Congratulations to Beth T. who won the free copy of Creative Quilt Challenges from the random drawing of names from those who left comments on my Creative Quilt Challenges Blog Tour post – BLOG TOUR DAY 4: Unlikely Materials. Thank you to every who visited the tierneycreates blog for Day 4 of the tour and thank you to those who commented. I so enjoyed reading the comments and they got me inspired to keep experimenting with “unlikely materials”!
What’s on the…Table: “Ohio”
This post is a continuation of my ongoing series: What’s on the Design Wall.
However, this time I am going to share what is laid out on the table in my Studio, instead of up on my Design Wall. This post also demonstrates another example of using “Unlikely Materials” (recycled silk garment scraps) discussed in my Blog Tour post on 03/31/16.
Yesterday I posted about being inspired to create after a walk on a beautiful Spring day and inhaling the delightful fragrances of neighborhood Dogwood trees (Creative Inspiration: The Scents of Spring). Well later that day I pulled out the piece had I started a month or so ago (see post What’s on the Design Wall: Silk Squares) and got creating!
Here is the piece in progress, I am going to name it “Ohio“:
What do a bunch of miniature log cabin style patches (2″x2″ and 2.5″ x 2.5″) have to do with the State of Ohio? Absolutely nothing, but they are part of a story. An ongoing story. Here is a visual summary of that story:
1) The piece started out as my attempt to create an Ohio Star (a traditional quilt block) from recycled silk
Ohio Star, recycled silks (in progress)
2) I was very unhappy with the accuracy of the points on the star (although I interfaced the back of the silks, I had some challenges with accurately piecing the points). So I attempted to save the piece by reimagining the piece, slicing up the Ohio Star and sewing it into a new configuration. I was still not pleased with it.
3) I gave the piece and the coordinated recycled silk pieces I have selected to a friend. She reimagined it into a completely new piece, while integrating all the elements from the original Ohio Star into the piece.
Ohio Star (2016). Designed, pieced and quilted by Betty Anne Guadalupe.
4) My friend gave me the leftover scraps from this piece which included scraps from my original piecing and new scraps from additional recycled silks she used in the piece. She challenged me to make something from those scraps!
5) So, I started working on this piece over a month ago, and I am calling it “Ohio”
Right now I am just continuing to make tiny blocks (2″ x 2″ and 2.5″ x 2.5″) and enjoying the challenging of using up small pieces of recycled silk. I find it to be meditative to quietly work on small slow piecing.
Will post about this piece again when it is nearly complete.
Welcome to Day 4 of the Blog Tour in support of Pat Pease & Wendy Hill’s new book Creative Quilt Challenges (C&T Publishing, 2016).
If you are just joining the tour today on my blog, you can see the full list of the 10 participating blogs on this tour at the C&T Publishing blog post: Creative Quilt Challenges Blog Tour Kickoff.
At the end of this post I will pose a discussion question, please post a comment to automatically enter a drawing for a copy of Creative Quilt Challenges. The random winner will be selected and notified around 04/07/16.
CHALLENGE #3 – UNLIKELY MATERIALS
In Creative Challenges, Pat Pease and Wendy Hill invite readers to flex their quilt-making creative muscles by experimenting with different “Challenges”. In Challenge #3 – Unlikely Materials, Pat and Wendy invite readers to stretch their creative muscles by working with materials other than traditional quilting cottons!
Transitioning from Cotton Material to “Unlikely Materials”
Four years ago, I would have looked at you as if you were insane if you suggested I use anything other than high quality quilting cottons, purchased from a quilt shop, for my quilt-making. Then in 2012 my friend and mentor, Betty Anne Guadalupe of Guadalupe Designs invited me to work on a collaborative project involving making art quilts out of recycled silks and linen samples from garment manufacturing. These samples had been saved from the trash heap by someone working for an Italian silk manufacturer in the 1990s and stored away since then.
At first I was terrified of working with anything but cotton for quilting. Cotton is so crisp and stable. Silk is slippery, delicate, and…well…terrifying!
One of the first skills I learned when working with silk was how to back delicate silks with interfacing. The best interfacing I have used for backing silk is “French-Fuse“. I learned about French-Fuse from Betty Anne, who learned about it from another art quilter, Grace. This interfacing provides much needed stability to delicate silks and makes them easier to rotary cut and to piece.
Here is one of the early pieces I made with recycled silks – Silk Landscape:
Silk Landscape (2012). Designed and pieced by Tierney Davis Hogan. Quilted by Betty Anne Guadalupe. Photography by Jeremy Koons.
The Wardrobe Meets the Wall
Betty Anne and I both became hooked on using the recycled silks and linens to create art quilts. We formed a collaboration which eventually became The Wardrobe Meets the Wall: A collection of art quilts created from recycled garments, manufacturing remnants, and samples.
We have a blog, The Wardrobe Meets the Wall (we are working on evolving this into a a website, “Art Quilts by Guadalupe & Hogan”). See our page The Collection if you would like to see a samples of art quilts all made with “Unlikely Materials”.
Our collection includes quilts made from mens ties, recycled silk and linen samples, scrap wool from clothing or blanket manufacturing, recycled denim, and general recycled clothing.
