Studio, tierneycreates

Artist Statements, Part II

In my 08/25/16 post, Artist Statements, I shared my struggle with writing Artist Statements for art quilts. In my more recent (03/30/17) post, What’s on My Lap, I again mentioned my struggle with writing Artist Statements, and  Mary of Zippy Quilts shared the following:

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I could not turn down a suggestion for a blog post!

In my first post in August 2016 on Artist Statements I only whined about having to write an Artist Statement and then shared my completed statement for a piece that was being shown at the 2016 Pacific International Quilt Festival (PIQF).

This time I thought I would do something more than whining!

So I spent time researching information about writing Artist Statements and used that information to write the Artist Statement for this piece below – The Recycled Road:

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The Recycled Road (2017) by Tierney Davis Hogan

Here are the basic details on The Recycled Road, I will use these later in the post to write my Artist Statement for this piece:

  • It is made from recycled materials: denim jeans, corduroy pants, corduroy shirt, curtains, sweat pants, home decor fabric scraps, and a tweed jumper
  • The art quilt is the second in quilt in my series The Recyclings (yesterday I decided the name of my series)
  • I hand quilted this quilt to give it an organic feel
  • This quilt was inspired by the Central Oregon SAQA (Studio Art Quilt Associates) group annual exhibit theme “Pathways”.
  • The piece measures 18″ x 40″
  • I hand quilted the quilt to give it an organic feel

General Artist Statement vs. Artist Statement About A Work

A bit of research reinforced what I heard in the art quilting community  – that there are basically two types of Artist Statements: 1) A general statement about you as an Artist; or 2) a statement about a specific piece of artwork.

General Artist Statement

A couple of years ago at one of our Central Oregon SAQA group meetings, we broke into small groups to do an exercise to work on our (General) Artist Statements, the about our art and ourselves as an artist.

I was overwhelmed by this exercise for several reasons: 1) Our Central Oregon SAQA group contains many real textile artists and art quilters – I mean nationally and internationally known artists – I was completely intimidated; 2) I was a new art quilter, recently transitioned from traditional quilting to dabbling in improvisational art; and 3) I was not sure if I could really consider myself an “Artist”.

Several experienced art quilters in the group shared with me examples of their professional artist Artist Statements, which I politely accepted and graciously thanked them for sharing, but it only intimidated me more (it was a “deer in headlights” experience).

A couple months later, I realized I was just not ready to write my General Artist Statement, and that was okay. I had not established what I feel is a solid and cohesive body of textile art. Currently I am working towards this and in the near future I hope to write my General Artist Statement.

I found some great resources online for writing General Artist Statements that I will use in the future, here are the links:

ArtStudy.org Sample Artist Statement

Creativity in Action Art League Blog – 8 Artist Statement We Love

ArtBusiness.com – Your Artist Statement: Explaining the Unexplainable

Agora Gallery – How to Write An Artist Statement: Tips From The Art Experts

“How To Write An Artist’s Statement”, Contemporary Quilt Art Association

10 tips for writing your artist statement, TextileArtist.org

One of my favorite discoveries on advice on writing General Artist Statements was the article “The Artist Statement & Why They Mostly Suck” on the website bmoreart.com. I loved this quote:

“A good artist statement should enhance what a viewer sees in your work and provide a concise handle to approach a visual piece. It should be accurate, well-written, and correctly punctuated. It also should be specific to your work and offer unique insight into your process.”

Jean Wells Keenan, textile artist, has a wonderful example of a General Artist Statement on her website jeanwellsquilts.com:

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Artist Statement About A Specific Work

It is my goal/dream someday to write a well-crafted General Statement about my body of work and how I approach my art, someday. For now I am just trying to write an Artist Statement about a specific art quilt.

So I searched online for inspiration on writing Artist Statements specific to a piece of work. At ArtsyShark.com I found these helpful tips in the article: “How to Write an Amazing Artist Statement” that could be applied to either General Artist Statements or an Artist Statement on a specific piece of art:

Here are some tips to keep in mind when writing your artist statement:

  • The ideal length is one to three paragraphs.
  • It should be in first-person.
  • You should not tell your audience how to feel or what to look at.
  • You want to inform your viewer but not overly explain things – leave room for the viewer to make his or her own connections.
  • Ask yourself: Is this writing specific to my work or can it be about anyone’s?
  • Don’t use phrases like: I hope, My work aspires to, My goal is, The Viewer will, These paintings (do something).

