As I mentioned in that post, when making freeform (I think this is what I am going to call them from now on) log cabin blocks, you might want to mock up (or actually sew) one completed block to verify that you like where you are going with you design.
I did this with one of the 42 (well actually 43 – I made a spare one) freeform log cabin blocks I made from my pile of brown, gold and orange scraps:
I decided that I needed something to break up the gold, I did not want to place all the gold framed squares side by side, so I decided to try floating the blocks in a taupe Peppered Cotton.
I’d originally trimmed the freeform log cabin block trimmed in gold Peppered Cotton and trimmed the block to 9.5 x 9.5 inches with my 9.5 x 9.5 inch square ruler. Then I tried framing it in the taupe and trimming it to 12.5 x 12.5 inches using my ruler of that size (the next size up ruler I own after 9.5 x 9.5 inch).
(By the way, I highly recommend some type of rotating cutting surface if you are trimming your freeform log cabin blocks to a uniform size with a square ruler – I have the Martelli Round Cutting Mat).
I realized a problem after I made the demo block: I have 42 blocks and my plan was to make a quilt for my home library for snuggling under while reading that is 6 blocks by 7 blocks.
At 12.5 x 12.5 inches each (12 x 12 inches finished) it would become a bed size quilt…oh no – let me try some fake math – the quilt would end up around 72 inches by 84 inches…actually larger if I added a little border around the quilt to make the blocks “float”.
I did revisit just sewing the gold framed blocks together and it does not make a large enough snuggle quilt. You might be thinking: what about just adding more of the gold fabric on the edges of the quilt as a border to “float” the blocks? Well I’ve run out of the gold fabric! I have less than a 1/4 yard left.
I was pondering my quandary when John asked about latticing instead of floating each block in the taupe – to use the taupe as a “lattice” instead. So I tried it out:
I like it! The taupe quiets the gold and it will all go nicely with the colors in my home library.
(The quilt currently on the loveseat and two little matching pillows, from orphan blocks, I plan to sell on my Etsy shop someday as they are not really my style and I want someone else to enjoy them.)
So that is where I am at in my design process.
Here are the 42 completed 9.5 x 9.5 inch blocks awaiting their lattice:
I realized didn’t share very many photos or details about the scrappy improvisational log cabin blocks I made at the Scrap Happy Quilt Retreat (link to all the posts related to this 5 day retreat) last week.
During the retreat I “shopped” from my collection of brown, cream, yellow and gold scraps and selected this collection of scraps to which I also added a couple orange-brown scraps and some scraps D brought to the retreat:
I ended up piecing 46 blocks, which I narrowed down to 42 blocks plus one spare (I recycled into the scrap pile 3 blocks that were pieced too wonky).
At first I decided to float the blocks (but framing them) in some coppery-gold-ish Peppered Cotton fabric I had in my stash:
Yes it looks cool and the framing fabric really compliments the fabrics in the blocks, but I decided it would just be too much as an entire quilt.
So I pulled out this brown-taupe-ish Peppered Cotton fabric I had in my stash:
And I decided I would first frame each block in the coppery-gold-ish fabric and then set that block in the taupe-ish fabric:
It might be difficult to visualize as I have it laid out in the images above but I will share more images after I try out some sample final blocks. Creating some sample final blocks will also let me confirm that this combination actually works.
We used this method during the retreat – I suggested (and they listened) to K and D that they actually sew a sample final/completed block to decide if they really like a framing/border/lattice color for their block. Just laying the block on the fabric doesn’t already give you the true feeling of the final version. You can always rip it out the framing and reuse the core block if you don’t like the sample.
Here is an example below of what D did during the retreat with her two finalists – the khaki colored fabric vs. the gray fabric – to help herself make the final decision:
A friend who read the posts related to the retreat ask for some overall instructions on making scrappy improvisational log cabin blocks (which I also call “log jamming” or “free form” log cabin blocks).
Here is a quick overview of how I do it, there are several different approaches and in the post ScrapHappy May: Scrap Happy Retreat! I shared links to YouTube videos from the Stitchin’ Post where I first learned how to do it.
