I was invited by Wendy Hill and Pat Pease, authors of Creative Quilt Challenges (C&T Publishing, 2016) to participate in their invitational exhibit: Shape Shifting.

Creative Quilt Challenges is a Special Exhibit at the Pacific International Quilt Festival (PIQF) , October 13-16, in Santa Clara, California. Shape Shifting will be an exhibit within their Creative Challenges exhibit. Please be sure to stop by Pat Pease and Wendy Hill’s exhibit at PIQF if you are attending and tell my friends “hello”!

For my piece in this invitational exhibit, I had decided to actually do some “shape shifting” and transform an existing art quilt piece that I was not too sure about, into something that actually made me smile.

SHAPE SHIFTING

I began with this existing piece, Ohio, which I last discussed in the post Update: Ohio

Something about the piece was displeasing to me and the piece felt kind of “blah”. So I removed the borders using with some very careful seam ripping (the piece is made of recycled silks; and then sliced apart a couple sections of the piece.

Then I played around with a border of BRIGHT fuchsia-pink raw silk that a friend picked up from a thrift shop and shared with me:

The selvage of the bright fuchsia raw silk had the name “FOUWAH, HONG KONG”. Some “googling” revealed this piece was likely a vintage fabric from Fou Wah Fabrics of Hong Kong:

Here is the final design of the piece, which I am tentatively naming: Ohio Shifted (I will have to create quite the Artist Statement on this piece to explain to the viewer where I got the name from…I might rethink the name…we’ll see…)

I selected this fabric for the back of the piece:

The piece is now ready for quilting. I am going to “put my big girl panties on” and quilt this art quilt myself. I need to be able to give it to Wendy and Pat by September 15th and I need to keep challenging myself to go to places (my own art quilting) that I do not want to go, so I can grow.

Initially I was going to go buy some bright fuchsia thread to quilt it with but I have selected a soft gold thread (the one on the left) that mirrors the colors in some of the blocks. I might also another another thread color, still deciding.

(Note – I did do a 1/8 an inch stitch around the edge of the piece using a 2.0 stitch length to stop the raw silk from fraying any further than the edges).

I am going to practice what I want to do as far as quilting on the quilt on a scrap silk “quilt sandwich” before I quilt on my actual piece. A couple of months ago I did quilt an entire art quilt myself for a piece for another invitational exhibit that I will post about in the future.

POSTSCRIPT

In March, I did participate in a Blog Tour to celebrate the release of the art quilting book, Creative Quilt Challenges by Pat Pease and Wendy Hill.

If you would like to read my post for my part of the blog tour, where I discuss working with “unlikely materials” (recycled silks, denim, wool) in making quilts please see the link below:

BLOG TOUR DAY 4: Unlikely Materials

616H5+J+f3L._SX385_BO1,204,203,200_ — Photo credit: Amazon.com

Studio

Seattle Public Utilities’ Portable Works Collection

August 17, 2016June 22, 2022 tierneycreates: a fusion of textiles and smiles

I have some great news to share: My collaborative art quilt, Abandoned Water Structure has been selected for purchase by the City of Seattle for the Seattle Public Utilities’ Portable Works Collection. This collection is part of the City of Seattle’s Public Art Collection.

Abandoned Water Structure was created using recycled silk and linen garment manufacturing scraps and samples.

The story behind the development of this piece can be found on the post: What’s on the Design Wall: Working Through A New Art Quilt Piece.

Abandoned Water Structure (2015). Designed and pieced by Tierney Davis Hogan, quilted by Guadalupe Designs

THE CALL FOR ENTRY

I subscribe to CAFE for Artists – callforentry.org, an online resource for locating “calls for entry” for juried shows; a portal for entering shows; and a platform to store your and art portfolio.

After entering a couple shows over the past year and being rejected (after previous success of being selected), I had stopped entering shows due to the costs. Entering juried shows can run $25 – $45 or more per show (I did have a limit of no more than $35 to enter a show).

