Yesterday I made some major progress on the freeform scrap fabric log cabin quilt I am making in browns and golds.
I got the blocks framed with the taupe fabric – I used 2 inch strips to frame each block. I also cut a couple 5 inch border strips to mock up the border.
Here are a couple photos (I could’t decide which one I liked better):
And here is a close up showing how the blocks will float with a 5 inch border all the way around of the taupe:
As I mentioned in that post, when making freeform (I think this is what I am going to call them from now on) log cabin blocks, you might want to mock up (or actually sew) one completed block to verify that you like where you are going with you design.
I did this with one of the 42 (well actually 43 – I made a spare one) freeform log cabin blocks I made from my pile of brown, gold and orange scraps:
I decided that I needed something to break up the gold, I did not want to place all the gold framed squares side by side, so I decided to try floating the blocks in a taupe Peppered Cotton.
I’d originally trimmed the freeform log cabin block trimmed in gold Peppered Cotton and trimmed the block to 9.5 x 9.5 inches with my 9.5 x 9.5 inch square ruler. Then I tried framing it in the taupe and trimming it to 12.5 x 12.5 inches using my ruler of that size (the next size up ruler I own after 9.5 x 9.5 inch).
(By the way, I highly recommend some type of rotating cutting surface if you are trimming your freeform log cabin blocks to a uniform size with a square ruler – I have the Martelli Round Cutting Mat).
I realized a problem after I made the demo block: I have 42 blocks and my plan was to make a quilt for my home library for snuggling under while reading that is 6 blocks by 7 blocks.
At 12.5 x 12.5 inches each (12 x 12 inches finished) it would become a bed size quilt…oh no – let me try some fake math – the quilt would end up around 72 inches by 84 inches…actually larger if I added a little border around the quilt to make the blocks “float”.
I did revisit just sewing the gold framed blocks together and it does not make a large enough snuggle quilt. You might be thinking: what about just adding more of the gold fabric on the edges of the quilt as a border to “float” the blocks? Well I’ve run out of the gold fabric! I have less than a 1/4 yard left.
I was pondering my quandary when John asked about latticing instead of floating each block in the taupe – to use the taupe as a “lattice” instead. So I tried it out:
I like it! The taupe quiets the gold and it will all go nicely with the colors in my home library.
(The quilt currently on the loveseat and two little matching pillows, from orphan blocks, I plan to sell on my Etsy shop someday as they are not really my style and I want someone else to enjoy them.)
So that is where I am at in my design process.
Here are the 42 completed 9.5 x 9.5 inch blocks awaiting their lattice:
I realized didn’t share very many photos or details about the scrappy improvisational log cabin blocks I made at the Scrap Happy Quilt Retreat (link to all the posts related to this 5 day retreat) last week.
During the retreat I “shopped” from my collection of brown, cream, yellow and gold scraps and selected this collection of scraps to which I also added a couple orange-brown scraps and some scraps D brought to the retreat:
I ended up piecing 46 blocks, which I narrowed down to 42 blocks plus one spare (I recycled into the scrap pile 3 blocks that were pieced too wonky).
At first I decided to float the blocks (but framing them) in some coppery-gold-ish Peppered Cotton fabric I had in my stash:
Yes it looks cool and the framing fabric really compliments the fabrics in the blocks, but I decided it would just be too much as an entire quilt.
So I pulled out this brown-taupe-ish Peppered Cotton fabric I had in my stash:
And I decided I would first frame each block in the coppery-gold-ish fabric and then set that block in the taupe-ish fabric:
It might be difficult to visualize as I have it laid out in the images above but I will share more images after I try out some sample final blocks. Creating some sample final blocks will also let me confirm that this combination actually works.
We used this method during the retreat – I suggested (and they listened) to K and D that they actually sew a sample final/completed block to decide if they really like a framing/border/lattice color for their block. Just laying the block on the fabric doesn’t already give you the true feeling of the final version. You can always rip it out the framing and reuse the core block if you don’t like the sample.
Here is an example below of what D did during the retreat with her two finalists – the khaki colored fabric vs. the gray fabric – to help herself make the final decision:
A friend who read the posts related to the retreat ask for some overall instructions on making scrappy improvisational log cabin blocks (which I also call “log jamming” or “free form” log cabin blocks).
Here is a quick overview of how I do it, there are several different approaches and in the post ScrapHappy May: Scrap Happy Retreat! I shared links to YouTube videos from the Stitchin’ Post where I first learned how to do it.
IMPROVATIONAL/FREE FORM SCRAPPY LOG CABIN BLOCKS
First you need to understand the concept of Log Cabin Block piecing where you start with a center square and build around it. Below is a screen shot from Generations Quilt Patterns on How to Make a Log Cabin Blockthat illustrates the Log Cabin Block piecing concept:
It really helps to have pieced traditional log cabin blocks before you go improvisational.
Next you need to decide what size you want your final block to be. I decide my final size based on existing square rulers I have as the easiest way to trim the block is using a square ruler on a rotating cutting mat. I have the following square rulers in my collection – 6 inch, 6.5 inch, 9.5 inch, and 12.5 inch, so I make my final blocks one of those sizes. D & K used my 9.5 inch square ruler for the final size on their blocks. I plan to use my 12.5 inch ruler for the final size on my blocks.
Then it is time to go shopping in your fabric scraps. You need to decide on a color palette (though you could do all random colors but your piece will not look cohesive if that is what you want, but it will look colorful!) for your quilt blocks. As you can see from the pictures from our retreat – K went with pinks and blues, while D went for autumnal colors. You are going to need more scraps that you think so at least initially put together a large pile of scraps.
Audition your scraps and see how well they work together by laying out a demo block (no need to sew together yet but try and simulate a log cabin block).
To start you can either 1) sew two strips together, one of the strips being your center fabric; or 2) sew different little pieces of centers to a long strip.
Cut them apart using scissors to create your first two pieces – if you look at the graphic above this would be Center + 1a.
From there you can create using log cabin piecing techniques a sample block to see how you like it, or just jump into chain piecing blocks starting with your fabric for 1b.