Once You Start Experimenting with Unlikely Materials, You Might Get Hooked!
Betty Anne already had many years experience working with “Unlikely Materials” and before I knew it, she had me experimenting with using recycled wools and denims to create art quilts.
Here is my first experiment with working with recycled wools (from wool mens suiting manufacturing scraps and wool blanket manufacturing scraps) and denims (recycled jeans) – He Dresses Up, He Dresses Down:
He Dresses Up, He Dresses Down (2014). Designed and pieced by Tierney Davis Hogan. Quilted by Betty Anne Guadalupe
Basically – if you can sew with it, we will now try and make an art quilt with it. There are so many unlikely materials we have yet to try out. We enjoy recycling.
I was intrigued that in the Creative Quilt Challenge book, Pat Pease makes an adventurous art quilt with “hair canvas interfacing“. I bow my head to that level of creativity with “unlikely materials”!
(Disclaimer: We still love and support our local quilt shops and still make many quilts with traditional cottons. There are so many beautiful fabric collections to choose from and our new fabric stashes mysteriously continue to grow despite our obsession with recycled materials.)
Tips for Working with Unlikely Materials
I will not deny it – working with “unlikely materials” for the first time is scary. Here are some tips I have learned over the past 4 years. I am still learning and growing in my knowledge and comfort with using “unlikely materials”.
Do not be afraid to experiment and play: You do not have to create a great work of quilting art your first time working with a new “unlikely material”. I played with silk for a while before piecing it into an art quilt.
Check your sewing machine manufacturer’s website for tips on working with various materials and fibers.
Search for YouTube videos on working with a particular fabric and sewing tips on handling that type of fabric in your machine.
Network with other crafters that have experience working with a particular textile you are interested in trying. For example if you know a seamstress who has worked a lot with silk, you could ask her/him for tips.
Determine if a fabric/material needs to be interfaced in order to stabilize it for sewing. As I mentioned earlier, French-Fuse (which can be purchased at sites such as Annie’s Craft Store) is wonderful for backing delicate silks. It makes them so much easier to cut and piece. There are also YouTube videos on using French-Fuse.
If you are using heavy weight materials such as denim and some wools, consider pressing open your seams, and using 1/2 inch seams (like in making garments) as opposed to 1/4 inch seams. A trick that my mentor Betty Anne taught me is to run a tiny (1/8″ inch or less) seam along the front of the seams (front of your piece) to hold down the pressed down seams. This will be helpful if you have your piece professionally long-arm quilted so that the thick seams do not flip and catch the needle when being quilted.
If at first you don’t succeed, don’t give up! I have had several “unlikely materials” piecing/sewing disasters (bad words were said, not suitable for repeating). Some disasters were so bad I had to put them in the trash, I could not even recycle them into another project. Speaking of recycling a disaster into another project, see the post A Very Successful Rescue! about a piece made with recycled silk that was destined for the trash but was recycled by another quilter into a wonderful piece!
Warning – your other quilter friends who only enjoy using cottons, may at first give you a lukewarm response on your pieces made with “unlikely materials”. Do not be discouraged – art is a private and personal thing and you cannot control others reactions. (I love the saying: “It’s not my business what others think of me”…or my art!). I am sure I have quilter friends who thought at first I had lost my mind working with recycled silks and linens. As you grow in your experience with working with “unlikely materials”, your confidence will grow as will your adventurous spirit.
Working on My Latest Piece with Unlikely Materials
The timing of this blog tour post is great, as I am currently working on a new piece for a group exhibit I am participating in, called “Doors” for the local SAQA (Studio Art Quilt Associates) group I belong.
Designing the piece: Selecting the “Unlikely Materials”
I decided to use a photo of a door for inspiration, and located a wonderful collection of unique door photos on an Australian door and window manufacturer’s website Brisbane Timber .
I wanted to created a semi-realistic version of one of their doors, using recycled textiles (“unlikely materials”) and name the piece Recycled Door.
Here are the materials I selected:
Recycled Corduroy Shirt
Recycled Corduroy Pants
Recycled Tweed Wool Jumper
Bag of Recycled Jeans
Shiny Gold Home Decor Fabric
(List clockwise from top)
Recycled Corduroy Shirt
Recycled Corduroy Pants
Recycled Tweed Jumper
Unusual shiny gold home decor fabric (this fabric was given to me by the very talented art quilter, Dianne Browning, who primarily uses the unlikely materials of home decor fabrics and decorator samples in her art – you can check out her incredible art at her website Art Quilts by Dianne Browning)
Recycled Denim (from my bag of recycled jean sections)
The Piece in Progress
Below is a photo of Recycled Door in progress. If you like, for fun, you can go to the Australian door and window manufacturer’s website Brisbane Timber and see if you can figure out which door inspired this piece.
(The thread at the lower right hand of the piece is orange thread – I think it needs to be quilted with orange thread to repeat the strong orange accent in the piece.)
Are You Ready to Experiment or Have You Already Experimented?
Now it is time for you to weigh in on your experience with using “Unlikely Materials” or whether you are interested in experimenting with “Unlikely Materials” in the future in your quilting projects.