IMPROVATIONAL/FREE FORM SCRAPPY LOG CABIN BLOCKS
First you need to understand the concept of Log Cabin Block piecing where you start with a center square and build around it. Below is a screen shot from Generations Quilt Patterns on How to Make a Log Cabin Blockthat illustrates the Log Cabin Block piecing concept:
It really helps to have pieced traditional log cabin blocks before you go improvisational.
Next you need to decide what size you want your final block to be. I decide my final size based on existing square rulers I have as the easiest way to trim the block is using a square ruler on a rotating cutting mat. I have the following square rulers in my collection – 6 inch, 6.5 inch, 9.5 inch, and 12.5 inch, so I make my final blocks one of those sizes. D & K used my 9.5 inch square ruler for the final size on their blocks. I plan to use my 12.5 inch ruler for the final size on my blocks.
Then it is time to go shopping in your fabric scraps. You need to decide on a color palette (though you could do all random colors but your piece will not look cohesive if that is what you want, but it will look colorful!) for your quilt blocks. As you can see from the pictures from our retreat – K went with pinks and blues, while D went for autumnal colors. You are going to need more scraps that you think so at least initially put together a large pile of scraps.
Audition your scraps and see how well they work together by laying out a demo block (no need to sew together yet but try and simulate a log cabin block).
To start you can either 1) sew two strips together, one of the strips being your center fabric; or 2) sew different little pieces of centers to a long strip.
Cut them apart using scissors to create your first two pieces – if you look at the graphic above this would be Center + 1a.
From there you can create using log cabin piecing techniques a sample block to see how you like it, or just jump into chain piecing blocks starting with your fabric for 1b.
Don’t worry about 1/4 inch seams, just do what seam allowance works to piece the fabric to the next fabric – for example if you are using thin scraps you can use 1/8 seam allowances, especially when you are working on rows towards the center, it will end up stable when the entire block is sewn together.
Using log cabin piecing techniques (working from a center around and around) keep adding scrap strips until you get your block a little larger than the final size you want to achieve.
Trim your blocks using the square ruler of your choosing to their final size.
I might write an actual pattern of how I do it with lots of images/photos and detailed instructions and sell it as a digital download on my Etsy shop someday. Then I can add in all the tricks I’ve learned over the years of making these blocks. My process does differ from the one I originally learned from Jackie at the Stitchin’ Post.
The Stitchin’ Post does sell a pattern for making these blocks called Modern Log Jam Quilt in case you want to try their pattern. It was written by the person (Jackie) who originally taught me (before I created my own process) – I’ve linked it here – Modern Log Jam Quilt.
There are so many options of what you can do with these types of blocks made from scraps. You could do something straightforward like what D made:
Or you could play with using different framing colors and create additional patterns like this one I made out of Stonehenge fabric scraps:
Or you can skip the “framing” of the blocks in a solid color and just sew the blocks directly together like I did for these two pillows I made out of batik scraps:
I’ve made numerous free form log cabin quilts this way.
Mike the Miniature Schnauzer had to go to pick up quilting friends from the airport as he does better when he goes to pick up visitors from “Human Storage”, see blog post “Human Storage” and Airport Lore, instead of them just suddenly arriving to the house through the garage while he has been home alone!
Mike sitting between the house guests (for the next 5 days) on the way back from the airport.
We decided not to try out the scrap piecing using adding tape that I discussed in the post ScrapHappy May: Scrap Happy Retreat!and just focusing on making scrappy improvisational log cabin blocks (“log jamming”) like the the 35 blocks I recently completed as the “class sample”:
After John and I provided our guest with a tasty late lunch (fried chicken strips, orzo pasta salad, and chocolate chip cookies), the retreat started out with the three of us pouring through my scrap collection and scraps that D and K brought with them to map out colorways/themes for our improvisational log cabin blocks.
I did a demo of how to piece the log jam blocks, well at least how I like to do it as there are several different methods and strategies. Then everyone got to work:
At one point John came by the studio to visit and to bring us our late afternoon cocktails (lemon drops) as our reward for all that hard work selecting scraps and beginning to work on our blocks!
Only one cocktail per person so we did not end up sewing our fingers into the blocks or something disastrous like that!
After everyone made a couple of sample blocks with the fabric scrap groupings we selected, we decided we wanted to set the blocks in a solid color fabric. I pulled out my collection of Peppered Cottons, and we tested out blocks on the different color options (photo below is D’s blocks).