Don’t worry about 1/4 inch seams, just do what seam allowance works to piece the fabric to the next fabric – for example if you are using thin scraps you can use 1/8 seam allowances, especially when you are working on rows towards the center, it will end up stable when the entire block is sewn together.
Using log cabin piecing techniques (working from a center around and around) keep adding scrap strips until you get your block a little larger than the final size you want to achieve.
Trim your blocks using the square ruler of your choosing to their final size.
I might write an actual pattern of how I do it with lots of images/photos and detailed instructions and sell it as a digital download on my Etsy shop someday. Then I can add in all the tricks I’ve learned over the years of making these blocks. My process does differ from the one I originally learned from Jackie at the Stitchin’ Post.
The Stitchin’ Post does sell a pattern for making these blocks called Modern Log Jam Quilt in case you want to try their pattern. It was written by the person (Jackie) who originally taught me (before I created my own process) – I’ve linked it here – Modern Log Jam Quilt.
Stitchinpost.com
There are so many options of what you can do with these types of blocks made from scraps. You could do something straightforward like what D made:
Or you could play with using different framing colors and create additional patterns like this one I made out of Stonehenge fabric scraps:
Or you can skip the “framing” of the blocks in a solid color and just sew the blocks directly together like I did for these two pillows I made out of batik scraps:
I’ve made numerous free form log cabin quilts this way.
I decided not to drag out the rest of the story of the 5 day quilt retreat I held at my house last week with two long time friends who are quilters, so I am combining days 4 and 5 into one post.
If you are just joining us the other three blog posts on days 1 – 3 are under the blog category Scrap Happy Quilt Retreat.
We continued working on our improvisational log cabin quilt blocks or “log jamming” which I was originally introduced to during a class I took at the Stitchin’ Post in Sisters, Oregon (I also remember that I’ve previously referred to this type of piecing as making “free form” log cabin blocks).
Here are a couple photos of my studio while the retreat was in progress from Days 4 and 5:
And here are the photos of the evolution of D, K, and my blocks:
The photo above is of one of the blocks I pieced with the collection of brown, gold, orange, and copper scraps I put together, set in the coppery color Peppered Cotton I selected.
D was a bit of an overachiever, ha, and actually finished her quilt top (but I think she is also going to add a 3.5 inch border of the gray around it to make the blocks “float” even more and she took some extra fabric home with her) and plans to hand quilt it.
John continued to make us yummy meals and our evening meal on Day 4 was a Mexican Food Feast like the one I shared in the post A Mexican Feast.
On Day 5 D and K surprised John and I with some fantastic hosting gifts. They gave John a gift certificate to his favorite woodworking shop Woodcraft; and they gave me a fat quarter set of the fabric I was drooling over at Holly’s Quilt Cabin during our shop hop on Wednesday May 17th – Celestial by Moda Fabrics:
I just need some yardage of solids (I will probably use the Peppered Cottons that coordinate with the fat quarter set) and I will likely have enough fabric to make the quilt I fell in love with at the quilt shop:
John and I were very pleased with our hosting gifts!
Friday we returned quilters to “Human Storage” (also know as the Denver International Airport, see post “Human Storage” and Airport Lore if you are just joining us); and an exhausted John and Mike the Miniature Schnauzer passed out on the sofa when we got back home.
While cleaning up my studio from the retreat I realized it was a pretty awesome and successful retreat.
And there was a lot of Scrap Happy Happiness over the 5 days (smile)!
By Day 2 of the Scrap Happy Quilt Retreat at my house, Mike the Miniature Schnauzer was getting plenty of pets from visiting quilters (who are lounging about in their pajamas before breakfast):
John made us his famous (and amazing) biscuits & gravy breakfast to start our day:
The breakfast includes his sausage patties with caramelized brown sugar (not vegan, ha!) and flaky scratch made biscuits.
After breakfast it was back to work in the studio. I worked on my log cabin blocks – I decided to use brown, brownish-orange, copper and gold fabrics for my blocks:
K and D worked on their blocks and began trying out solid fabric settings for their sample blocks:
K decided to set her blocks in the blue Peppered Cotton and D (after trying out 4 different options) went with the gray Peppered Cotton.
My whole studio looked like there had been a fabric scrap explosion – scraps everywhere!
Before you knew it, it was afternoon cocktail time again and John stopped by the studio with Mojitos and Moscow Mules.
I enjoyed putting my trimming scraps in the amazing handmade custom scrap basket that D made me (her own design, no pattern used!) with Marcia Derse fabric (my favorite):
Mike the Miniature Schnauzer had to go to pick up quilting friends from the airport as he does better when he goes to pick up visitors from “Human Storage”, see blog post “Human Storage” and Airport Lore, instead of them just suddenly arriving to the house through the garage while he has been home alone!
Mike sitting between the house guests (for the next 5 days) on the way back from the airport.
We decided not to try out the scrap piecing using adding tape that I discussed in the post ScrapHappy May: Scrap Happy Retreat!and just focusing on making scrappy improvisational log cabin blocks (“log jamming”) like the the 35 blocks I recently completed as the “class sample”:
After John and I provided our guest with a tasty late lunch (fried chicken strips, orzo pasta salad, and chocolate chip cookies), the retreat started out with the three of us pouring through my scrap collection and scraps that D and K brought with them to map out colorways/themes for our improvisational log cabin blocks.
I did a demo of how to piece the log jam blocks, well at least how I like to do it as there are several different methods and strategies. Then everyone got to work:
At one point John came by the studio to visit and to bring us our late afternoon cocktails (lemon drops) as our reward for all that hard work selecting scraps and beginning to work on our blocks!
Only one cocktail per person so we did not end up sewing our fingers into the blocks or something disastrous like that!
After everyone made a couple of sample blocks with the fabric scrap groupings we selected, we decided we wanted to set the blocks in a solid color fabric. I pulled out my collection of Peppered Cottons, and we tested out blocks on the different color options (photo below is D’s blocks).
(I used to sell Peppered Cottons in my Etsy shop so I still have a bit of yardage left over.)
That was the end of the first day in the studio.
We did end Day 1 of the Scrap Happy Quilt Retreat with homemade popcorn and movie night in the basement where we have the largest TV in the house.