Remember: The key to an amazing statement is to write A LOT, then edit, edit, edit. You should go through at least 3 drafts. This is not something you can do in an evening – it’s going to take time, so find the best time of day that works for you to write, such as over morning coffee. Write in a way that feels comfortable – type or write long hand.

My favorite guideline I discovered online for writing an artist statement for a specific piece of art, was from the website hysterically named – Getting Your Sh*t Together: making life better for artists (gyst-ink.com). Here are highlights from this websites had the following Artist Statement Guidelines:

  • An Artist Statement is a general introduction to your work, a body of work, or a specific project.
  • It should open with the work’s basic ideas in an overview of two or three sentences or a short paragraph and then go into detail about how these issues or ideas are presented in the work.
  • You can include some of the following points:
    • Why you have created the work and its history.
    • Your overall vision.
    • What you expect from your audience and how they will react.
    • How your current work relates to your previous work.
    • Where your work fits in with current contemporary art.
    • How your work fits in with the history of art practice.
    • How your work fits into a group exhibition, or a series of projects you have done.
    • Sources and inspiration for your images.
    • Artists you have been influenced by or how your work relates to other artists’ work. Other influences.
    • How this work fits into a series or longer body of work.
    • How a certain technique is important to the work.
    • Your philosophy of art making or of the work’s origin.
  • The final paragraph should recapitulate the most important points in the statement.
  • Ask yourself “What are you trying to say in the work?” “What influences my work?” “How do my methods of working (techniques, style, formal decisions) support the content of my work?” “What are specific examples of this in my work” “Does this statement conjure up any images?”
  • Consider – Who is your audience? What level are you writing for? What will your statement be used for? What does your statement say about you as an artist and a professional?

Okay, Ready, Write (The Draft)

I could have spent all day online looking at examples of Artist Statements, but now it is time to write my draft statement for the piece The Recycled Road:

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The Recycled Road (2017)

18″ W x 40″ L

Recycled denim, corduroy, cotton jersey, wool and rayon.

Designed, pieced and hand quilted by Tierney Davis Hogan

Artist Statement (draft)

The Recycled Road is the second piece in my series The Recyclings, small art quilts from recycled materials.

Inspired by the theme of “Pathways” for the 2017 Central Oregon SAQA group annual art quilt exhibit, this “pathway” begins at the orange corduroy boundary between the multicolor “road” and the plain gray “road”. This “road” continues beyond the top edge of the quilt; as it has no boundaries beyond the limits we set on our own imagination.  The pathway in this quilt represents one of many roads traveled by our creative spirit.

Using improvisational piecing techniques, I created this piece from all recycled materials (denim jeans, corduroy shirt, corduroy pants, tweed jumper, sweat pants, curtains and home decor fabric scraps. Seeking a bit of adventure in working with recycled clothing, I used an old pair of faded and threadbare gray sweat pants to create the edges of the road. I hand quilted the piece to give it an organic feel. Hand quilting the recycled fabrics was an unique multilayered and meditative tactile experience.

Most of the fabrics were not reusable as clothing or home decor and were destined to end up in a landfill. Reimagining recycled clothing and other materials into art quilts satisfies my desire to honor the environment and make art that is eco-conscious. Ending up in an art quilt is a better outcome than ending up in a landfill.

Okay, so now that I have written my draft Artist Statement for The Recycled Road, I am going to let it simmer overnight and see how I feel about it in the morning.


Feature image credit: BSK, free images.com 

Sisters Outdoor Quilt Show, Studio, What's on the Design Wall

The Recycled Road

Hi there! Here is a quick update on the 03/30/17 post What’s on My Lap.

This weekend I completed the hand quilting on The Recycled Road, an 18″ x 40″ improvisational art quilt for our annual Central Oregon SAQA Art Quilting Group’s themed exhibit. Our 2017 theme is “Pathways”.