After deciding to take a hiatus from entering shows, I continued to read the Call for Entries e-mail that came from CAFE every couple of weeks, just for fun (and daydreaming).

A couple of months ago I saw a Call for Entry from the City of Seattle for the Seattle Public Utilities’ Portable Works Collection. They wanted submissions (for consideration for purchase) of art related to water. If you read the post about the creation of Abandoned Water Structure (which was originally titled “Abandoned Structure”) you will see the piece is all about water!

Also the entry fee was only $10. I figured for $10 I could take a chance.

I had to complete quite the entry/application and basically write an essay. Of course I like writing, so that was okay.

SELECTED!

I was notified a couple of weeks ago but needed to wait until their Public Art Advisory Committee met to finalize the decision. (I have been sitting on this exciting news!)

Their selection panel included three arts professionals from Washington State, and an advisor from Seattle Public Utilities. The panel reviewed the artworks from 307 applicants and selected 36 artworks by 34 artists. I am very honored that Abandoned Water Structure was selected.

Here is a link to the City of Seattle Portable Works Collection, which includes works by many renown artists such as Jacob Lawrence, Mary Iverson, Gwendolyn Knight, George Tsutakawa, and Dale Chihuly.

Although I doubt Abandoned Water Structure would ever be featured on the main page, I am honored to know it is part of a collection with the works of these real artists! Additionally, as a former Seattle, Washington resident, this honor gives me a special connection to the city I used to call home!

NEXT STEPS

I will post further updates if I find out where the piece will be displayed in Seattle.

Currently I am waiting for the purchase order from the City of Seattle and then I have many, many, many forms to complete (including one on how they need to care and maintain the piece) before the purchase is finalized.

I am living the fantasy, just for a moment, of being a “Professional Artist” (smile)!

UPDATE 09/28/16

The process is complete and I sent the piece to the City of Seattle’s framer. I hope someday I can see a photo of it framed.

In my final communication with the City of Seattle’s Public Art Project Manager I received a formal synopsis of the program and what will happen to the artwork:

The artworks will be exhibitioned throughout the public spaces of Seattle Public Utilities in Seattle. These public spaces include lobbies, entry hallways, reception areas and conference rooms. In order to encourage involvement and understanding of the diversity of artwork in the collection, employees participate in the selection of artwork for their own areas. The artwork moves throughout the offices on a rotation basis, thereby increasing viewing opportunities of the art by employees and the general public. The collection is also occasionally borrowed by museums and galleries for exhibitions.

Studio, What's on the Design Wall

What’s on Design Wall: Your Ideas

August 14, 2016August 14, 2016 tierneycreates: a fusion of textiles and smiles

My next post was going to be about the cool projects other quilters were working on at the retreat (tuffets!) I attended last weekend. However, I do not want to lose the momentum from the project discussed in my Thursday 08/11/16 post –What’s on the Design Wall (Need Your Help).

I so appreciate all the enthusiastic responses, votes, and ideas. I have to tell those of you who commented: You made a MESS of my studio (smile)!

You should have seen my little studio – various fabrics pulled out from my stash in many different colors, from your suggestions, strewn about everywhere. It was like a tornado of fabric options had blown through.

Reading all the comments was very fun – it was like you all were crammed into my tiny studio (where would I fit you all?!??!) and we were looking through my stash together and throwing around ideas (and fabric).

Of course, I would have to plan a snack and beverage for all my studio guests crammed into the tiny room…but where would I set out the plates and cups? (Maybe I could go scavenge some more fruit from my neighborhood to serve as snacks…but that is an upcoming post: Fruits of My Neighborhood Part III!)

THE RECAP

This project began with a bag of colorful Batik scraps (that I embarrassingly actually purchased…in a moment of weakness from the Stitchin’ Post quilt shop’s basket of scrap bags for sale..that shop is loaded with temptation!)