I am getting ready for a “Scrap Happy Quilt Retreat“, which I share more about in tomorrow’s “ScrapHappy May” post, by starting a scrappy log cabin using my ridiculous collection of fabric scraps.
I decided to limit myself to black, white, and gray fabric scraps. First I dug into the bag I have of “fabric strings” which are thinner fabric scraps that I’ve been saving (yes for year, ha!) to make a “String Quilt” someday.
I dug through this scary mess to find the black, white and gray strings and then ironed them (as they were wrinkled/crumped beyond easy use…):
I thought I might have enough to get started but I ended up having to dig into my wine crate box of black, white and gray scraps:
I ended up piecing 35 blocks, which I trimmed to 9.5 inches x 9.5 inches each using my 9.5″ by 9.5″ square ruler:
I started this quilt as an example as the Scrap Happy Quilt Retreat will be at my house starting Monday and I am going to teach my friends how to do improvisational scrappy log cabin blocks (also know as “Log Jamming”) and we are going to use my scraps! (A great way to use up your scraps – dump them onto your quilting friends under the guise of showing them “scrappy quilt making options”…evil laugh!)
More on that tomorrow on the 15th which is ScrapHappy May posting day!
Oh by the way, when I got done piecing 35 – 9.5″ x 9.5″ blocks I did actually (sort of) make a dent in my black, white and gray scrap fabric collection. Here’s what the wine crate looks like now:
(If you can’t tell the difference from the previous photo, just know before it was overflowing and now everything fit nicely in the wine crate with no overflow…)
Kate @talltalesfromchiconia hosts a monthly celebration of reusing scraps and “scrap-happy challenges” called ScrapHappy Day on the 15th of each month and thanks to Alys @gardeningnirvana I found out about this monthly event and Kate let me participate!
Here is my latest scrap-happy project, which is currently in progress awaiting my machine quilting – the Colour Wheel Quilt wallhanging which I will be using as a teaching tool.
I continue to work on the Colour Wheel quilt/wallhanging that I most recently blogged about in the post “Colour Wheel” Quilt in Progress, but I am not ready to share my further progress (and I did come up with a plan on how to use the trimmed sections of the color wheel and incorporate them into the quilt!), so instead I will share an update on the batik table runner I made for a friend.
Back when I lived in Bend, Oregon (now over 4 years ago), I promised to make my friend L a table runner for her long dining room table which I had enjoyed several wonderful meals at over the years.
Finally back in December 2022 I started the table runner and made it from batik fabric scraps using the pattern Bamboo Shade by Aardvark Quilts. Here is where I was at in December 2022 – I had pieced it and prepared it for quilting:
I shared in the March 17, 2023 post7 Million Stitches+, that I was working on machine quilting the table runner on my new sewing machine.
Here is the completed table runner:
And here is the table runner on my friend L’s dining room table (she received it in the mail the other day and sent me a photo)!
It felt wonderful to complete that project and finally give her the table runner!
I did not realize the scope of the project when I decided to do it…
This is a follow up to the post Color Sorting, in which I share my plans to make a Color Wheel out of fabric scraps like in the book Quilt Color Workshop by T. Bruecher, B. Greenberg, L. Goldsworthy, and J. Adams (2014), that I borrowed from the library.
I didn’t realize how ambitious this project would be when I decided to create the Color Wheel to use as a teaching resource when I teach an art quilting workshop in September 2024.
I’ve finally completed sorting 8 different scraps for each of 12 colorways to create the quilt, and it is all up on my design wall:
It took a long time to get to this point and it involved a lot of fabric scrap archeological digging through my fabric scrap collection!
I started with reds, purples and oranges using this box of scraps:
By the time I got to greens and blues, which I saved until the end, I was coughing from fabric scrap dust!
I feel like I really know the color wheel now after a couple days of working on this project. I feel like I’ve lived and breathed (literally) the color wheel in fabric!
If you are curious how the colors breakdown, or want a refresher, here you go:
PRIMARY COLORS
Red (R)
Yellow (Y)
Blue (B)
SECONDARY COLORS
Orange (O)
Green (G)
Violet/Purple (V)
TERTIARY COLORS
Red-Orange (RO)
Yellow-Orange (YO)
Yellow-Green (YG)
Blue-Green (BG)
Blue-Violet (BV)
Red-Violet (RV)
I’ve labeled them on my Design Wall image below:
Red-Orange, Yellow-Orange and Blue-Violet took me a long time to figure out. I thought I knew color but I did not know/understand Tertiary Colors as much as I thought I did.
It was a good, even if painful at times, exercise to complete.
Now I need to iron all those scraps, cut them to the size in the pattern, sew each set of the 12 sets of 8 strips together and use a 30 degree ruler to cut them into wedges.
The order you see the individual strips arranged in might change as I refine the order of the fabric strips for each of the 12 colorways.
I am hoping to eventually get the fabric scrap lint out of my lungs…
I use color in art quilts intuitively: selecting “what feels right” for a piece. I am inspired by combinations found in nature, color combinations that I see in publications, and colors that I enjoy seeing together.
Below are a couple photos from my inspiration board in my studio:
I also have a palette that I love to use, an example is in my quilt below The Lesson & The Equation:
You can also see my palette repeated in this poster from first solo show in April 2019:
(It’s funny but it took a while for me to realize that I actually have a palette that I repeat!)
That being said, I have studied “color theory” in both formal art quilting classes as well as by reading many books. For example I love Joen Wolfrom’s book Color Play: Easy Steps to Imaginative Color in Quilts (2000), the first book I ever read on color theory.
In order to challenge and “break the rules” when creating innovative art quilts, first you have to understand the rules! Although it might be disinteresting to some of the students in my workshop, it is a foundation of artistic creation and one I should cover during my workshop.
I realized that if I am going to teach an art quilting class next year (see post A Year of Finishes: The Pivot) I need to brush up on color theory. I thought the best way to do this was to create a project I found in the book Quilt Color Workshop by T. Bruecher, B. Greenberg, L. Goldsworthy, and J. Adams (2014), that I borrowed from the library.