Please comment below and all comments will be automatically entered into a drawing for a copy of Creative Quilt Challenges.
The random winner will be selected and notified around 04/07/16.
The Creative Quilt Challenges Blog Tour continues tomorrow, Friday April 1, at BOLT Fabric Boutique, boltneighborhood.com. Thanks for joining me on the blog tour today!
“When you are scared but still do it anyway, that’s BRAVE.” – Neil Gaiman
Tomorrow the tierneycreates blog is a stop on the “Blog Tour” for Pat Pease and Wendy Hill’s new book Creative Quilt Challenges (2016).
When I join the tour on 3/31/16, I will discuss Challenge #3: Unlikely Materials from this wonderful book.
The Blog Tour opened on Monday 3/28/16 and here are the other “blog tour stops” posts to date (if you would like to read them prior to the tierneycreates Blog Tour stop tomorrow 3/31/16).
This post is a follow up to my February 2016 post Surrendering My Piece to “Rescue” in which I shared my frustration with an “Ohio Star” type block I was piecing with recycled silks. I abandoned the piece due to “major creative blockage” and my friend adopted it.
Betty Anne Guadalupe, who adopted my abandoned piece, took it apart and completely reimagined it!
I gasped (and nearly fainted) when I saw the wonderful reinvention she did with my humble beginnings!
Here is what I gave her:
A “hot mess” by Tierney Davis Hogan (ha!)
Here is what she created:
Ohio Star (2016) by Betty Anne Guadalupe
The piece measures 18” x 23” and is made with recycled silks and wools. If you look closely you can see sections of my original piecing. Betty Anne integrated all of my original piece in her piece! This piece will be in our show at Twigs Gallery this Friday (see my post The Collaboration for more details on this show).
I think this is a very successful rescue!
As I discussed in the post What’s on the Design Wall: Silk Squares, I am now working on a piece made from her leftovers from her piece! More to come as this new piece develops…
Continuing my new ongoing series with a snapshot of what crafting, quilting, cooking, gardening, decorating, self-improvement, etc. books I currently have on loan from my local library.
Here is the stack (soon to be returned though, I have finished with them and it’s time to get a new stack!):
I took this photo a week ago and there is one book that was in the stack, but not in the photo, that I have just finished and I highly enjoyed: Brave Enough by Cheryl Strayed (2015).
Cheryl Strayed is the author of the book Wild: From Lost to Found on the Pacific Crest Trail (2013), a wonderful book and a wonderful film (even Terry the Quilting Husband enjoyed the film and he dislikes films about “finding yourself”.)
Her latest book Brave Enough is a collection of quotes from her other writings.A couple quotes really stayed with me after reading them and I wanted to share:
“You can’t ride to the fair unless you get on the pony”
“Hello, fear. Thank you for being here. You’re my indication that I’m doing that I need to do.”
“Forgiveness doesn’t just sit there like a pretty boy in a bar. Forgiveness is the old fat guy you have to haul up the hill.”
Continuing my series on sources of my creative inspiration, today I explore a couple of books in my personal collection that inspire me to create.
Unconventional & Unexpected: American Quilts Below the Radar 1950-2000 (Roderick Kiracofe, 2014)
Photo credit: Amazon.com
This inspirational book was a gift from a quilting colleague. I have read it cover to cover and refer to it when I need inspiration. I even keep it on display at my house at the top of one of my bookshelves, to remind me that everyday people have beautiful art inside of them.
This excerpt from an Amazon.com review, summarizes how I feel about this book:
Artistic, joyful, visually and emotionally awakening
Beautifully designed and written from cover to cover, Unconventional and Unexpected: American Quilts Below the Radar 1950-2000 is a piece of art in and of itself. The collection of quilts in the book look like modern paintings and poetry created through stitches. Each quilt is made for personal use with most humble materials; it makes you wonder about the personal story of its maker. Like any other form of modern art, it allows you to make your own interpretation through the fabrics they used or the pattern they followed.
The Improv Handbook for Modern Quilters: A Guide to Creating, Quilting, and Living Courageously (Sherri L. Wood, 2015)
Photo credit: Amazon.com
I originally borrowed this book from our local library in Spring 2015. After an hour or two with this book, I had to purchase it and add it to my collection.
“Improve Is…Setting Limits to Expand Horizons” – Sherri L. Wood
I think this book is the seminal guide on quilting improvisation. It is not a pattern to follow quilt book, but a guide on strategies to allow yourself permission to be free and initiative in your quilt design. The author provides wonderful exercises to try out your improvisational skills. These “Scores” are intended to help art quilters gain confidence in their “improv” skills.
This also features work by other art quilters (in addition to the author) to include a very talented Oregon Studio Art Quilt Associates (SAQA) colleague of mine, Marion Shimoda.
My collaborative art quilt partner, Betty Anne Guadalupe and I will have a show, “The Collaboration”, opening at Twigs Gallery during the 4th Friday Art Walk, in Sisters, Oregon on Friday, March 25, 2016. The show will run through April 2016 and will feature art quilts we created from “rescued” quilt blocks (projects discarded by other quilters and reinvented/reimagined by us), and recycled materials.
Several of the pieces I have discussed on the tierneycreates blog, including We Will Not Be Discarded! and Tree Outside My Window, will debut at this show.