I turned many of those scraps into 24 6′ x 6″ blocks:

(BTW – I moved these blocks to my **new hallway design wall which we created this weekend** – but that is another post…)

I presented four (4) options for the layout on the blocks and here are the votes by Option:
- OPTION 1A – Float the blocks individually in a neutral background: 2 Votes
- OPTION 1B – Group the blocks together and then float the whole grouping in a neutral background: 0 Votes
- OPTION 2A – Float the blocks individually in a gray background: 4 Votes
- OPTION 2B – Group the blocks together and then float the whole grouping in a gray background: 2 Votes

In addition to voting on options I presented, many of you in your comments suggested different options (I hope I captured the essence of all the comments to date, my apologies if I left a summary of your comment out below):
- Group them together on a neutral background not trying to make them perfectly square, use Misty Fuse to attach them
- Stitch the blocks together, use a pieced binding to enclose them, they speak so well on their own!
- Group them together on the grey but make sure all blue sides are facing opposite of the grey fabric and placed up against another block rather than up against the grey fabric not allowing a blue side to but up against another blue.
- Float each block individually, with a PURPLE or RED background- keep the color going! And maybe put a yellow square at each “intersection”
- Golden brown would be nice also (to float blocks).
- I agree with some others are dark brown, plum, dark red, I’d be inclined to try them on different ones and see which calls loudest.I start to wonder if it’s be even better on the dark brown.
- I think a chocolate brown would be so cool.
- I would make more blocks, group them without sashing or a border, and bind with a pieced binding (NOTE: I did make more blocks, see below!)
- If you do want separation, don’t set them straight, in rows and columns. Use your separator in more random sizing — perhaps framing each one with the same fabric but in wonky widths. It might be easiest to pull off with a fabric that has some pattern so the seams between newly framed blocks disappear a bit.
- If you really want to set them apart on a different background, what about looking at either a gold dupioni or a deep purple dupioni?
- (from a text to my phone, not posted to the blog) What came to mind was floating blocks in a round of neutral logs then a round of gray logs – maybe alternate with the reverse – round of gray first then neutral – then you float and have blocks side by side – and I’m thinking of a neutral acid yellow or lime green or maybe an acid yellow orange – a crisp bright marigold color – all would look good with the blocks and gray.
- Option Z: I love love love the blocks, but am partial to flashy colors mounted on a white background. I also like sashing between the blocks because it makes each one pop.
- While I like both versions of placing all the blocks together and placing with sashing, I would need to try the sashing version using a variety of sizes and different shades of either the light or the grey.

One fellow blogger, Melanie @ Catbird Quilt Studio was kind enough to e-mail me a photo of one of her lovely scrappy log cabin quilts, “Broken Pains” as an example of a layout she used:

broken pains — Photo courtesy of Melanie McNeil, Catbird Quilt Studio. Used with permission; all rights reserved.

In addition to showing you the scraps I started with, in the previous post I shared the pile of scraps I had left over from trimming the original set of blocks down to a 6″ x 6″ size:

In the evening on Friday and Saturday, I turned the trimmings from those scraps and some of the remaining scraps into 23 more 6″ x 6″ blocks:

(Now why didn’t I make 24 more instead of 23 more? I guess I lost count while piecing!) As you can see, these blocks are somewhat darker and have more piecing. I tried to use all the scraps from the trimmings which had piecing within the scraps.

I now have scraps left over from trimming the latest blocks and the remaining original scraps that started it all…and yes, I am going to make more blocks out of them! (Besides 47, 24 + 23, is an usual odd number of blocks. )

THE EXPERIMENTS

I tried out many of your color suggestions. To save time, I had a “pocket full of scrappy blocks” as I experimented. I never imagined walking around my house with a pocket full of quilt blocks!

Now, try and use your imagination as you look at my experiments. Although I tried to put strong lighting on the design wall, if you have been following my blog for a while, you know I am not the best photographer (if I tried to make photography a career I would be very hungry).