I am making the Colour Wheel Quilt on the front cover, which will serve as a class visual for my workshop as well as refresh my understanding of Primary, Secondary, and Tertiary Colors; and Pure Color, Tints, Tones, and Shades.
I have a lot of sorting to do to find the strips from my large collection of fabric scraps for the piece.
Currently I am sorting through my box of Reds, Purples, and Oranges to begin the project (I’ve organized many of my fabric scraps into wine crates that liquor stores have my kind enough to gift me or sell to me cheaply).
At first it was tedious, but then it became fun. It is a productive way to revisit my fabric scraps.
I am having fun mapping out the 6-day workshop I will give next year. I am planning to ship to the venue a large amount of my fabric scrap collection for the students to use if they like during the workshop. I am ready to move on from my crazy fabric scrap collection* and start digging into my crazy fat quarter collection (and create more scraps – ha!)
*75% of my fabric scrap collection is from fabric scraps others have given to me. So it is from others’ fabric choices. I am ready to primarily work from my fabric choices in the future…
I’ve made quite a bit of progress on the table runner I was making from my collection of batik fabric scraps using the pattern Bamboo Shade by Aardvark Quilts:
Here it is up on the design wall as I tested the layout and built it to the desired length:
And here are a couple photos of the pieced table runner which is nearly 72 inches long and used quite a bit of my batik fabric scraps (yay!):
It is nearly ready for me to machine quilt. I’ve already made the “quilt sandwich” of batting and a dark cream color batik backing. I just need to pin it down for quilting.
Oh and here are some photos of Mike the Miniature Schnauzer hanging out under my studio table (providing crafter emotional support, ha) while I put the table runner quilt sandwich together:
Now that I am not working on my Etsy shop and making project bags, I am catching up on projects stuff I put aside. One of them is the Tula Pink 100 Modern Quilt Blocks/City Sampler quilt made from my fabric scrap collection (I think I last posted on this quilt in this post – Quilt Top Assembled!) which came back from the long-arm quilter in September.
A couple days ago I decided it was time finally put the binding on the quilt and finish it off. It was so relaxing to sit and meditatively sew down the binding:
After I got the binding on, I laundered the quilt and now it sits on my chair on the upstairs landing.
I also recently finished the “diamond painting” bookmark that started working on with a friend a couple weeks ago (see blog post Making a “Mark”):
Here is a follow up on two posts about a freeform log cabin quilt I’ve been working on using Northcott’s Stonehenge fabric line scraps, that I named “Scraphenge”:
Well Scraphenge is “done and hung“! I received it back from the longarm quilter last week (I used Missouri Star Quilting Company longarm quilting services).
I decided instead of a binding to put a “facing” on the quilt since I was going to hang it on the wall:
Instead of the cumbersome method I’ve used to put a facing on in the past, which I learned from an art quilting book, I searched YouTube to see if there was an easier method and voilà I found one:
And it worked perfectly! It was much easier than the previous method I was using!
So here is the quilt hung in the hallway next to the entryway to our home. I took a couple different photos as due to the stairways to upstairs and the basement it was challenging to photograph the quilt straight on:
Here is a close up of the quilting:
I love seeing the quilt as I descend the stairs from upstairs to the main floor:
The cool thing about this quilt is most of the quilt top is made from Stonehenge fabric scraps that friends have given me and some Stonehenge fabric scraps I had from a quilt I made. So the quilt top was primarily made from stuff that would have ended up in a landfill. I LOVE SCRAP QUILTS!
My sewing “mojo” was hiding somewhere for a while and I had little desire to sew. I had a “sewing-block“. Turns out the best way to resolve it was to sew a block!
I’ve been distracted from time in my sewing studio by some recent travel, visits from out of town friends, and a couple challenging recent life events. A couple days ago I knew I needed to get my back to sewing (as there is just so much fun stuff to be made) and decided returning to working on my Tula Pink City Sampler (100 Modern Quilt Blocks)would be a good place to start.
Once you get started up sewing again, things get rolling, and I was able to make also blocks 32 – 40 over the next several days (my sewing was “un-blocked”!):
10 block recently completed
Today while taking photos for this post, I discovered I did not like the gray “frame” in one of the blocks (too overpowering):
see block with red arrow
So I redid it this morning with a red “frame”:
New block frame
Now I have 40 blocks out of 100 now complete!
Only 60 more to go (oh my…)
Not sure why my photos came out so dark from my design wall, I guess it was the lighting in my sewing studio this morning.
I am enjoying working from my piles of scraps selected for the 100 block sampler, and I’ve decided to just keep the piles out until I finish all 100 blocks.
I’ve been making a bunch of small scraps while cutting the fabrics for the 6.5 inch by 6.5 inch blocks and I plan to stuff pincushions like I did in this post – Stuffing it the Eco-conscious Way!
I plan to continue working on the blocks for the sampler and maybe whipping out a pincushion or two between sets of blocks if my tiny pile of scraps gets larger than my little basket for tiny scraps.
This post continues my series of posts on my trip to Quilt Town, USA to attend a Missouri Star Quilt Company (also known as “MSQC”) quilt retreat with my long time quilting friends. The previous three previous posts in the series are:
First of all, do not judge. I have a fetish for fabric scraps – ha! Okay that sounds a wee bit weird, but I would rather make things from fabric scraps than cut into yardage. I only buy fabric by the yard when I absolutely have to or the fabric is so amazing I cannot leave it in the shop (and it looks at me with puppy eyes saying “Tierney take me home…”).
So when I heard that while I was at the MSQC week long retreat there was a “Scrap Bag Sale” at the Penny’s Quilt Shop I shivered with excitement.
This not my first rodeo as they say, I’ve been to lots of fabric scrap sales where you fill a bag for a specific price, with as much fabric scraps as you can fit in (and yeah, I am ALWAYS up to the challenge to see how much I can fit in the bag they provide without it breaking).
But, I’ve NEVER been to a “scrap bag” sale where 1 yard, 2 yard, and even 3 yard pieces are considered scraps!!! Yes there were a couple pieces here and there that you might call “scraps” – like quarter and half yard pieces, but most of what was in their bins were larger pieces that I definitely would not classify as “scraps”.
