On the large design wall in my hallway is something that resembles a “hot mess“.
This “hot mess” actually represents quite a bit of progress. I struggled with what to do with the 20 blocks I made during a “traditional piecing” binge I went on October to November 2016 and discussed in the following series of posts:
- Revisiting Traditional Piecing
- Revisiting Traditional Piecing: The Blocks Part I
- Revisiting Traditional Piecing: The Blocks Part II
- Revisiting Traditional Piecing: The Blocks Part III
A little background:
Prior to working these blocks, it seems like the last couple of years I was primarily focused on improvisational quilting. I was craving structure (and a break from designing my own quilts) and pulled out my old Ladies’ Art Company Block Tool by Connie Chunn (2007) and started making blocks using a jelly roll I found in my stash of Northcott Cobblestone Stonehenge; and some Stonehenge scraps another quilter gave me.
Unfortunately, I did not have enough of the blue Stonehenge scraps to use them in more than just one block so I had to return those to the fabric scrap basket.
(Now I could have titled this post “Revisiting Traditional Piecing…Part IV” but this binge of working on “traditional pieced blocks” has intermittently continued while I sporadically work on Farm Girl Vintage blocks.)
The dilemma – designing the final quilt layout
The reason why the 20 blocks pictured below got put aside after my “piecing binge” was that I could not find a pleasing way to lay them out. I auditioned many different ways of setting the blocks to include traditional ways such as lattice, putting them on pointing, floating them, and various ideas suggested by my readers (much appreciated!)
(Martha and met through this quilt: She bought the green ombre setting fabric for this exquisite sampler quilt through my tierneycreates Etsy shop…glad I met her before I closed the shop!)
Alas, none of the numerous options I explored appealed to me.
Farm Girl Vintage Strikes!
My next venture into traditional-block-piecing-binging was with Lori Holt’s Farm Girl Vintage. In this book I discovered the perfect setting for my blocks! It is called the “Picnic Setting”
For copyright reasons I did not want to photograph the page in Farm Girl Vintage showing the setting, but I did find this photo on Pinterest, pinned by Deborah Thomas, of a quilt in the Picnic Setting:
The setting is a mixture of 12″ (finished) and 6″ (finished) blocks. The 6″ blocks are the setting for the 12″ blocks!
At first I thought of returning to the Ladies’ Art Company Block Tool and creating a bunch of different 6 inch pieced blocks. Thinking through this idea, I realized the quilt top would NEVER get done if headed down this path. How daunting to make 36 different 6″ blocks to set my 12″ blocks! I needed at least 36 of them to make the block setting work, and it would be 2020 before I posted about this quilt in progress again!.
Nine-Patch, an old stand-by
Finally I settled on making “old school” 6″ (finished) nine-patch blocks using up the scraps from the original jelly roll from piecing the 12″ blocks.
Here is the beginning of playing with the layout as I make the nine-patch blocks:
There will not be a lot of contrast, and that is intentional. I want the quilt top to have the feel of looking at a stone floor and the patterns and the colors of the stones flowing into one another.
More to come as I progress on the quilt top (perhaps even better photos, but do not get your hopes up!)
Decorating with Pillows
A quick follow up to my previous post – Petite Pillow Power! – here is a little vignette in my living room with one of the new pillow, a batik basket I made (the top one), a lidded store bought basket, and a Longaberger basket someone gave me as a gift 20 years ago:
Quilting Meets Couture
In case you’d like to learn more about the project that got me started on my art quilting journey, check out this post on , Improvisational Textiles:
You can also check out the new page on Improvisational Textiles that showcases the entire Quilting Meets Couture collection:
Check out the Improvisational Textiles blog if you would like to follow our collaborative improvisational art quilting journey.