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The Recycled Road (2017) by Tierney Davis Hogan

For more background on this piece, please see the posts What’s on My LapSlow Stitching, and What’s on the Design Wall. Someday, this art quilt is going to be part of a series of 18″ x 40″ art quilts from recycled materials using the same materials/adding in additional recycled materials as needed for the design.

Here is the other quilt in this series so far – Recycled Door (the 2016 theme was “Doors”):

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Recycled Door (2016). Designed and pieced by Tierney Davis Hogan; quilted by Guadalupe Designs. Photograph by Marion Shimoda.

The Recycled Road quilt was made completely with recycled materials: old jeans, sweat pants, corduroy pants, corduroy shirt, tweed jumper, curtains, and home decor fabric scraps.  The jeans, shirt, pants, jumper and home decor fabric were reused from the first piece in the series, Recycled Door shown above (which is a much better photo).

All of the clothing or home decorating items used in this art quilt were destined for the landfill. There were all in poor condition, or scraps and not donate-able for reuse as their original purpose.

Currently I am working on the Artist Statement, and in a future post I will share the Artist Statement explaining the piece and share my research on writing an Artist Statement (one of the tierneycreates readers asked for more info on writing Artist Statements, something many of us struggle with!).

This art quilt will debut at the 2017 Sisters Outdoor Quilt Show as part of the special exhibit for Central Oregon SAQA. Eventually become part of the Improvisational Textiles Collection – improvisationaltextiles.com.

I hope to share a better photo in the future of this piece.

Books, Music, Podcasts, Creative Inspiration, Outside Adventures!

Creative Inspiration: Pilot Butte Hike

This post is a continuation of two series of posts:

Monday, I went on my first 2017 Pilot Butte hike! Nearly a year ago, last Spring, I started back hiking our local “mini mountain”, Pilot Butte.

Every Pilot Butte hike I take photos, it is like I cannot control myself, even if I am taking the same photos over and over again!

Monday’s hike I experimented with taking both color and B&W photos of the same scenes. I shared one of my B&W photos with some friends, and my friend Lisa mentioned the photo below would be a great inspiration for a quilt:

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The steps to the viewpoint at the summit of Pilot Butte.

A light bulb appeared above my head: my Pilot Butte photos could serve as inspiration for a future art quilt.

So I thought I would share some of the photos from Monday’s hike that I would consider “creative inspiration”:

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You likely noticed, except for the photos of the steps, the photos above feature trees.

Hiking up Pilot Butte affords 360 degrees views of Central Oregon; and I took many photos that looked like this featuring the wonderful Cascade Mountain Range:

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However I am not attracted to mountain landscape scenes for art quilting inspiration as I am to structures such as trees. I think trees are among the most magical organic structures on earth! (Check out previous posts featuring trees such as Creative Inspiration: Winter Trees and Creative Inspiration: Fall Foliage).

As much as I love the trees, I will likely give the steps photo priority as creative inspiration for a future art quilt, I love the composition:

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To see more photos of the Pilot Butte hike in B&W check out my post from 09/04/16 – Friday at the ‘Butte’ in B&W.

Postscript

Listen While I Walk

I always listen to an audiobook or podcast while I hike Pilot Butte.

On Monday I finished the last two episodes of a six-episode podcast – Missing Richard Simmons. This podcast explores the story behind the fitness guru and eccentric celebrity Richard Simmons’ disappearance in 2014. It is very interesting, I was completely drawn into the story by the middle of the first podcast.

Richard Simmons, whether you loved or hated him, helped and inspired a lot of people. This podcast gives you insight into his world from interviews from clients and friends.

“No tricks, gimmicks, special pills, special potions, special equipment. All it takes is desire and will.”  — Richard Simmons

I love podcasts, I cannot believe how many free podcasts there are to download off of iTunes – on so many topics!

Watch for the Wildlife

One more photo to close out this post – I love this sign at the base of Pilot Butte:

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I have hiked Pilot Butte for nearly 12 years and luckily no cougar sightings for me. I hope my record of 0 cougar sightings stands.

I wonder if any new hiker to Pilot Butte sees this sign, turns around and gets back in the car!