(I used to sell Peppered Cottons in my Etsy shop so I still have a bit of yardage left over.)
That was the end of the first day in the studio.
We did end Day 1 of the Scrap Happy Quilt Retreat with homemade popcorn and movie night in the basement where we have the largest TV in the house.
I completed all the blocks and was deciding on a layout.
The layout I came up with was one in which the blocks set in other colors besides the cream Stonehenge fabric, were set in the center of the quilt (except for 4 I saved to use as cornerstones).
I decided to name the piece “Scraphenge” since it was made from Stonehenge fabric line scraps!
It is not a very large quilt, it measures 55 inches tall by 48 inches wide (139 cm by 122 cm).
Right now I am trying to decide whether to quilt it myself or send it to a long arm quilter. However for now I am just going to leave it up on the design wall as I have other projects in queue I want to work on (smile).
I mentioned in my post Things to Do When You Have a Bad “Cold”, that I’ve been working on a scrappy improvisational “log cabin” block style quilt. I thought I would show you my progress on the piece so far.
All I’ve done is lay the blocks out for now on my design wall, this is not the final design. I have a name in mind for the piece but I am keeping that under wraps until I see if the final design will work.
Each block is 6.5 inches x 6.5 inches and was made using scraps of Northcott Fabrics’ Stonehenge line which I love, as well as some small yardage pieces of Stonehenge I had in my stash.
The scraps primarily came from this quilt I made a couple years ago:
This was my pile of scraps that I started with for the piece currently up on my studio design wall which include scraps from the quilt above and scraps given to me by quilting friends:
Eventually I decided not to use the Stonehenge animal print scraps that someone gave me (and recently I donated a pile of them to a local charity thrift store so they can be enjoyed by another crafter).
Here are photos of me chain piecing the improvisational log cabin blocks via a technique I learned from Jackie Erickson at the Stitchin Post when I lived in Central Oregon.
Jackie told us in a class I took at the Stitchin’ Post that “log jamming” that is technique originated in Africa – the using of scraps to randomly put together fabric and create a larger piece of fabric, etc.
While writing this post I googled “log jamming quilting” to see if I could find any official history on this technique and found a VIDEO by the Stitchin’ Post about log jamming!!!
If you want to see a demonstration of the technique, here is the video – enjoy!
Jackie has a pattern she sells on making a log jam quilt and here is the link to it: Modern Log Jam.
I have used the technique I learned from Jackie on so many quilts over the years (as well as taught the late Terry the Quilting Husband to make quilts this way also – see post What’s On The Design Wall: Flannel “Log Jam” Blocks) that she holds a special place in my heart (and she is an awesome teacher!).
In her class she would use a shoppingbag of random scraps and you just pull from that bag and “jam on” while chain piecing.
Okay I went off on a tangent on log jamming, and let’s get back to the story on this current log jam quilt in progress…
Originally I wanted to frame all the blocks in a cream colored Stonehenge fabric I had in my stash, but it turned out I did not have enough. So I used a smaller brown yardage as well as a couple fat quarters from my stash that I thought would coordinate.
Here are the resulting four (4) types of blocks:
Yes, I have not cleaned up all the loose threads from all that chain piecing I did. But I’ll do that as I sew the blocks together in whatever their final configuration.
For now they all sit on my design wall awaiting my further musings on layout…
Okay time to take a break from “tierneytravels” and get back to “tierneycreates” (smile).
It only took like a year+ but I’ve finally finished hand quilting a lap sized free form log cabin quilt I started back in January 2020 at a quilting retreat which I named “Seattle Scrappy”. Now I need your help to decide which fabric to use for the quilt binding.
I know crafters are opinionated and like helping other crafters with their design, so I am looking for your opinions.
But firsthere is a little quick background on the piece and some additional photos.
In January 2020 (before the pandemic was a reality) I attended a mini quilt retreat with a couple quilting friends in Poulsbo, Washington. I brought a couple hand work projects and had EVERY INTENTION of only working on my hand work projects. But, my dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
Out of that bag of scraps came a whole lots of free form pieces log cabin blocks and you can read about those in this post – What’s on the…Design Carpet.