Below are images from the March 2016 issues of Cascade A&E Magazine (Central Oregon’s Arts & Entertainment Magazine):
Also debuting in this show will be the piece that Betty Anne created from my abandoned recycled silk Ohio Star project she rescued (see post Surrendering My Piece to “Rescue”).The piece is amazing – she used all my original piecing and reworked it, with additional recycled silks and linens, into a completely new and deliciously intuitive design. I will post a photo after it debuts at the show. We were so inspired by this “handing off of the start of a piece” to another person to reimagine the piece, that Betty Anne gave me her start of another piece based on the same group of recycled silk and linens scraps. This will be a new challenge – I will create a piece based on her leftovers from her work on my piece that I abandoned …but that is another post…
Well, I have started on the piece inspired by the scraps my friend Betty Anne gave me (from her reworking of a piece I had started and then abandoned). She also gave me a small “square within a square log cabin style block” she had made from the scraps. I used this block as the starting point for my challenge.
It is now in progress on the Design Wall.
Here is the story of it’s evolution to date, in photos:
The stash of recycled silk and linen scraps that Betty Anne gave me from her silk piece (which was a reworking of a piece I started, then abandoned)
I made approximately 56 – 58, 2 x 2 inch and 2.5 x 2.5 inch free form “log cabin” style blocks. (I do not remember exactly which one of the blocks is the one Betty Anne originally gave me to start the challenge; but I know it is one of the black silk blocks with a bright center.)
I played around with potential layouts (like floating them in a solid silk like you see above photo) and I am leaning towards grouping them all together. I love the intensity of all the colors together.
Here is a close up of one of my favorite 2.5 x 2.5 inch blocks – I am having so much fun coming up with combinations from the limited fabric options I was given. I enjoyed the tiny piecing challenge and many of the silks had to be backed with interfacing to stabilize their delicate weaves.
Now the blocks are on the Design Wall.
Now I can decide, from the remaining fabrics, what additional blocks I need to add and their color combinations.
Last month in the post What’s on the Design Wall: “We Will Not Be Discarded!” I shared a piece in progress made from discards (destined for the trash) from another quilter’s quilt. It was a fun challenge. I used nearly every trimmed section/discard in this piece, setting them in a solid copper cotton fabric.
The long arm quilter, Guadalupe Designs, has finished quilting the piece and it is awaiting facing (a type of finishing/binding for art quilts where the binding does not show on the front).
Here is a sneak peek of the piece (to follow up on the post from last month):
Detail: We Will Not Be Discarded! (2016). Designed & pieced by Tierney Davis Hogan; quilted by Guadalupe Designs.
The piece measures 51″ x 17″ and will debut in March 2016 at the show at Twigs Gallery in Sisters, OR. The show opens on the Sisters 4th Friday Art Walk on 3/25/16 (After it debuts at the show I will post a photo of We Will Not Be Discarded!).
I will have 4 pieces in the show and all my pieces will feature “Recycled” Blocks, rescued from either discards of other quilters or donated abandoned projects. I love the idea of working to create something of beauty from something that was once abandoned. I love the idea of shared creative energy (see my post What’s on the Design Wall: “Ohio Star” (a taste of “Big Magic”) – “When an Idea is ready to be born, it will visit numerous people to find someone who going to bring it into existence” – Elizabeth Gilbert).
I am working on the hanging sleeves and labels for some of the piece which are unlabeled. I am feeling honored and excited about being in the show – more later!
Starting out with a strong idea and good intentions…
In this previous post, I shared my excitement over my sudden inspiration to create a traditional pattern quilt from nontraditional fabrics (recycled garment silks and linens). I knew it would be an experiment and in this first experiment, I created a traditional Ohio Star block from my collection of recycled silk and linen samples from garment manufacturing.
If you are not a quilter, an Ohio Star block is a “nine patch” block made from quarter square triangles around a central square. This block is a very traditional quilt block and was used in early pioneer and Amish quilts in the 19th century. The pattern I used was for a “Star-within-a-star” Ohio Star.
Ohio Star, recycled silks (in progress)
The plan was to make a small wallhanging. I pieced the Ohio Star block, and as I auditioned fabrics to use in the border, I grew more and more unhappy with the Ohio Star block.
At first I could not figure out what specifically was bothering me, as I was pleased with the color combinations/palette.
I realized what was bothering me – the piecing itself. My prior work with recycled silks involved intuitive free-form designs for art quilts. This was my first attempt at making a traditionally pieced structured quilt block from recycled garment silks and linens.
When I used to make traditional quilt pattern quilt blocks I would use crisp quilting cottons – this fabric was easier to manipulate to achieve accurate piecing and star points.
Working with silk and linen samples intended for garment making can be challenging, especially when attempting to accurately piece shapes such as star points. In order to work with the delicate silks, you need to put a backing/stabilizer material on the back of each silk section. Silk backed with a fusible stabilized can be cumbersome to cut into small accurate sections. Silk also frays.
So…to shorten what could grow into a very long and tedious story of my explanation why the Ohio Star was not working for me (and to avoid putting my non quilter readers to sleep), let’s just say: I was quite unhappy with the imprecise piecing of the block.
