionally printed!
Kristin also shared the clear plastic envelopes to individually package the cards that she buys in bulk with me so I could have a professional finish to packaging the cards and their envelopes:
On the back of each card is “The Story of This Piece” (Artist Statement) and details on the piece.
I do not have plans to sell these cards but to give them as gifts; and I’ve given out a couple sets already.
Here is how I am packaging up the sets:
You can view images of these first four art quilts, part of my Color Story collection, and their Artist Statement on my Art Quilt Stories page.
It is pretty exciting to be share these cards with special people in my life!
Postscript
Guess what? It is time for my Fifth Anniversary Blog Celebration!
This year I will be offering a set of these cards in my blogging anniversary giveaway in addition to two handmade items.
More details to come in a future post as well as what I am doing in the month of October to celebrate completing my 5th year of blogging!
This is the final post in the series of four posts on the Women of Color Quilting Network (WCQN) and Friends Show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience, curated By Dr. Carolyn Mazloomi, and inspired by the United Nations’ Universal Declaration of Human Rights.
As I mentioned in the first post, Visioning Human Rights in the New Millennium, Part I show opening at the Fitton Center for Creative Arts in Hamilton, OH, was only the “soft opening”, featuring half of the quilts. At a future date the full show will debut and in Spring 2019 the book will be published featuring all the quilts in the exhibit as well as the story behind the exhibit.
This post features one more installment of a sample selection of powerful quilts from the show. (If you are just joining us you can click on this link – WCQN – to view the three previous posts – Part I, Part II, and Part III.)
Carolyn Crump – Waiting to Have My Say
Gloria Kellon – Freedom of Expression over the Water
Gwendolyn Brooks – On This Special Day
Julius Bremer – Let’s Gather Peacefully
Deanna Tyson – Black Lives Matter
Ifa Felix – The Green Book
James Mardis – Cruelty Comes for Us All
The photo does not capture how amazing and powerful this quilt is! The artist is one of the long-time male quilters in the WCQN. I had a chance to chat with him during the show and listen to him talk about this multi-textured piece made from a multitude of materials besides cotton fabric.
I wish I had taken some close up photos of the piece. I think I was so overwhelmed by the whole show and trying to meet and chat with the amazing artists that I got distracted from my photography! When Dr. Mazloomi’s book on the show comes out in Spring 2019 it will have professionally photographed detailed images of these quilts.
L’Merchie Frazier – Going Beyond the Self: Lale and the Omo Children
Helen Murrell – Capital Punishment
Lauren Austin – Parole Denied
Ed Johnetta Miller – So What Skeltons Are in Your Closet?
Sandra Noble – Detainment
It was an honor to be part of this show and an honor to be able to share some of the amazing quilts from this show with you all.
I have to say of course, the most exciting moment of attending the show was walking into the exhibit area and seeing my quilt on the wall:
The second most exciting moment, was seeing an image of my quilt projected up on the screen in the auditorium before the panel discussion began:
Before the panel discussion, Dr. Mazloomi gave a powerful talk on the power of art. Here is a quote from her talk (which I have on video but could not figure out how to upload onto YouTube to share, perhaps at a later time):
For me as an artist I strongly believe that art has the capacity to touch the spirit, engage people, educate and heal in ways that words cannot.
Dr. Mazloomi stated that the show was inspired by the 70th anniversary of the signing of the Universal Declaration of Human Rights; and that she is long-time admirer of Eleanor Roosevelt who was instrumental in getting this declaration done.
Postscript
I had a bit of adventure getting to Hamilton, OH for the show. Central Oregon is a long way from Hamilton, OH!
Since I was going to be in the Eastern part of the country (well Ohio could be considered Midwest) I thought I should also visit with my family and I met up with my family in Washington, DC for a couple of days before flying onto Cincinnati, OH.
While in DC I went with my brother, sister, sister-in-law and 5 and 14 year old nephews to the National Geographic Museum and saw two amazing exhibits on the Tomb of Christ and the Titanic.
I may share additional photos from those exhibits in a future post.
From Cincinnati I rented a car and drove 45 minutes or so to Hamilton (which is not within a reasonable distance to a major airport).
While in Hamilton I stayed in sweet Victorian Airbnb rental (only $56 for the night) 6 blocks from the Fitton Center where the opening show was held. Here are some photos of where I stayed which was built in the late 1800s and had cool architecture and period related decor (and handmade antique quilts on the bed!):
I will not share my airline travel saga but it did involve spending two nights sleeping in an airport (on the way there and on the way back) because of severe thunderstorms that grounded planes. But I did make the most of my time stuck in airports and will have a future posts on the cool exhibits and sights at the various airports along my journey!
Yesterday’s post with quilts from the Women of Color Quilting Network and Friends Show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience (Curated By Dr. Carolyn Mazloomi) were just to whet your appetite.
This post features more powerful quilts from the show. If you are just joining us you can click on this link – WCQN – to view the two previous posts (Part I and Part II).
As I mentioned in the previous post, some of these quilts made me want to just step away from my sewing machine and find a new hobby.
I’ve seen many beautiful art quilts over the years – at shows and online – but I’ve never seen in person such a collection of powerful inspirational quilt all in one venue.
Sandra Scott – Bloodties
The photos do not do this quilt justice. This is definitely one of the quilts in the show that made me want to just give away my sew machine because now I see how art quilts “are done”. It is an absolute masterpiece and reading the Artist Statement and viewing this quilt in person can bring you to tears.