Since February 2020 I’ve had a series of posts on the evolution of this quilt:
I’ve had an update or two on my @tierneycreates Instagram feed since these posts but basically I’ve just been plugging along (when I remember to work on it) hand stitching it with perle/pearl cotton thread.
Last night I finally finished stitching it; and this morning I trimmed off the extra batting on the edges!
I didn’t have the best light when I quickly took these photos this morning, but they give you a general idea of the hand quilted quilt.
Now it’s time to choose the binding (this is where you come in) and here are the four options I am considering:
As you can see they are all some shade of gray. You might be thinking: “Well Tierney, what about the turquoise, aqua, or the burnt orange in the piece?” I did think about those for a moment but first of all I do not have enough of any of those fabrics to create a binding; and second I do not want to frame it in a strong color. I want to frame it in a gray.
So here are the four gray fabrics up close up against the quilt for you to select from when you share your thoughts:
A – fabric with faux stitching pattern
B – medium-dark gray fabric
C– medium gray fabric
D – variegated gray fabric (the tone/shade of gray will change along the binding
Here is a poll below for you to vote and I will report back on the result of the poll and my final decision (which will likely be heavily influenced by your votes):
****If you’d like to participate in voting/respond to the poll, you have to go to my actual website. It will not show in the WordPress Reader, sorry (thanks @tammiepainter for making me aware). If you are in the WP Reader, click on “Visit Site”.****
I’d appreciate any additional thoughts you have in addition to your vote in the Comments section of this post.
Please note however, I will only tally votes through the poll above just to make sure I do not duplicate votes, thanks!
I thought I would give you all an update on the improvisationally free-form log cabin block style pieced quilt I’ve been working on since January 2020 – Seattle Scrappy. I last updated you on this piece in my March post – Update on Seattle Scrappy (though I think here and there in the Postscript section of later posts I provided a brief update…maybe).
The quilt began as a pile of scraps that my friend Dana let me play with when I attended a quilt retreat in Poulsbo, Washington in January 2020 (see posts Mini Quilt Retreat, January 2020 and A Jaunt About Poulsbo, WA). I pieced these scraps into free form log cabin blocks (no measuring, just “eye-balling” and trimming to make fit):
I made a lot of blocks and when I returned home I arranged them into this quilt top:
I decided to name the piece: Seattle Scrappy.
For the past 7 or so months, I’ve been hand stitching the quilt.
Update on “Seattle Scrappy”
In my mind I am doing something like Kantha hand stitching but actually what I am doing should be called “Drunken Kantha” (no I am not drinking while stitching – that could be disastrous since I am a “light-weight” when it comes to alcohol consumption, I would impale my finger…constantly…with the needle) as, well…it sort of looks…sloppy…
Let’s get this over with – let me show you the photos – I am nearly 1/3rd done on stitching this quilt which measures approximately 60 inches by 60 inches:
If you are gasping or just shaking your head at this point as you look at the nonuniform stitching, I have an artistic design “excuse” for the stitching. It is a weak excuse but here goes: As it frequently rains in Seattle, Washington, I wanted the stitching to capture the feeling of a rainstorm (with the wind blowing the rain sideways…).
There. That sounds quite reasonable – it was just my artistic design, not that I am a terrible Kantha-stitcherist! (smile).
But seriously, I am hopeful it will look acceptable once I get the whole thing stitched, and then trim off the excess batting and backing, do a whole lot of ironing, and bind the edges in some manner (either a traditional quilt binding or the art quilt technique of putting a “facing” on the back edges of the quilt).
I cannot believe how long it takes to hand quilt a lap sized quilt. I’ve hand quilted smaller pieces before (see post What’s on My Lap) and I found it very meditative. I think in the future I will reserve hand quilting only for smaller pieces, it was a bit too ambitious an undertaking (for a slopping hand quilter) to hand quilt Seattle Scrappy!
Till the next update, Seattle Scrappy will continue to sit on the edge of my chair in the living room, waiting for the next set of haphazard stitches!
Hopefully I did not visually traumatize you with images of my hand stitching.
If I have, I would like to undo the damage by referring you to look at the website of one of my extremely talented blogging buddies – Mariss the Quilter: Fabrications – who is a masterful Kantha stitcher. Check out her post On Hand Stitching to see some amazing Kantha stitching!