For a moment, I started to – just throw it away (gasp) ! Then I thought: let me try reimagining it – into some sort of “fractured” Ohio Star, where the accuracy of the piecing would not be as much an issue.
I sliced up the Ohio Star and sewed it back together into a new configuration. I revisited my stash of recycled silks and linens to audition other combinations to try to build some sort of abstract wall hanging art quilt piece around the “fractured star”.
“Fractured” Ohio Star
Frustrated and drained of inspiration, I put the piece and its potential coordinating fabric away. I did not know where to go next with them.
Time to let someone else “rescue” the piece
I have several previous posts about working with “rescued” and “recycled” quilt blocks. Another quilter started a piece/making quilt blocks and abandoned the project; I then “adopted” the project and created a new piece based on the original blocks and my imagination.
While sharing my dilemma with an art quilting friend (that I was going no where with my Ohio Star silk and linen experiment), my friend offered to “adopt” the piece and create an art quilt with it.
I was delighted! Not only was I delighted but I felt a great sense of relief! I realize a textile project is not a living being but I felt as if I had recklessly abandoned a piece in progress, filled with creative energy, to the lonely “Projects on Hold” box in the back of my closet.
My experiment is going to be adopted and go to a good and loving home, where it can grow into something wonderful!
(Yes I will share a photo when my friend completes the piece from wherever her imagination takes her!)
Life is a balance of holding on and letting go – Rumi
(Be sure to check out Sassy the Highly Opinionated Miniature Schnauzer’s Schnauzer Snips page for her latest adventures and musing)
But First, More on “Trees of Winter”
Before I continue my series on sources of creative inspiration, let’s talk about winter trees a little more. I am still musing over the Winter Trees I discussed in yesterday’s blog post by the same name.
This morning, during our daily 2 mile am dog walk, I was struck again by the beauty of winter trees against an impossibly clear blue winter sky. Living in the “High Desert” of Central Oregon our winters have many days of clear blue skies. Compared, say to when we lived in Seattle, WA. (A fun town to live in, but blue skies were not that common; grey skies were considerably more popular there!)
So here is one more winter tree that captured my attention this morning, and then I will stop with the “Winter Trees” for a while (perhaps):
Creative Inspiration: Public Library Books
Since I was a child, I have been in love with the public library.
I remember a summer in my 10th or 11th year that I spent many days of my summer vacation at my small town’s public library. Books are magical. To have free access to all those magical books is even more magical.
For a time in my life I wanted to become a librarian, so I could spend a career among the books. I did not pursue a career in library science as an adult, but I kept my intense love of public libraries and of books.
I frequently patronize our local public library and I find their shelves filled with sources of creative inspiration. It would be very expense to buy all the books I would love to have in my personal library, and if you have read my post Craft Book Hoarder?!?!? it appears that I once tried to do that!
Embracing the minimalist, “scale back your life”, “living with less” movement, I borrow from the library, books that inspire me creatively. If the book turns out to be a “must, must, must have” then I will purchase it, but rarely.
Here is a recent stack of public library books filled with inspiration:
I have e-mailed our public library’s material purchasing department and thanked them for the wonderful selection of crafting, gardening, and home decorating books. I think it is important to let them know a patron really appreciates their well curated collection!
Postscript
In future posts I will share an update on “craft book hoarding” (yes, I actually let go of a large amount of craft books); and discuss one of the recent crafting books I borrowed from the public library that I absolutely had to own (The Improv Handbook for Modern Quilters: A Guide to Creating, Quilting, and Living Courageously by Sherri L. Wood).
After my recent post on the completion of the quilt Tree Outside My Window (see Update on “The Tree Outside My Window”), I started noticing the beauty of “Winter Trees”.
These bare (or nearly bare) trees are such a thing of understated beauty. I do not think I fully appreciated their austere structure and simple elegance.
There they stand, naked, and exposed to the winter sky.
Last week and today on my walk with the dogs (or “the fur kids” as we like to call them) I photographed several “Winter Trees” whose beauty made me pause.
Below are my photos to share with you:
Of winter’s lifeless world each tree
Now seems a perfect part;
Yet each one holds summer’s secret
Deep down within its heart.
~Charles G. Stater
These photos were taken with my iPhone camera and are not copyrighted. Please feel free to download them if you find them inspirational in your artistic endeavors!
I have been working on assembling the blocks designed from discards, from another quilter’s block piecing, and a solid coppery-rust fabric, into a piece called “We Will Not Be Discarded”.
I am playing with the block arrangements and looking at two different arrangement options for the 15 blocks in progress:
OPTION #1 – All blocks pointing the same way:
OPTION #2 – Blocks pointing opposite ways:
I am leaning towards Option #2 as it makes the piece appear to have more “movement”. Once I finish all 15 blocks, I will play again with the final arrangement.
We Still Will Not Be Discarded!
I am playing with the idea of making a second piece (“We Still Will Not Be Discarded!”) from the discards/trimming of the original discards! (And the scraps from the solid fabric they are set in)
That would be taking recycling to the extreme, right? The challenge does seems interesting…
Trimmed discards from the “trimmed discards” in my little trash basket – tempting!