What I heard from another quilter during the feeding frenzy (photo below) was that Missouri Star will pull pieces off the bolt that are 3 yards or less and put them away for the scrap sale.
Oh my.
What you are about to see was what could be considered a “super spreader event” as no one was wearing masks, but luckily the pandemic is tapering down in my part of the world.
Here is the FEEDING FRENZY:
And yes I was right in the middle of it. I stepped out to take photos.
Actually everyone was so patient, thoughtful and kind. It was the nicest frenzy you could imagine. Quilters would yell out what they were looking for and we would pull for them and toss to them what they were looking for. I got so much Kaffe Fassett fabric this way from the bins.
Also people would take a break from being in the bins and make way for other quilters waiting in queue. Actually you had to take a break for a while as it was sort of exhausting sifting through all those yard pieces of fabric and a bit claustrophobic.
You also needed a break to stuff your bag!
Besides finding AMAZING top quality quilting fabric (of like every fabric line you could imagine) one of the most fun parts of the whole experience was laughing with everyone there as you tried to stuff your bag as full as possible.
Here were the early stages of packing bags with “scraps”:
Notice how no fabric is reaching over the top of the bags.
Here is my pile of bags starting to grow (I did stop at 4 but later got one more) as I left them among the pile of coats (it was getting warm from all those people foraging through all those bins of fabric):
Then we heard that the shop did not really care how full you got the bag as long as all fabric was “touching” the inside of the bag. So things got creative…
Here are a series of photos on my quilting friends and I engaging in “creative scrap bag stuffing“:
We were laughing so hard! It got to be a real game of “what else can we fit in there?“
Here are a couple of my long time quilting friends and I resting after our scrap foraging. We were exhausted but happy! (Note, not all our group attended the scrap sale, some were back at the Retreat Center being productive working on their projects!)
And here I am with another expression of “pure joy” like in the previous post (and note it was not just because of the amazing deals but that I was hanging out with friends, lol):
When we returned to the Retreat Center, Jessica, one of the Retreat Coordinators, challenged us to see how much yardage we had inside one of our bags.
One person had 27 yards of fabric inside ONE of their scraps bag. Yes that was 27 yards of fabric for $10.95! Most people had between 20 and 26 yards of fabric packed into ONE scrap bag.
One of the attendees actually ironed and folded her finds (show off, ha!):
I did not. I took all my scraps from the sale to the Main Shop for packaging up to send home to me! As I mentioned in the first post in this series (I think), MSQC will ship whatever you bought or worked on for FREE to you if you are attending a retreat so you don’t have to figure out how to get it home. (Yes they are encouraging attendees to shop to their heart’s content).
So, a couple days after I returned home from the retreat I received two boxes in the mail:
And here are the “scraps” I got from the sale:
I won’t tell you the total amount of fabric, because I did not even count the yardage.
I just ironed the fabric and incorporated it into my stash…while giggling…
Okay time to take a break from “tierneytravels” and get back to “tierneycreates” (smile).
It only took like a year+ but I’ve finally finished hand quilting a lap sized free form log cabin quilt I started back in January 2020 at a quilting retreat which I named “Seattle Scrappy”. Now I need your help to decide which fabric to use for the quilt binding.
I know crafters are opinionated and like helping other crafters with their design, so I am looking for your opinions.
But firsthere is a little quick background on the piece and some additional photos.
In January 2020 (before the pandemic was a reality) I attended a mini quilt retreat with a couple quilting friends in Poulsbo, Washington. I brought a couple hand work projects and had EVERY INTENTION of only working on my hand work projects. But, my dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
Out of that bag of scraps came a whole lots of free form pieces log cabin blocks and you can read about those in this post – What’s on the…Design Carpet.
Since February 2020 I’ve had a series of posts on the evolution of this quilt:
I’ve had an update or two on my @tierneycreates Instagram feed since these posts but basically I’ve just been plugging along (when I remember to work on it) hand stitching it with perle/pearl cotton thread.
Last night I finally finished stitching it; and this morning I trimmed off the extra batting on the edges!
I didn’t have the best light when I quickly took these photos this morning, but they give you a general idea of the hand quilted quilt.
Now it’s time to choose the binding (this is where you come in) and here are the four options I am considering:
As you can see they are all some shade of gray. You might be thinking: “Well Tierney, what about the turquoise, aqua, or the burnt orange in the piece?” I did think about those for a moment but first of all I do not have enough of any of those fabrics to create a binding; and second I do not want to frame it in a strong color. I want to frame it in a gray.
So here are the four gray fabrics up close up against the quilt for you to select from when you share your thoughts:
A – fabric with faux stitching pattern
Fabric A
B – medium-dark gray fabric
Fabric B
C– medium gray fabric
Fabric C
D – variegated gray fabric (the tone/shade of gray will change along the binding
Fabric D
Here is a poll below for you to vote and I will report back on the result of the poll and my final decision (which will likely be heavily influenced by your votes):
****If you’d like to participate in voting/respond to the poll, you have to go to my actual website. It will not show in the WordPress Reader, sorry (thanks @tammiepainter for making me aware). If you are in the WP Reader, click on “Visit Site”.****
I’d appreciate any additional thoughts you have in addition to your vote in the Comments section of this post.
Please note however, I will only tally votes through the poll above just to make sure I do not duplicate votes, thanks!
I thought I would give you all an update on the improvisationally free-form log cabin block style pieced quilt I’ve been working on since January 2020 – Seattle Scrappy. I last updated you on this piece in my March post – Update on Seattle Scrappy (though I think here and there in the Postscript section of later posts I provided a brief update…maybe).
The quilt began as a pile of scraps that my friend Dana let me play with when I attended a quilt retreat in Poulsbo, Washington in January 2020 (see posts Mini Quilt Retreat, January 2020 and A Jaunt About Poulsbo, WA). I pieced these scraps into free form log cabin blocks (no measuring, just “eye-balling” and trimming to make fit):
I made a lot of blocks and when I returned home I arranged them into this quilt top:
I decided to name the piece: Seattle Scrappy.
For the past 7 or so months, I’ve been hand stitching the quilt.