I provide two layouts on each test background fabric: 1) floated and 2) grouped together with a border.

More disclaimers (soon you will be frightened to even scroll down and look…): I did not iron the fabric I used as the test background and I randomly selected the blocks to go onto the test fabric. (If this were a real quilt layout, I would have given more thought to the block placement and order.)

**Brown – sort of a “milk chocolate” brown – could take it or leave it…**

**Dark Brown – I guess the “dark chocolate” brown – I liked it!**

**Gold – this is a new Moda fabric I picked up – I love it!**

**Different shades of gray using an ombre fabric – could take it or leave it**

**White – in concept sounded nice put I do not use large amounts of white in my pieces**

**Blue-gray – sort of denim like – I liked it! This is one of the Peppered Cottons I have on my Etsy shop**

**MARIGOLD! Well as close as I could get to marigold – this is a Moda Grunge line fabric and this is my favorite!**

**Looked for an “acid green” in my stash but this bright lime green was the best I could find. I like it!**

THE DECISION

Thank you so much for all the great ideas. I also appreciated all the layout and general design ideas.

My decision is as follows:

Make more blocks, trying to use up nearly all the remaining scraps.
Do not make a quilt with these blocks, instead make a SERIES of artsy table runners for my tierneycreates Etsy shop using various combinations and layouts of these blocks and my favorites of the backgrounds above (red, marigold, gold, purple, dark brown, and lime/acid green).

Thanks for coming with me on this color and design adventure! I will update you all as I complete the table runners!

POSTSCRIPT

Here is a follow up on the post Mysterious Thrift Store Fabric Find: One of my blogger buddies, Claire @ knitnkwilt.wordpress.com, tapped into her resources and got a translation for the words on the selvage of my mysterious Asian fabric thrift store find:

ll the characters on the left say is ‘manufacturer/maker’. I’m guessing the ones just to the right of Watex are the company’s Japanese name. The handwritten characters say ‘Golden Age’

Thanks so much Claire for helping solve the mystery.

I had more ramblings for this Postscript, but you are likely exhausted after reading this very long post!

Studio, What's on the Design Wall

What’s on the Design Wall (Need Your Help)

August 11, 2016August 11, 2016 tierneycreates: a fusion of textiles and smiles

Check out Sassy the Highly Opinionated Miniature Schnauzer’s blog on SchnauzerSnips, for her latest musings…

BRIGHT COLOR!!!

One of my blogging-buddies, Laura @ Create Art Every Day, recently asked me in response to my comment on one of her post:

Have you ever done a quilt with lots of white or neutral (back)ground mixed with really bright brights?

Her timing on this question is amazing as I just returned from a four-day quilt retreat with some of my Quilting Sisters and some new quilting friends I met at the retreat. While at the retreat I worked on free-form piecing of log cabin blocks (“log jamming”).

First round of scrappy log-jam batik blocks

These blocks started as bag of colorful batik fabric scraps:

The bag of batik scraps that started it all

I trimmed each block to a 6″ x 6″ block and I have scraps left over from trimming the blocks and I am going to use those “trimming scraps” and the rest of the scrap back to make more blocks.

Now here is where I need your help – I am trying to decide what background color to set the blocks into and what layout. I would appreciate input from crafters and non crafters – I want to know what you find most aesthetically pleasing:

OPTION 1A – Float the blocks individually in a neutral background:

OPTION 1B – Group the blocks together and then float the whole grouping in a neutral background:

OPTION 2A – Float the blocks individually in a gray background:

OPTION 2B – Group the blocks together and then float the whole grouping in a gray background:

This dilemma is actually the fault of Laura @ Create Art Every Day (ha!) as originally I had purchased the gray fabric during the quilt retreat to float the blocks. Then I was inspired by Laura’s comment to float the blocks in a neutral background!

I am stuck and would appreciate your vote and any comments you want to make regarding your rationale. THANK YOU!