Adventures in Hand Quilting, What's on the Design Wall

What’s on My Lap

This is a follow up to my post Slow Stitching and a part of my continuing series: What’s on the Design Wall, featuring my latest projects in progress. 

I titled this post “What’s on My Lap” for two reasons: 1) The obvious: I am hand stitching the quilt,  so it is on my lap of course; and 2) As a follow up to the hilarious comment from Sandy (or Cindy?) of Gray Barn Designs, (one of my favorite quilting blogs to follow) on my 03/21/17 Slow Stitching post:

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Oh yes, I might do a future post titled “What’s in My Head” if Gray Barn Designs does not beat me to it! Of course that would be a very long post. Way too many design ideas going on in my head.

Update on ‘Recycled Road’

I decided to name to piece Recycled Road, even though I have not written the Artist Statement for it yet. I am having so much fun slow stitching it! (Notice in the photo below I included my shoe so you could see it really is on my lap!)

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I am not looking to win any “hand quilting technique competitions” but I have fallen in love with the whole experience of hand quilting. All the fabrics in this art quilt, for our local SAQA group annual themed show, are recycled (jeans, corduroy pants, corduroy shirt, tweed jumper, curtains, home decor fabric sample, and sweat pants!) and they have a wonderful texture.

I especially love stitching through the sweat pants material. It is so soft and supple and I like to brush my hands along the fabric after stitching a section (ok Tierney are you getting weird now with your hand quilting?!?!?). Was that “oversharing”?

Interestingly, Terry the Quilting Husband’s two sisters and mother are quilters and one of his sisters is really into hand quilting. My sister-in-law Sue is a serious quilter. Like a paper piecing and hand quilting quilter. She is an expert hand quilter. I remember years ago watching her hand quilt while she was visiting us and thinking “yikes, why would anyone want to do that?”

Now I get it. I was teasing Terry the other evening as we sat in front of the TV and I hand stitched: “Terry, I have become your sister!” (In reality, the only thing I have in common with Terry’s very talented quilter sister, is that we both hand quilt now. My skills are light years from hers!)

I feel like I am on this cool ongoing journey related to my quilting, even after 17+ years of being a quilter.

(I will unveil a photo of the entire piece once I have it completed. I have to keep up the suspense…or at least the imaginary suspense…)

Postscript

I do plan to return to more Farm Girl Vintage blocks in the future. Hopefully!

 

Studio, What's on the Design Wall

What’s on the Design Wall

It’s time to continue my ongoing series, What’s on the Design Wall, on what I have on either the small design wall in my studio or the large design wall in my  hallway.

I am taking a break from working on Farm Girl Vintage blocks, and began working on my art quilt for our annual Central Oregon SAQA (Studio Art Quilt Associates) exhibit. Last year our theme was Doors, and here was my art quilt for the group exhibit – Recycled Door:

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Recycled Door (2016). Designed and pieced by Tierney Davis Hogan, quilted by Guadalupe Designs

For more on the group exhibit see the posts 2016 Sisters Outdoor Quilt Show Part II and First Friday Art Walk 09/02/16.

For 2017, our theme is “Pathways”. Inspired by a SAQA online workshop I attend on “Working in a Series” and Elizabeth Barton’s book Visual Guide to Working in a Series: Next Steps in Inspired Design (2014), I want to repeat most of the fabrics used in Recycled Door (2016) and developed the art quilts from my annual participation in our SAQA group’s annual exhibit, into a series.

Recycled Door (2016) was created with all recycled fabric – used clothing and recycled home decor fabric scraps. See the post Blog Tour Day 4: Unlikely Materials for a list of materials used.

I am repeating the same recycled materials for this year’s art quilt and adding two additional fabrics for the 2017 piece: 1) the fabric from a pair of recycled sweat pants; and 2) a recycled curtain.  Tentatively I am naming it  Recycled Pathway. (I will have to complete the piece and draft up my Artist Statement before I decide on the final title).