Update on “Seattle Scrappy”
In my mind I am doing something like Kantha hand stitching but actually what I am doing should be called “Drunken Kantha” (no I am not drinking while stitching – that could be disastrous since I am a “light-weight” when it comes to alcohol consumption, I would impale my finger…constantly…with the needle) as, well…it sort of looks…sloppy…
Let’s get this over with – let me show you the photos – I am nearly 1/3rd done on stitching this quilt which measures approximately 60 inches by 60 inches:
If you are gasping or just shaking your head at this point as you look at the nonuniform stitching, I have an artistic design “excuse” for the stitching. It is a weak excuse but here goes: As it frequently rains in Seattle, Washington, I wanted the stitching to capture the feeling of a rainstorm (with the wind blowing the rain sideways…).
There. That sounds quite reasonable – it was just my artistic design, not that I am a terrible Kantha-stitcherist! (smile).
But seriously, I am hopeful it will look acceptable once I get the whole thing stitched, and then trim off the excess batting and backing, do a whole lot of ironing, and bind the edges in some manner (either a traditional quilt binding or the art quilt technique of putting a “facing” on the back edges of the quilt).
I cannot believe how long it takes to hand quilt a lap sized quilt. I’ve hand quilted smaller pieces before (see post What’s on My Lap) and I found it very meditative. I think in the future I will reserve hand quilting only for smaller pieces, it was a bit too ambitious an undertaking (for a slopping hand quilter) to hand quilt Seattle Scrappy!
Till the next update, Seattle Scrappy will continue to sit on the edge of my chair in the living room, waiting for the next set of haphazard stitches!
Postscript
Hopefully I did not visually traumatize you with images of my hand stitching.
If I have, I would like to undo the damage by referring you to look at the website of one of my extremely talented blogging buddies – Mariss the Quilter: Fabrications – who is a masterful Kantha stitcher. Check out her post On Hand Stitching to see some amazing Kantha stitching!
Someday…maybe…I can get my stitching to a “less scary point”. I am not aiming for her level of talent, just not to scare myself or others – ha! I did recently actually invest in a book on Kantha stitching. So perhaps there is hope…
I am so excited! My tremendously talented friend Wendy Hill has agreed to do a series of guest blog posts about a wonderful quilt project she’s been working on with children in her neighborhood during the quarantine/”COVID-times”. Over the past several months, she’s shared with me updates on this amazing project and I invited her to share with my tierneycreates blog readers. I hope the story of this project makes you smile as much as it made me smile.
Wendy Hill is a fiber artist and teacher who has written several art quilting books to include most recently Creative Quilt Challenges, cowritten with Pat Pease. She has a website Wendy Hill Quilt Artist and you can follow her current work and musings on Instagram @wendyquilter.
Quarantine Quilt Project: Life in the Time of Coronavirus
Part I: Once Upon A Time
This is the story of two neighbors who banded together when the state government ordered a lock down because of the first Global Pandemic in over 100 years.
The big wide world was suddenly narrowed down to one house each for the four young boys next door and for us, a retired couple.
We live on a quiet cul-de-sac of a street, in a woodsy area, and now our respective worlds are turned upside down.
“The Boys”, ages 2-8 years, explored the area around their house after finishing ‘school’.
With no fences and the houses close together, “The Boys” inevitably spilled over into our yard.
One day, it seemed, to them, a good idea to fill our birdbaths with dirt and make mud. “The Boys” cleaned up the mess and later dropped off an apology.
“Can you ever forgive us?” the note read.
There was nothing to forgive! “The Boys” were going stir crazy.
I sent an invitation to participate in “An Exchange”. I started with a drawing of a mouse, which looked a lot like a rat, and invited “The Boys” to add to the drawing. This drawing, plus two others, went back & forth until we had finished artworks.
Life during the pandemic meant one day blending into to the next, without much definition. But now, we waited to hear the patter of footsteps followed by the chime of the doorbell.
Likewise, I could hear “The Boys” squeal with delight when I rang their doorbell. It was exciting to open the door and see what The Boys left on the porch.
One day, I sent over a note which read “I have a bit of a crazy idea….”. I sent over a Big Bag of Fabric Scraps with instructions to fill up blank 8 1/2” by 11” pages with fabric pieces. Overlaps of fabric were okay but no gaps. I explained I’d sew the fabrics together to make “quilt blocks”.
If “The Boys” had fun, we could keep it up until we had enough to make something.
The mom replied “This sounds like a great idea!” and we were off.
The Boys had fun playing with color & texture, and they enjoyed seeing their fabric arrangements get transformed into blocks. As the number of blocks grew, they played with layouts on their floor. We agreed to make enough blocks for a quilt.
We were all building new pandemic memories and they would have a cuddly family quilt. Win-Win-Win!
Wendy’s Next Guest Blog Post: The Boys Make 61 Blocks!
I completed all five sections of the quilt top made from fabric scrap triangles and scrap squares to create nearly 600 half square triangles (HSTs) in the following sizes:
2 inch x 2 inch
2.5 inch x 2.5 inch
3.5 inch x 3.5 inch
4.5 inch x 4.5 inch
5.5 inch x 5.5 inch
It was inspired by the pattern All Sizes by Amanda Jean Nyberg from her book, No Scrap Left Behind.
Here it is on the ironing board after I pinned it for quilting:
And here is it currently being machine quilted on my sewing machine:
I decided to machine quilt it myself rather than send it out to be professional long-arm machine quilted. Slowly I am making progress, I try to work on a section each day.
(You might notice some curious brightly colored half-circle blocks on my design wall behind my sewing area. I’ll talk about those in a future post. They are blocks a quilting friend gave me when she decided not to finish a piece. More to come.)
And of course when I finish machine quilting All the Trimmings I will share another update.
I am going to do an Artist Statement for this piece since there is a story behind it. Here is a very rough draft of that statement:
It’s more than just a half square triangle quilt. I miss going to Quilting Retreats and hanging out with Quilting friends so I made this quilt, based on Amanda Jean Nyberg’s pattern “All Sizes”, from scraps collected from my quilting friends during 15 years of quilting retreats and “Sew Dates”. Most of the scraps are triangle trimmings from their block piecing. Hundreds of scrap triangles went into this quilt top!