Someday…maybe…I can get my stitching to a “less scary point”. I am not aiming for her level of talent, just not to scare myself or others – ha! I did recently actually invest in a book on Kantha stitching. So perhaps there is hope…
I brought a couple hand work projects from my basket of hand work (see post Inside the Basket ) and had EVERY INTENTION of only working on my hand work projects.
My dear quilting friend Dana brought an extra sewing machine (one her her Berninas, and I love Berninas) and a BAG OF GRAY FABRIC SCRAPS for me to play with – oh no!
As you saw in the “From the Basket” post, I did work on my English Paper Piecing rosettes, but after a while I put them aside and STARTING PLAYING WITH THE GRAY SCRAPS! (I could not resist the temptation to play with fabric scraps)
Before you know it, as I shared on @tierneycreates on Instagram, I began creating freeform pieced/improvisationally pieced log cabin blocks (also known as “log jamming”):
And before I knew it, I had a pile of 138 blocks I made!
Once I got home, I could not wait to play with them and see what interesting pattern I could make with the dark gray and light gray framed blocks, So I decided to use the “Design Carpet”:
I began with creating a pattern with the dark gray framed blocks:
Then I worked on framing them with the light gray blocks:
I like the effect with the dark gray floating in the lighter gray blocks.
Since I took these photos, I’ve made additional progress and pulled out my sewing machine from the storage room (where you hide everything when staging a house for sale)!
Let me make a bit more progress on the piece and I will share in a future post!
Let me know if you think I can patent the concept of the “Design Carpet” and make millions on my late-night infomercial selling “Design Carpets” and quit my day job and just sew all day!
“You can own your own Design Carpet for 5 easy payments of $99.99!
But wait, there’s more:
Buy one Design Carpet and get a second one for only $99.99 plus shipping and handling.”
Continuing my series of posts about the annual May quilting retreat I attended with my Quilting Sisters in Vancouver, WA May 17 – 20. To read my previous posts about quilting retreats I’ve attended, see my post category – Retreats.
Pulling Out the Old UFOs
For this May’s annual quilting retreat I pulled out some old unfinished objects/projects (UFOs) or as my blogging buddy Shirley @ handmadehabit calls them – “STRANDED” projects.
My next post was going to be about the cool projects other quilters were working on at the retreat (tuffets!) I attended last weekend. However, I do not want to lose the momentum from the project discussed in my Thursday 08/11/16 post –What’s on the Design Wall (Need Your Help).
I so appreciate all the enthusiastic responses, votes, and ideas. I have to tell those of you who commented: You made a MESS of my studio (smile)!
You should have seen my little studio – various fabrics pulled out from my stash in many different colors, from your suggestions, strewn about everywhere. It was like a tornado of fabric options had blown through.
Reading all the comments was very fun – it was like you all were crammed into my tiny studio (where would I fit you all?!??!) and we were looking through my stash together and throwing around ideas (and fabric).
Of course, I would have to plan a snack and beverage for all my studio guests crammed into the tiny room…but where would I set out the plates and cups? (Maybe I could go scavenge some more fruit from my neighborhood to serve as snacks…but that is an upcoming post: Fruits of My Neighborhood Part III!)
This project began with a bag of colorful Batik scraps (that I embarrassinglyactually purchased…in a moment of weakness from the Stitchin’ Postquilt shop’s basket of scrap bags for sale..that shop is loaded with temptation!)
I turned many of those scraps into 24 6′ x 6″ blocks:
I presented four (4) options for the layout on the blocks and here are the votes by Option:
OPTION 1A – Float the blocks individually in a neutral background: 2 Votes
OPTION 1B – Group the blocks together and then float the whole grouping in a neutral background: 0 Votes
OPTION 2A – Float the blocks individually in a gray background: 4 Votes
OPTION 2B – Group the blocks together and then float the whole grouping in a gray background: 2 Votes
In addition to voting on options I presented, many of you in your comments suggested different options(I hope I captured the essence of all the comments to date, my apologies if I left a summary of your comment out below):
Group them together on a neutral background not trying to make them perfectly square, use Misty Fuse to attach them
Stitch the blocks together, use a pieced binding to enclose them, they speak so well on their own!
Group them together on the grey but make sure all blue sides are facing opposite of the grey fabric and placed up against another block rather than up against the grey fabric not allowing a blue side to but up against another blue.