My 2017 piece will be truly “recycled” art –  in addition to using recycled fabrics (including fabrics from the 2016 piece), this quilt is being created from recycling of blocks made for another art quilt I started for another project – Sherri Lynn Wood’s (The Improve Handbook for Modern Quilters) Make Do Challenge (#makedoquilt). Please see the 09/13/17 post Make Do Quilt Challenge for photos of the progress I made on the piece (which I eventually abandoned because I was stuck and honestly just did not like it).

Since my improvisational pieced blocks for the #makedoquilt were just not going anywhere (except to gather dust in back of the closet), I cut it apart to reimagine it for the 2017 Central Oregon SAQA exhibit.

Here are photos of my progress “Recycled Pathway” (tentative name), on the small design wall in my studio. I am using the dark gray recycled sweat pants fabric to border my “pathway”piecing of recycled denims, curtain, tweed jumper, gold home decor fabric and orange corduroy pants:

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The completed piece will measure approximately 18″ x 40″. I plan to be bold and either machine quilt or hand quilt the piece myself.

Here are the basket of recycled clothing scraps I am working from:

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I really like working with the recycled sweat pants and I want to incorporate the “wrong side” of the sweat pants fabric into the piece also as I love the texture:

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More to come, I was happy to be visited by Inspiration today in order to start this new piece. Also it was fun to return to working on some improvisational art quilt making!

 

Creative Inspiration

Creative Inspiration: Temperature

This post was originally published on the Improvisational Textiles website in February 2017, moving to my tierneycreates blog.


As part of my ongoing series of posts on sources of Creative Inspiration,  I am sharing my latest inspiration: Temperature.

In 2015 I created this piece: Color Story VII: It’s Getting Warm In Here:

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Color Study VII: It’s Getting Warm in Here by Tierney Davis Hogan. Quilted by Guadalupe Designs.

In 2015 a fellow quilter  invited me over for a “Sew Day” at her home after she took a “Liberated Quiltmaking” class from Gwen Marston. She shared with me several of Gwen Marston’s techniques of freeform triangle piecing into borders and ‘flying geese’ style blocks. She also shared her stash of fabric scraps, filled with reds, oranges and yellows.

I created an improvisational piece that for me evoked a sense of rising temperature to potentially be the start of a Temperature-themed art quilt series. I added in some blues and purples to “cool down” the piece. I added red beads to the piece after it was quilting to add an additional element of interest for the viewer’s eye.


Feature Photo by Moja Msanii on Unsplash

Shows and Exhibits

Color Story IV: Color Change to be exhibited at the Pacific International Quilt Festival, October 16-19, 2014

This post originally appeared on the Improvisational Textiles website on September 17, 2014.


Color Study IV: Color Change (2012), part of the Color Stories Series, was accepted into the Pacific International Quilt Festival.

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Color Story IV: Color Change (2012) by Tierney Davis Hogan. Quilted by Guadalupe Designs. Photographed by Jeremy Koons.

The Pacific International Quilt Festival (PIQF) will be held October 16 – 19, 2014 at the Santa Clara Convention Center in the greater San Francisco Bay Area.

According to the show’s website the show contains a “collection of over 800 quilts and works of wearable and textile art” and is the largest quilt show on the West Coast.

Shows and Exhibits

Color Story III: Random not so Random selected for its first juried show

This post was originally published on the Improvisational Textiles website on August 27, 2014 and is now moved over to tierneycreates.com


One of my recycled silk art quilts from my Color Stories Collection – Color Story III: Random not so Random, was selected to be shown at NEW DIRECTIONS ’14, Barrett Art Center’s 29th Annual National Juried Contemporary Art Exhibition.  The distinguished juror for New Directions ’14 was Lynne Warren, Curator, Museum of Contemporary Art Chicago, Chicago, IL.

Color Story III: Random not so Random was selected as one of 82 works by 74 artists from a total of 653 eligible entries from 202 artists nationwide.

New Directions is a premier national exhibition of contemporary art in all visual art media, showcasing the current work of established and emerging artists from across the United States working in a varied array of medium and genres.

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The New Directions ’14 exhibit will be on display from Saturday, September 27, 2014 through Saturday, November 8, 2014 in the historic Barrett Art Gallery 1850’s townhouse, located at 55 Noxon Street, Poughkeepsie, New York.