Postscript
A friend of mine recently said that she was looking forward to hearing my thoughts on the tragic events and strife currently going on in the United States in a blog post.
For me it is just too deeply personal and sad issue to discuss in this forum, so I am going to just focus my blog posts on my creative projects and other lighter topics.
I will however share with you that I am currently taking a break from watching or reading the news as this was wearing down my soul.
Recently came across this quote by Fred (Mister) Rogers that made me feel some peace and I will close out this post with this quote:
It is time to follow up on my post No Scrap Left Behind (half square triangle craziness), as I’ve made significant progress on this scrap triangle quilt inspired by the pattern All Sizes in Amanda Jean Nyberg lovely book, No Scrap Left Behind.
I found this images on Pinterest, which I shared in that post, of what the quilt looks like finished:
Image credit: Pinterest
I decided to name my version of this quilt “All the Trimmings”since most of the scrap triangles were donated by other quilters from their block trimmings. Most of the triangles I am using in my version of this quilt were once headed to the landfill (and now they get to be in a quilt!).
The quilt consist of sections of 2 inch x 2 inch half square triangles (HSTs); 2.5″ x 2.4″ HSTs, 3.5″ x 3.5″ HSTs, 4.5″ x 4’5″ HSTs, and finally 5.5″ x 5.5″ HSTs.
HSTs are usually made by some quick method such as placing two squares of fabric together, making a line down the middle, sewing a 1/4 on each side of the line and then cutting apart two completed HSTs.
However I made most of the HSTs the manual hard way by sewing two scrap triangles together and then trimming the block to the required size. But I used up hundreds and hundreds (nearly all of them) of my scrap triangle collection.
I’ve completed three sections of the quilt: 2″x2″, 2.5″x2.5″ and 3.5″x3.5″ and they are up on my design wall.
As I mentioned in the post No Scrap Left Behind (half square triangle craziness), I had very few white or super light colored scrap triangles, so I loosely interpreted the HST standard of a light triangle with a dark triangle for contrast.
Towards the end of making enough 3.5″ x 3.5″ HSTs required for the pattern, I ran out of scrap triangles and had to dip into my scrap squares collection (someday to be made into a scrappy quilt):
Then when I got to the point of making 4.5″ x 4.5″ HSTs, I ran out of larger scrap squares, so I had to dip into my Charm Square collection to finish the number of 4.5″ HSTs I needed for the pattern.
Just two more sections to go on this quilt; and I will update you again after I get the other two sections completed.
I discovered a whole display of inspirational rocks painted by kids on my dog walk yesterday that made me smile, thought I would share them with you to close out this post.
It’s been a while since I’ve added anything to my series of posts: “What’s on the Design Wall”, about my current project up on my design wall.
However as my tierneycreates Beastie shared in the post Guest Blogger: What the heck is going on here? , my studio is packed up and turned back into a bedroom for staging the house I currently live in for sale.
Not having a design wall up on the wall has not stopped me – I’ve discovered: The Design Carpet (patent pending, ha!).
But let’s back-up a moment, and tell you how this piece began and got to this point…
I brought a couple hand work projects from my basket of hand work (see post Inside the Basket ) and had EVERY INTENTION of only working on my hand work projects.
But…
My dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
As you saw in the “From the Basket” post, I did work on my English Paper Piecing rosettes, but after a while I put them aside and STARTING PLAYING WITH THE GRAY SCRAPS! (I could not resist the temptation to play with fabric scraps)
Before you know it, as I shared on @tierneycreates on Instagram, I began creating freeform pieced/improvisationally pieced log cabin blocks (also known as “log jamming”):
And before I knew it, I had a pile of 138 blocks I made!
Once I got home, I could not wait to play with them and see what interesting pattern I could make with the dark gray and light gray framed blocks, So I decided to use the “Design Carpet”:
I began with creating a pattern with the dark gray framed blocks:
Then I worked on framing them with the light gray blocks:
I like the effect with the dark gray floating in the lighter gray blocks.
Since I took these photos, I’ve made additional progress and pulled out my sewing machine from the storage room (where you hide everything when staging a house for sale)!
Let me make a bit more progress on the piece and I will share in a future post!
Postscript
Let me know if you think I can patent the concept of the “Design Carpet” and make millions on my late-night infomercial selling “Design Carpets” and quit my day job and just sew all day!
“You can own your own Design Carpet for 5 easy payments of $99.99!
But wait, there’s more:
Buy one Design Carpet and get a second one for only $99.99 plus shipping and handling.”
These two topics – Oh, Scrap, Part II and New “Studio” Tour, were going to be two different posts but I decided to combine them into one post since they are sort of tied together.
I’ve been getting settled into my new apartment in the greater Denver metro area and I guess I’ve completed my series of posts “Colorado Bound” as now I am in Colorado!
I’ve never lived alone in my entire life, so it has been a huge transition now living alone, but I am trying to embrace it and enjoy that I can set up my apartment however I desire.
Those of you who’ve followed my blog for a long time (some of you for over 5+ years) might remember what my craft/quilt studio area looked like in my former Central Oregon home (which by the way has sold and is now someone else’s home). It was in a small back bedroom in my three-bedroom home, but it worked for me.
Now living in a two-bedroom apartment my best choice for a studio area was to turn my second bedroom into a guest room/studio area. I will give a little tour of that new space in this post, but first I want to share a follow up to post from January 2018 – “Oh Scrap“.
Oh Scrap, Part II
It is always an ongoing challenge to find the best way to organize my…extensive? ridiculous? pathologically large? fabric scrap collection. I’ve experimented with various iterations of fabric scrap organization including organizing them by color into boxes like these:
Or just throwing them all together into a large bag:
As you can imagine, unless you just want to work with random scraps, the “all in one bag” idea did not work for me.
However as I was packing up for my move to Colorado, I came up with an idea: why not use this old shelf unit I had in my sun room in my former house (which easily disassembles for moving) with the baskets I used to store magazines in, to organize and easily access my fabric scraps?
And here is the unit in the guest bedroom/studio of my new apartment:
I have my fabric scraps organized by color or theme (i.e. I have a basket of light batik scraps and a basket of dark batik scraps, etc.).