Float each block individually, with a PURPLE or RED background- keep the color going! And maybe put a yellowsquare at each “intersection”
Golden brown would be nice also (to float blocks).
I agree with some others are dark brown, plum, dark red, I’d be inclined to try them on different ones and see which calls loudest.I start to wonder if it’s be even better on the dark brown.
I think a chocolate brown would be so cool.
I would make more blocks, group them without sashing or a border, and bind with a pieced binding (NOTE: I did make more blocks, see below!)
If you do want separation, don’t set them straight, in rows and columns. Use your separator in more random sizing — perhaps framing each one with the same fabric but in wonky widths. It might be easiest to pull off with a fabric that has some pattern so the seams between newly framed blocks disappear a bit.
If you really want to set them apart on a different background, what about looking at either a gold dupionior a deep purple dupioni?
(from a text to my phone, not posted to the blog) What came to mind was floating blocks in a round of neutral logs then a round of gray logs – maybe alternate with the reverse – round of gray first then neutral – then you float and have blocks side by side – and I’m thinking of a neutral acid yellow or lime greenor maybe an acid yellow orange – a crisp bright marigold color – all would look good with the blocks and gray.
Option Z: I love love love the blocks, but am partial to flashy colorsmounted on a white background. I also like sashing between the blocks because it makes each one pop.
While I like both versions of placing all the blocks together and placing with sashing, I would need to try the sashing version using a variety of sizes and different shades of either the light or the grey.
One fellow blogger, Melanie @ Catbird Quilt Studio was kind enough to e-mail me a photo of one of her lovely scrappy log cabin quilts, “Broken Pains” as an example of a layout she used:
In addition to showing you the scraps I started with, in the previous post I shared the pile of scraps I had left over from trimming the original set of blocks down to a 6″ x 6″ size:
In the evening on Friday and Saturday, I turned the trimmings from those scraps and some of the remaining scraps into 23 more 6″ x 6″ blocks:
I now have scraps left over from trimming the latest blocks and the remaining original scraps that started it all…and yes, I am going to make more blocks out of them! (Besides 47, 24 + 23, is an usual odd number of blocks. )
I tried out many of your color suggestions. To save time, I had a “pocket full of scrappy blocks” as I experimented. I never imagined walking around my house with a pocket full of quilt blocks!
Now, try and use your imagination as you look at my experiments. Although I tried to put strong lighting on the design wall, if you have been following my blog for a while, you know I am not the best photographer (if I tried to make photography a career I would be very hungry).
I provide two layouts on each test background fabric: 1) floated and 2) grouped together with a border.
More disclaimers (soon you will be frightened to even scroll down and look…): I did not iron the fabric I used as the test background and I randomly selected the blocks to go onto the test fabric. (If this were a real quilt layout, I would have given more thought to the block placement and order.)
Thank you so much for all the great ideas. I also appreciated all the layout and general design ideas.
My decision is as follows:
Make more blocks, trying to use up nearly all the remaining scraps.
Do not make a quilt with these blocks, instead make a SERIES of artsy table runners for my tierneycreates Etsy shop using various combinationsand layouts of these blocks and my favorites of the backgrounds above (red, marigold, gold, purple, dark brown, and lime/acid green).
Thanks for coming with me on this color and design adventure! I will update you all as I complete the table runners!
Check out Sassy the Highly Opinionated Miniature Schnauzer’s blog on SchnauzerSnips, for her latest musings…
One of my blogging-buddies, Laura @ Create Art Every Day, recently asked me in response to my comment on one of her post:
Have you ever done a quilt with lots of white or neutral (back)ground mixed with really bright brights?
Her timing on this question is amazing as I just returned from a four-day quilt retreat with some of my Quilting Sisters and some new quilting friends I met at the retreat. While at the retreat I worked on free-form piecing of log cabin blocks (“log jamming”).
These blocks started as bag of colorful batik fabric scraps:
I trimmed each block to a 6″ x 6″ block and I have scraps left over from trimming the blocks and I am going to use those “trimming scraps” and the rest of the scrap back to make more blocks.