This continues my series of posts on my sources of creative inspiration…
Two Journals, Two Different Purposes
I keep two journals. One journal for art quilting ideas and inspirations; and another journal for tierneycreates business, blogging and life in general ideas and inspirations.
The journal on the left, used for art quilting ideas and inspiration, has a handmade cover that I made during an intuitive design piecing class homework assignment. The lime green “sketchbook” on the right is what I use for tierneycreates, blogging ideas and life inspiration.
I got the idea of keep an art quilt ideas/inspiration journal from Jean Wells Keenan‘s brilliant books Intuitive Color and Design: Adventures in Art Quilting and Journey to Inspired Art Quilting. I was also fortunate enough to take her series of classes, Journey to Art Inspired Quilting, twice and see in person her wonderful inspirational art quilting journal.
In my art quilting journal I keep clippings from magazines and photos from my travels and nature that are future inspirations for art quilts. At first I had planned to use my art quilting journal for blogging ideas and tierneycreates business ideas. I discovered I wanted to keep the art quilting journal for quilt ideas and development. So I started a second journal.
I love both my journals, but I use the second journal (which I will refer to as the “tierneycreates journal”) more frequently.
The “tierneycreates journal” is where I write down ideas I get from listening to home-based business related audiobooks; books from the library on small business development and growth; quotes I find in magazines, books or hear on the media (radio, TED Talks, television, etc.); and any notes from searches on the internet (for example: What are the standard sizes for table runners that I should use for my tierneycreates Etsy shop table runners?).
I also use the”tierneycreates journal” to map out my future blog posts or blog post ideas. Sometimes I will spontaneously write a blog post, and sometimes I will write a post about a topic I have been thinking about for a couple of weeks and already fleshed out in my journal what I want to write about that topic.
I find it challenging to keep sudden ideas and inspiration stored in my mind. It seems that inspiration and ideas can come to you at any time. My journals provide a way to record them, even if they are only a skeleton of an idea that will need its internal organs and flesh added at a later date!
Postscript
As mentioned in my series of posts on Nonfiction Audiobooks, I continue to enjoy listening to audiobooks while I work on quilting projects.
I recently finished a wonderful and inspirational audiobook by Anne Lamott – Small Victories: Spotting Improbable Moment of Grace (Riverhead Books, 2014). The audiobook was read by the author which is always a treat for me – you get to experience what the author feels should be emphasized in the reading of a book based on their vocal inflections.
This book is basically a collection of personal biographical essays on the author’s experiences. Anne Lamott tells these stories with raw, relatable, and passionate language from a deeply spiritual yet deeply irreverent perspective! So far one of my favorite nonfiction audiobooks of all time.
Happy New Year to you all! I love the idea of the “New Year” being a clean and blank slate to fill with new adventures, experiences, insights, evolutions and accomplishments.
I also love quotes and thought for my first post of the New Year, I would share some of my favorite quotes I collected in 2015 in my journal of inspiration.
LAO TZU
If you are depressed, you are living in the past. If you are anxious you living in the future. If you are at peace, you are living in the present.
LILY TOMLIN
Forgiveness means giving up all hope for a better past.
JEN SICERO
Love yourself with a Kung Fu grip.
NINA SIMONE
You use up everything you got trying to to give everyone what they wanted.
RALPH WALDO EMERSON
Guard well your spare moments. They are like uncut diamonds. Discard them and their value will never be known. Improve them and they will become the brightest gems in a useful life.
RUMI
And still, after all this time, the Sun has never said to the Earth, “you owe me”. Look what happens with love like that. It lights up the sky.
A flower from my Summer Garden to brighten your Winter (especially if you are currently living in a snow covered frozen tundra like me…)
This brief post continues my series on Sources of Creative Inspiration.
I do not have the best photography skills, however occasionally take a really good photo, capturing a special moment, and I am really pleased.
I admire people who have a good photographic eye and take photos with strong composition. Sometimes I am creatively inspired by someone else’s photos.
An old friend of mine in New York took this photo and included it in a recent e-mail. I am drawn to this photo and would like to create a future art quilt inspired by this photo!
Autumn Beads November Light by Stephen Mead (2015)
I would love to hear about your sources of creative inspiration!
Art enables us to find ourselves and lose ourselves at the same time. ~Thomas Merton
I am a member of SAQA (Studio Art Quilt Quilt Associates), and in the most recent edition of the SAQA Journal there was a separate insert/form included in the mailing, inviting SAQA members to fill out (what I thought was a survey) a form related to their “Wild About SAQA” campaign and e-mail a photo of yourself, your completed form, and a photo of your artwork.
I thought it was part of a SAQA member registry where other SAQA members could see your survey responses, your photos and a sample of your quilt art. I e-mailed the completed and scanned form; the Tierney photo I use on my blog; and a recent piece Archaeological Dig: The Vessel.
A couple weeks after e-mailing the form and photos, I received an e-mail from a SAQA media representative informing me that my photo, responses and quilt would be featured in the December 2015 issues of Fiber Art Now magazine as an ad for SAQA. She included the pdf mock up of the ad already sent to the magazine for publication.