Now for the rest of the room.
New “Studio” Tour
I put the word “studio” in quotes because I am using this term loosely. It’s not really a studio per se but a place to sew in my guest bedroom, where I’ve used the guest bedroom closets to store my fabric and crafting supplies.
I embraced the concept of “Whole House Crafting” (which I previously discussed in the June 2016 post Whole House Crafting) and put a larger cutting area on my large kitchen island and an ironing station in my master bedroom.
Mike the Miniature Schnauzer wanted to share that he approves of the guest room/studio space as it meets his coziness standards!
He also appreciates the schnauzer themed decor!
Postscript
Speaking of coziness (or “cosiness” for my friends on the other side of the pond), I thought I would share a little follow up to the February 2019 post From “Orphan Blocks” to Pillows.
A couple of months ago I made these two little pillows from leftover blocks from a quilt I made many years ago:
Well Mike is now enjoying one of the pillows as his napping pillow!
Not sure he wanted to be disturbed but I just had to take a photo!
I’ve completed the Pillow Project – 5 pillows are made: 4 for my living room and one for my studio. Several of the pillows I began at the recent quilting retreat I attended (see post The Pillow Project).
If you are just joining us, this post is a follow up to these five posts (as well as various other older posts as I procrastinated through some of my projects):
Yikes Tierney, it sure takes you a lot of posts to stop talking about a project? Yes, true…and? (smile).
So here are the completed pillows.
Studio/Office Pillow
Made from recycled 2.5 inch x 2.5 inch fabric scrap squares that were turned into half-square triangles (it took 196 half-square triangles to complete!), this pillow measures approximately 22 inches x 22 inches:
Living Room Pillows
These pillows measure appropriately 23 inches x 23 inches and were made from batik fabric scraps pieced into improvisational (“log jamming”) log cabin style blocks:
Photo shoot on the porch swing
One of my favorite of the four pillows
Here is what the back of the pillows looks like – made with recycled quilting fabric trimmed from a quilt after long-arm quilting:
We have two sofas in the living room that face each other – I usually hang out on one and Terry the Quilting Husband (TTQH) hangs out on the other.
My sofa with two of the cushions:
TTQH’s sofa with the other two cushions:
Yes, we have a crazy amount of color in our house (our house is not for the bold color faint-hearted!)
To close this post, here is a random gratuitous photo of a lovely purple iris from my walk yesterday:
I still have more stories to share from he annual May quilting retreat I attended with my Quilting Sisters in Vancouver, WA May 17 – 20, 2018. I just wanted to share the follow up on the whole pillow making saga 🙂
Bear with me as I tie “Pillow Popping with the Untethered Soul” together!
Pillow Popping (What’s on the Design Wall)
I am working on my next art quilt for a future Women of Color Quilting Network (WCQN) exhibit but I cannot share photos on social media at this time. Unfortunately I am stalled in the progression of the piece but I want to keep myself sewing so I’ve decided to make a pillow with my collection of scraps 2.5″ x 2.5″ fabric squares.
I made a zillion (it actually seemed like a “zillion”) half-square triangles (HSTs) and Terry the Quilting Husband was nice enough to cut them apart, press and trim them (now that is true love!).
I pulled out this book from my craft book collection: Pillow Pop: 25 Quick-Sew Projects to Brighten Your Space by Heather Bostic and began laying out the pillow design per one of the patterns – Crystallized(on page 82 if you have the book).
Image credit: Amazon.com
If you remember from my post Central Oregon Quilt Shop Hop Day 1, QuiltWorks quilt shop had a wonderful Pillow Pop display with several completed pillows:
This display made me want to eventually make all the pillows in the book!
Here it is on my small design wall (the larger design wall in the hallway has the art quilt in progress I mentioned earlier):
The beauty of a truly “scrappy” piece is you can have all sort of crazy fabrics together and somehow it works (at least in my deluded mind)!
The Untethered Soul (Audiobooks)
I’ve been listening to a wonderful audiobook I borrowed from the library, The Wisdom of Sundays: Life-Changing Insights from Super Soul Conversations by Oprah Winfrey. The audiobook is read by the author and features curated sections of the actual interviews with inspirational thought leaders from Oprah’s TV series Super Soul Sunday.
Image credit: Amazon.com
I listened to this book while I laid out the pieced half-square triangles for the Crystallized pillow patter and it was very meditative.
To lay out this specific pattern where you get the effect of concentric diamonds of light and dark, I really had to quiet my mind and focus. Listening to this book was the perfect medium to do just that.
In the middle of my pillow-piecing-meditation, Oprah’s interview with Michael Singer, author of The Untethered Soul: The Journey Beyond Yourself, played.
Image credit: Amazon.com
I’ve read this book twice a couple years ago and I’ve listened to the audiobook. I’ve also given it as a gift. I was surprised to learn that it is one of Oprah’s favorite books and that she has also given as a gift (to many more people than I have).
I would say it is one of those MUST READS, especially if you are on a path of self-insight and growth with how you interact with the world.
It was amazing to listen to the author Michael Singer discuss the book with Oprah as I continued my pillow-piecing-meditation.
I will close out this post with a couple quotes from this amazing book by Michael Singer:
“You have to understand that it is your attempt to get special experiences from life that makes you miss the actual experience of life.”
“The only permanent solution to your problems is to go inside and let go of the part of you that seems to have so many problems with reality.”
“Your inner growth is completely dependent upon the realization that the only way to find peace and contentment is to stop thinking about yourself.”
“Billions of things are going on in this world. You can think about it all you want, but life is still going to keep on happening.”
“Do not let anything that happens in life be important enough that you’re willing to close your heart over it.”
“It is truly a great cosmic paradox that one of the best teachers in all of life turns out to be death. No person or situation could ever teach you as much as death has to teach you. While someone could tell you that you are not your body, death shows you. While someone could remind you of the insignificance of the things that you cling to, death takes them all away in a second. While people can teach you that men and women of all races are equal and that there is no difference between the rich and the poor, death instantly makes us all the same.”
“That which is holding you down can become a powerful force that raises you up.”