Now here is where I need your help – I am trying to decide what background color to set the blocks into and what layout. I would appreciate input from crafters and non crafters – I want to know what you find most aesthetically pleasing:
OPTION 1A– Float the blocks individually in a neutral background:
OPTION 1B – Group the blocks together and then float the whole grouping in a neutral background:
OPTION 2A– Float the blocks individually in a gray background:
OPTION 2B– Group the blocks together and then float the whole grouping in a gray background:
This dilemma is actually the fault of Laura @ Create Art Every Day (ha!) as originally I had purchased the gray fabric during the quilt retreat to float the blocks. Then I was inspired by Laura’s comment to float the blocks in a neutral background!
I am stuck and would appreciate your vote and any comments you want to make regarding your rationale. THANK YOU!
In my next post I will share what the other quilters were working on at the quilt retreat I recently attended and some cool fabric finds (in addition to the one mentioned in “Postscript”).
Speaking of “Bright Color“, while at the retreat, I bought a frivolous but cool piece of fabric – a panel by Hoffman Fabrics of their entire Hand-Dyed Batik Watercolor Palette:
It is now hanging in my studio.
I do love bright colors and here are the quilts I keep on the chair in my studio. The two on the left are made by my Quilting Sisters (Judy D. and Kathy R.) and I was rotating them as wallhangings in my studio prior to getting the Hoffman Batik panel. The one on the right is my first experiment with creating Half-Square Triangles with charm squares using a Batik charm back I bought in the early 2000s (I made this quilt around 2003).
A Blog Recommendation
I follow many wonderful blogs by other crafters, quilters, painters and other artists. I also follow inspirational blogs by non-crafters. Please see my “Blogs of Follow” list section of my Home page.
I was fortunate to discover (I think by a comment on one of my blog posts) a blog by a Nigerian quilter – Sola, called Alice Samuel’s Quilt Co. Her blog is very interesting to read from a quilter’s perspective outside the US. I have also come across various wonderful Australian and UK quilter blogs.
I love how quilting connects us across the globe!
In Sola’s latest post, she has a wonderfully researched (with lots of links to resources) post on:
Thanks to my fellow bloggers for their engaging blogs I love following; and thanks to the tierneycreates readers/followers (extra thanks to those who take the time to comment on posts). I feel very blessed! (huge smile).
Not all quilters are like me: saddled with a backlog of projects. I know quilters who (they are freaks!) work on ONE project at time, seeing it through completion, and not starting another project until their current project is complete.
My mind does not work that way. I am basically that golden retriever in the movie Up, who says “Squirrel!“when I see a new project to start. I am easily distracted and I tell myself I will get back to the current/previous project eventually.
I was having a bit of creative block on designing a new art quilt and I realize I need to work through my project backlog. So here it is sitting up the cutting table, festering:
In this pile under the cutting table, I discovered 120+ 6.5 inch log jam blocks (scrappy pieced log cabin style blocks) that I had pieced earlier this year. With the assistance of Terry the Quilting Husband, I got them sewn together and now they are on the Design Wall awaiting assembly of the rows.
I have a total of 10 rows with 12 blocks in each row. I am hoping that by floating the pieced blocks in a solid color border, I can make it a twin, full or queen size quilt top. I will post a photo when the top is complete (before it journeys to the long-arm quilter).
“Never put off till tomorrow what may be done day after tomorrow just as well.” – Mark Twain
Terry, the “Quilting Husband” really got into making “log jam” style free form log cabin blocks. He ended up making over 100+ 6.5 inch x 6.5 inch blocks. We set them in 10 x 10 rows to create a quilt top. Betty Anne Guadalupe of Guadalupe Designs professionally quilted the top.
The plan was to list it on the tierneycreates Etsy Shop but I fell in love with it and decided – IT’S A KEEPER! So now it is displayed on our dining room wall.
I have pieced many 6.5 inch by 6.5 inch log jam blocks myself (they are a fun and meditative way to use up fabric scraps) and I am thinking of making a Queen size (yikes) quilt with them for sale at the 2016 Sisters Outdoor Quilt Show. First I will have to see how many I have done and then do some math (yikes, again) to figure out how many I will need (hint: 100 blocks only made a lap size quilt…).