I am surprised and excited to be featured in an ad in Fiber Art Now.
(Fiber Art Now is a quarterly magazine for contemporary fiber arts and textiles. The ad is on page 30 of the Winter 2015, Vol. 5., Issue 2 edition of Fiber Art Now)
Every rejection is incremental payment on your dues that in some way will be translated back into your work (James Lee Burke)
On my page Textile Adventures for the July 2015 Entry, I mention that I am working on entering juried show. Since July this year I have been submitting entries for juried art and art quilt shows and I have been received a rejection letter on all my entries.
Nearly two years ago I read an article by an established professional art quilter, Carol Ann Waugh, in the SAQA (Studio Art Quilt Associates) Journal, on how to become a Professional Artist. One of her tips was to enter juried art shows in order to build your resume.
I have been lucky enough for a couple of my art quilts to be accepted to several juried shows in the past. However, the shows I have submitted my work to this Summer and Fall, I really wanted my work to be accepted. One of them was a show that I daydreamed about being in. Alas, my work was rejected.
Yesterday, I did have one of those moments where I thought “Well I am just not good enough, and I am not sure my art quilts will ever be good enough”. The work I see in the SAQA journal is fairly intimidating.
Some days I wonder: “If I did not have to work and could focus full time on my art quilts would they become more ‘show worthy’?” However that is not my reality and we have to all work within the reality we live.
I am continually reminding myself of all those famous quotes (paraphrased) – that it took Thomas Edison a zillion failures before the light bulb; that this famous author/that famous poet had numerous rejections until they made it; and etc., etc., etc.
However for now, I think I am just going to be sad a little while longer about the rejections and then move on and get back to creating.
We shall not cease from exploration, and the end of all our exploring will be to arrive where we where we started and know the place for the first time.
– T.S. Elliot
This post continues my series of posts on Sources of Creative Inspiration.
I was wandering a thrift shop today with some friends, and came across the first official quilting book I ever owned: Diana McClun and Laura Nownes’ book Quilts! Quilts!! Quilts!!! The Complete Guide to Quiltmaking (1998). I bought this book in the late 1990s, I still have this book in my personal collection, but I have not looked at it for years.
I have been struggling to find a new source of inspiration for my next art quilt made from recycled clothing scraps/manufacturing samples for The Wardrobe Meets the Wall Collection. Since completing Abandoned Structure, I have been “bereft of creative inspiration” for my next piece (and if you see my previous post Terry the *Not* Quilting Husband, I am thinking about letting the sewing machine rest awhile and working on paper craft projects!)
Seeing the book Quilts! Quilts!! Quilts!!! The Complete Guide to Quiltmaking (1998) suddenly creatively inspired me!
IDEA: I am going to do a series of small quilts made from recycled clothing based on patterns from this book.
I am going to return where I started for awhile, traditional quilt making, but with my art quilting medium: recycled clothing and silk samples from garment manufacturing (which is ironically, the true traditional medium: utilitarian quilts were made from worn clothing in the old days!)
I will post pieces from this series, more to come…
Photo credit: Amazon.com
Check out Sassy the Highly Opinionated Miniature Schnauzer’s Schnauzer Snips page for her updates…
If you have followed my blog for awhile, then you know about my addiction to fabric scraps. This addiction seems to be incompatible with my desire to downsize and minimize my possessions.
The fabric scrap addiction began innocently enough – friends would give me their fabric scraps at quilting retreats. I would go for a “sew day” at a fellow quilter’s house and leave with some of her fabric scraps. As if that was not enough, I began to actually BUY scraps.
Yes, BUY FABRIC SCRAPS, you read correctly. There is a wonderful quilt shop in Central Oregon called The Stitchin’ Post and occasionally they would sell scraps bags of their beautiful high-end quilting fabrics. I bought numerous bags from them.
Beautiful scraps or not, still I was buying fabric scraps.
In my post “Creative Inspiration: Organization???” I shared my new organization of my favorite fabric scraps by color. Although I had organized scraps by color I still had a GIANT box of remaining fabric scraps.
I knew I had to do something. I needed to let go of the fabric scraps I did not completely and absolutely love. However, I did not want to throw them away or try to convince another quilter to adopt them.
So I packaged them up into 30 bags and organized them into two baskets and DONATED them to our local Humane Society Thrift Store to sell! (How do I know that the Humane Society Thrift Store sells fabric scraps? Do you want to take a guess? Yes, because I have bought fabric scraps also from several thrift stores include the Humane Society Thrift Store in the past).
The Humane Society Thrift Store Volunteer accepting my donation seemed pleased that I had packaged them up for sale. I like to imagine if they sell each bag for a couple dollars or more each that could be over $90 – $150+ profit for a wonderful local animal shelter! Some of the bags are packaged by color and some are random – so many options for the Humane Society Thrift Shops’ customers!
A “Humane” way to let go of excess fabric scraps!
When I buy fabric from quilt shops in the future, it will be actual whole fabric (fat quarters or yardage). I still have plenty of fabric scraps and my fabric scrap collection contains only scraps I truly love and plan to use…eventually.
POSTSCRIPT
I am still working through the lessons from the book The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing by Marie Kondo that I discussed in the post “The Space in Which We Live“.