In my next post I will share what the other quilters were working on at the quilt retreat I recently attended and some cool fabric finds (in addition to the one mentioned in “Postscript”).

POSTSCRIPT

Frivolous Purchase

Speaking of “Bright Color“, while at the retreat, I bought a frivolous but cool piece of fabric – a panel by Hoffman Fabrics of their entire Hand-Dyed Batik Watercolor Palette:

It is now hanging in my studio.

I do love bright colors and here are the quilts I keep on the chair in my studio. The two on the left are made by my Quilting Sisters (Judy D. and Kathy R.) and I was rotating them as wallhangings in my studio prior to getting the Hoffman Batik panel. The one on the right is my first experiment with creating Half-Square Triangles with charm squares using a Batik charm back I bought in the early 2000s (I made this quilt around 2003).

A Blog Recommendation

I follow many wonderful blogs by other crafters, quilters, painters and other artists. I also follow inspirational blogs by non-crafters. Please see my “Blogs of Follow” list section of my Home page.

I was fortunate to discover (I think by a comment on one of my blog posts) a blog by a Nigerian quilter – Sola, called Alice Samuel’s Quilt Co. Her blog is very interesting to read from a quilter’s perspective outside the US. I have also come across various wonderful Australian and UK quilter blogs.

I love how quilting connects us across the globe!

In Sola’s latest post, she has a wonderfully researched (with lots of links to resources) post on:

The Quilting Process: Basting your Quilt

Thanks to my fellow bloggers for their engaging blogs I love following; and thanks to the tierneycreates readers/followers (extra thanks to those who take the time to comment on posts). I feel very blessed! (huge smile).

Studio, Thrift Shop Adventures, tierneycreates

More Creating – More Art Pillows

July 31, 2016October 21, 2018 tierneycreates: a fusion of textiles and smiles

This post is a quick follow up to the post Creating… on 07/27/16 where I discussed pulling out from my project pile and completing a set of “art pillow experimentations”.

I spent part of this weekend finishing up the rest of the little art pillows (they range from around 6 x 6 inches to 8 x8 inches for the large one).

Here is the full set of the finished pillows (notice my new tierneycreates labels on each pillow):

Here are the backs of the smaller pillows (made with hand dyed fabric found at a thrift store (it was quite the score!)

I was going list these three pillows on my tierneycreates Etsy shop as a set but I decided to just list them separately (they do look cute together though):

Here are close ups of some of the pillows:

I am posting this on Sunday night but you will likely read this on Monday, so I wish you all a wonderful week, and talk to you later!

Postscript

My blogging buddy, Laura of Create Art Every Day, posted a lovely painting of a quilt block, inspired by my blog on her post GEOMETRIC ABSTRACT CALL TO AUTUMN IN WATERCOLOR AND ACRYLIC (WORLD WATERCOLOR MONTH, 29/31)

I am inspired by her paintings! I might do a little quilt piece inspired by her work.

In Central Oregon we actually have a famous quilter and a well-known painter collaborating on art projects – Jean Wells Keenan (quilter) and Judy Hoiness (painter).

Here is a link to examples of their wonderful collaborations: Twist from Tradition Series.

Fabric Scraps Obsession, Studio, tierneycreates

Creating…

July 27, 2016October 22, 2018 tierneycreates: a fusion of textiles and smiles

I realized it’s time for “Tierney” to return to “creating”…

This blog is not called:

tierneywritesaudiobookreviews;
tierneyshowsterrythequiltinghusband’sprogress;
tierneysharesherrandomthoughts; or
tierneyobsessesaboutsunflowers

The blog is called tierneycreates, so Tierney better get to creating! (I like the imaginary sense of accountability blogging gives me – like you all will be very disappointed if my blog does not live up to its name!)

So last evening, I returned to “creating” and pulled out the “art pillow experimentations” tops I started last year and discussed in the 12/24/15 post What’s On the Design Wall: Playing with Solids.