I am not sure how it happened, but my previous post Because Nice Matters, was my 100th blog post! I remember when I started the tierneycreates blog in October 2013, I did not imagine getting to my 100th post (I was just happy to be at 5 posts!). It has been so fun so far connecting with other bloggers and I so appreciate my readers and followers!
Continuing my series of posts on what is on the design wall…
THE QUILTING HUSBAND IS BUSY AGAIN
I had some of my blocks up on the design wall and Terry “The Quilting Husband” was getting impatient. He kept giving me subtle hints (and not too subtle hints) about moving my stuff off the design wall so he can put his blocks up on the design wall (we have a small house and can only make 1 shared design wall work).
The Quilting Husband is working on a new “Log Jam” quilt (see my other posts on “Log Jamming” and “Log Jams” which are free form pieced log cabin style blocks) made with flannel scraps. I have a large box of flannel scraps from making flannel quilts and flannel quilt backs, and Terry came up with the idea of trying to use of the scraps making flannel log jam quilts.
As his confidence grows as a quilter, he gets comfortable with making his own design decisions. He found a stash of dog and cat themed flannel scraps and used them as the center so each block would feature a dog and/or cat face. Very creative!
Terry, loaded with a box of color coordinated scraps I pre-selected, made endless 6 1/2 inch log jam blocks (120+) and put a dent in my scraps (a small dent but any dent is appreciated!).
Then he took a 100 of the 6 1/2 inch block and created a 10 x 10 quilt. It was a collaborative process as he completed ten – 10 block rows, and I did the final sewing of the ten rows together to make the quilt top. Terry, The Quilting Husband, is not much for matching seams to sew rows together, but that is okay – look at how much he accomplished!
Now I am working on putting the back of the quilt together so it can go to the long-arm quilter!
Then comes the decision – keep it or list it on the Etsy site for sale. We will likely list it for sale…we’ll see…
I love sunflowers and years ago (maybe 10) I bought some sunflower fabric I found on sale. I never used this fabric and it ended up in the back of my stash, forgotten.
A couple of months ago I was purging the fabric that I no longer loved to donate to a charity thrift store (see blog post The Fabric Purge!) and came across the sunflower fabric again. I do not have a photo of the original fabric, but 10 years later, looking at it I thought “what was I thinking?!?!?”
It was…well…quite ugly fabric. Little sunflower images with a very cheesy looking patterns and other images surrounding the sunflowers. No wonder it had been on sale 10 years ago!
A quilter friend of mine suggested a Challenge: Don’t get rid of the fabric – cut out the sunflowers and use them as centers in a log cabin style quilt. She offered to give me some coordinating fabric that she was purging from her stash!
I took on the challenge and made the quilt! I just gave to my long-arm quilter the 88″ x 66″ quilt top made with just the sunflower sections of the ugly fabric and coordinating fabric from a friend’s stash! I set the 9.5″ by 9.5″ inch blocks in a Moda paper bag colored fabric. I cannot wait to see what it looks like quilted!
*The shirt flannels were rediscovered during part two of my purge of fabric (see post The Fabric Purge!). This time I worked through my flannels and weeded out those no I no longer needed and rediscovered my tucked away collection of shirt flannels.
Last Tuesday evening I took the Log Jam Class at the Stitchin’ Post quilt shop, this time with the actual instructor, Jackie. Jackie is the Queen of the Log Jam (and a wonderful and fun instructor) and I picked up a couple tips I missed when my friends and I made our own class up earlier this year (when our instructor had to cancel so my friends taught me how to “log jam” as discussed in the post What’s on the Design Wall: “Log Jamming” ).
Taking the class again (well taking it for real with the official instructor), got me even more addicted to log jamming. I also learned that the log jamming technique is based on an old African sewing process. I thought it was something the quilt shop had developed, I did not realize it had so much history. Log jamming is such a great way to work through your fabric scrap collection!
So far I have completed 56 – 6 1/2 inch log jam blocks and I have another 30 some in progress. Not sure when I am going to stop working on the blocks and make them into something. Maybe I will just create a huge pile of log jam blocks enough for a couple King-size quilts. But, alas, that will still not put a dent in my fabric scrap collection…
Below is a photo of the basket of coordinating scraps I use while log jamming and my current stack of blocks. My plan is to keep log jamming with this palette until I exhaust this palette of scraps (or I become exhausted from using the same palette!)