I was invited to speak on Blogging for Art Quilters at our October SAQA (Studio Art Quilt Associates) meeting, as the featured presenter.
In my “pay the bills” career in the health care industry, for the past 20+ years I have done numerous training and workshops for those in staff and in leadership positions. So my first thought when accepting the invitation to speak was: “No problem, I have done like a zillion presentations and I can give any group ‘Death by PowerPoint'”.
I once even did a presentation for “the dead”. Or people I thought were dead (I mean a long time dead, they just hadn’t started to smell yet). I was the head of Medical Management for a Worker’s Compensation carrier and I had to do a presentation for the management group of a large retail organization.
When I got up to the podium and saw a sea of very blank and disengaged faces (basically they all looked “dead inside”), instead of having stage fright, I thought “Screw it, I am going to have fun”!
I removed the microphone from the podium, walked into the glassy-eyed audience and began to work the crowd with my presentation like I was a nightclub act. They suddenly came back to life and I had a blast (and maybe they did too) giving the presentation!
So I have little fear of public speaking as I have overcome some challenging audiences…that is, little fear in the health care industry…
Fear Creeps In…
So our local SAQA group contains nationally and internationally known quilters, teachers, published book authors, and some seriously talented (like mind blowing-ly talented) art quilters. This was my first time ever presenting/speaking in the art quilting industry (I am usually thinking at each SAQA meeting “so what I am doing here with these people?”).
One of my friends in the health care industry said to me when I told her about the upcoming presentation: “Well Tierney, if you lose them you during your talk on blogging for art quilters, you could always start wowing them with your knowledge of medical cost management!”
Additionally I am no expert on blogging. I started in 2013 and I have been learning as I go and continually reading tips from other bloggers. My only saving grace was I knew I could put together a nice “Death by PowerPoint” for the group!
The Actual Speaking Engagement
The SAQA group was wonderful and it was easy to engage them, I had no need to be worried.
Highlights from my presentation “Blogging for Art Quilters”:
WHY BLOG? To have an online presence; to showcase your art; to connect with other quilters & artists; to connect with potential customers.
COMMON BLOGGING PLATFORMS: WordPress.com; Blogger.com; and Typepad.com
Kristin Shields (kristinshieldsart.com) introduced the group to an incredible website and blog option for art quilters: Square Space, This platform also allows artists to directly sell their art to customers (www.squarespace.com).
WRTING BLOGGING CONTENT: Engage your readers and get them coming back with interesting posts, “cliff-hangers”, and ongoing series; learn the blog hosting platform’s tips to make navigate your site easy for readers; brainstorm on ideas for posts and keep a journal of ideas; find your own voice and be true to yourself.
BLOGGING ETIQUETTE: (adapted from Idiot’s Guide Blogging Rules & Etiquette): Respond to and appreciate your readers they took the time to read your posts and comment; stay away from “hard sales” and controversial topics (religion, politics, etc.) unless that is the purpose of your blog; respect copyright laws.
SPELL CHECKING IS IMPORTANT (okay so sometimes I fail at this…but it is still important…): A tip I use (or try to use) is to read aloud my posts before posting to see if they are close to resembling standard English usage! (So Tierney, are you actually a “native English speaker” or did you just recently learn via online instruction?)
PUBLICATIONS: Before I started blogging or starting my tierneycreates Etsy shop I did a lot of reading. Here are some of my favorites and I thank all the wonderful authors who wrote either the books or articles I enjoyed!
• Artful Blogging Magazine, Stampington
Blogging for Creatives: How Designers, Artists, Crafters and Writers Can Blog to Make Contacts, Win Business, and Build Success (Robin Houghton, 2012)
Writers Can Blog to Make Contacts, Win Business, and Build Success (Robin Houghton, 2012)
Blogging for Dummies (Susannah Gardner, 2011)
How to Sell Your Crafts Online(Derrick Sutton, 2011)
The Handmade Marketplace (Kari Chapin, 2010)
Grow Your Handmade Business (Kari Chapin, 2012)
The Real Reason I Blog
At the end of my presentation, I shared why personally I blog: Connection.
At first my blog was to be a vehicle to gain potential customers for my Etsy shop, but then it became more than that – it became a vehicle to connect with other individuals with shared interests and discover other blogger and their blogs.
I so appreciate my readers and I now follow many blogs myself (trying to keep up with them all as best I can). I love reading the life adventures of other individuals and the experiences and lessons their share!
“Death by PowerPoint” – only 23 slides, I did not torture the audience too badly…
Yesterday the long-arm quilter, Guadalupe Designs, unveiled the quilting done on my piece Abandoned Structure, which is based on an abandoned power plant in Central Oregon that I photographed many years ago.
Once I got it home I stuck it up on the Design Wall (a sort of homecoming from where it originally was born). I have not yet trimmed the batting from the edges or put the finish on the edges, but I am enjoying just looking at the piece as it came off the long-arm quilting machine.
I am excited to add it to my collection of art quilts made from recycled clothing and garment manufacturing scraps.
Abandoned Structure (2015, in progress). Designed and pieced by Tierney Davis Hogan, Quilted by Guadalupe Designs
tierneycreates 