Speaking of quilts that can bring you to tears, this one had me quietly sobbing…
Dorothy Burge – Stop Killing Us
And now the piece that attempted to completely blow out my tear ducts – a piece inspired by news story of a young Syrian refugee child discovered washed up on the shore.
April Shipp – The Waters Returned Him: In Honor of Aylan Kurdi, Age 3
This quilt was a 3D quilt with a large set of hands coming forward holding a handmade doll representing the drowned Syrian refugee child. If seeing this quilt in person did not stir someone, then they were emotionally dead inside.
I got to chat with the amazing artist who passionately shared the story behind her inspiration. While listening to her I was desperately trying to keep it together (the tear ducts were starting to crumple) as she shared her beautiful compassion and intense feelings of heartbreak over hearing the news story (okay so I am getting weepy just trying to write this…).
Yes I kept having that “imposter syndrome” feeling being at this show with these significant pieces of work and these amazing artists (some of who are professional artists).
Here are a couple more quilts in the show to close out this post with a little less intense topics.
Carolyn Crump – Deeds, Not Words
Sharon Ray – Hamtramck, My Home
I hope you found these pieces as stirring and amazing as I did. In the next post I will share the rest of the sampling of pieces from the show.
If you are an artist/crafter have you ever attended an exhibit that made you want to just put away your art/craft supplies and find a new hobby?
This is what happened to me (no worries, it was only for a moment), when I saw the art quilts in the opening night of Visioning Human Rights in the New Millennium: Quilting the World’s Conscience at the Fitton Center for Creative Arts in Hamilton, Ohio on Friday August 17, 2018.
This post is a continuation of the post Visioning Human Rights in the New Millennium, Part I and rather than ramble on about how many of these inspirational, provocative, powerful, creative, masterpieces made me want to shut down my sewing machine and walk away, I will just share a sample of images of the amazing quilts in the show.
I’ve included the Artist Statements that explain these amazing art quilts inspired by United Nations’ Universal Declaration of Human Rights. Note I am going to share images of quilts from the show over several posts.
Earamicha Brown – A Woman’s Worth
Behrooz Assani – The Dawn of Human Rights
This quilt was not by a “Woman of Color” but by a Persian man, originally from Iran who wanted to show that although this part of the world has a reputation for the violation of human rights, Persia was in ancient times a forerunner on the concept of human rights.
Barbara McCraw – Every Man, Woman, and Child
Cynthia Lockhart – Created to Be Me
Beverly Smith – Plant a Seed
Glenda Richardson – Article 25
I will leave you with these 6 quilts to think about and next post I will continue with more quilts from the show.
Over a week ago I attended the opening of the show Visioning Human Rights in the New Millennium: Quilting the World’s Conscience at the Fitton Center for Creative Arts in Hamilton, Ohio.
This show is curated by Dr. Carolyn Mazloomi, founder of the Women of Color Quilting Network (WCQN). It is inspired by the United Nations’ Universal Declaration of Human Rights.
According to the United Nations’ website (un.org):
The Universal Declaration of Human Rights
The Universal Declaration of Human Rights (UDHR) is a milestone document in the history of human rights. Drafted by representatives with different legal and cultural backgrounds from all regions of the world, the Declaration was proclaimed by the United Nations General Assembly in Paris on 10 December 1948 (General Assembly resolution 217 A) as a common standard of achievements for all peoples and all nations. It sets out, for the first time, fundamental human rights to be universally protected and it has been translated into over 500 languages.
Dr. Mazloomi invited members of WCQN and friends to design a quilt inspired by one of the 30 Articles in the Universal Declaration of Human Rights.
As those of you who’ve followed my blog for a while know, I designed a 50″ x 50″ quilt inspired by Article 1 and Stories My Father Told Me (this is a new category on my blog which contains all related posts about the first quilt in a series of quilts I plan to make inspired by stories/lessons my father told me as a child), titled The Lesson and The Equation.
The Lesson and the Equation (2016) by Tierney Davis Hogan. Photo by Dr. Carolyn Mazloomi.
The Lesson and The Equation debuted at this show along with many mind-blowing and inspirational quilts.
Friday August 17, 2018 was the “soft opening” of the show and contained about 25 – 30 quilts, half the entire show. The entire show will be opening in the future at a larger venue and there will be a book that accompanies the show.
Here are some examples of books from other WCQN shows that can be found on amazon.com (just search “Carolyn Mazloomi”):
In addition the soft opening of the show, Friday 17, 2018 was also the celebration of the 25th anniversary of the Fitton Center for Creative Arts.
Around the exhibited quilts, there were placards with the Preamble and the corresponding Articles of the Universal Declaration of Human Rights, below are a couple examples:
I was very overwhelmed to be part of the this amazing show and here I am absolutely amazed that I got to be an “Exhibiting Artist”:
I was also overwhelmed and very honored that two of my long-time blogging buddies Sandy and Cindy of graybarndesigns.com came from Ohio and Western NY to meet me and see the show!
Tierney and the GrayBarns Sisters!
Next post I will share images from the amazing and inspirational pieces in the show!
“Our hopes for a more just, safe, and peaceful world can only be achieved when there is universal respect for the inherent dignity and equal rights of all members of the human family.” – UN Women Executive Director Phumzile Mlambo-Ngcuka
It was bittersweet having this quilt returned to me.
To read more about Colonel Charles Young and his historic accomplishments, check out the Arlington National Cemetery website – 
tierneycreates 