I was excited to pull these items out of the “set aside to work on later” basket (set aside for 7+ months so far!) and turn them into pillows.

So far, I started with this one:

And turned it into this little pillow which I have named Textured Desert Canyon:

Textured Desert Canyon (2016) by Tierney Davis Hogan

I was excited to use my new “tierneycreates – smiles & textiles” tags (see post Embracing Orange) for the first time on this pillow (can you see the little tag in the photo?). I had to experiment to figure out exactly how to make the tag work but I think I like the outcome.

I experimented with quilting with a solid color thread and then a variegated thread to try and give a lot of depth to the quilting.

What surprised me was the dense quilting gave the hand dyed solid scraps pieced into this pillow a suede like texture and appearance. I am eager to experiment more with dense quilting.

Now onto to working on the next four (4) pillows!

Postscript

I follow many wonderful blogs and recently one of the blogs I follow, Catbird Quilt Studio has begun an interesting series on The Future of Quilting.

Here are links below to the two enjoyable posts in this series so far:

The Future of Quilting, Part 1

The Future of Quilting, Part 2

Melanie, the talented blogger, invites engaging discussion in these posts! Enjoy!

Studio, tierneycreates

Embracing Orange

July 20, 2016May 21, 2024 tierneycreates: a fusion of textiles and smiles

MORE KIMONOS (Loaded with Orange!)

I have accepted the color Orange is part of my creative life, as I discussed in my July 3rd post, Orange. As a matter of fact, I have done more than accepted Orange, I am embracing Orange!

This weekend I worked on restocking my tierneycreates Etsy shop. It is still far from the days when I had 90 items in my shop. My miniature kimonos continue to be popular and I recently sold 4 to a lovely person in Canada as well as 4 to various friends (I continue to fleece my friends in person, making them purchase my handmade items, ha! See the end of the post Quilt Retreat Weekend: The Projects)

Many of the miniature kimonos in the new batch I made feature the color Orange:

I have been building a nice button collection and I enjoyed selecting a button for each kimono.

My friend Dana gave me some wonderful buttons in May at our annual Jelly Rollers Quilting Retreat (she was my Secret Quilting Sister). Additionally I used a couple of the buttons from my recent antique button acquisition during the 2016 Sisters Outdoor Quilt Show (see post 2016 Sisters Outdoor Show Part I).

Now it is time to get each miniature kimono with its hanging chopstick and coordinating embroidery floss for hanging (though some people have put them in shadowboxes instead of hanging). Then it is time for their individual “photo shoots” for their Etsy shop listings.

Figuring in the cost of materials, time to make them, and Etsy seller fees, I figure I make like $3 – $4 per kimono. But my Etsy shop is a fun hobby and I enjoy knowing that my handmade creations are in peoples’ homes around the country (and Canada!).

If I tried to live off my Etsy shop I really would be foraging for free neighborhood fruit (like in prior post) for sustenance – ha!

MORE ORANGE (Orange Labels!)

Recently I decided I wanted my Etsy shop items to look a little more polished by adding a professional label to some items. I will not add the label to the miniature kimonos but I will to future art pillow and table runner creations.

I purchased the labels from another Etsy shop (Wunderlabel) and guess what color they are in? ORANGE!

POSTSCRIPT

Speaking of color, I have been following a wonderful blog by a painter, Laura’s Create art every day. A couple years ago while taking a Jean Wells class on art quilting, she suggested that we also seek inspiration from the work of other artists outside of fiber/textile arts – like painters. I have started following the blogs of several painters and I am so inspired by their use of color and their creatively (oh no I see a future “Creative Inspiration” series blog post coming…)

Here is a post from createarteveryday.com with some seriously inspirational use of my new color best friend, Orange:

MY FIRST 8 X 10″ ! (FOR D)

Sisters Outdoor Quilt Show

Return to Sisters (Oregon)

July 17, 2016June 22, 2022 tierneycreates: a fusion of textiles and smiles

The feature photo was snapped on my phone and is a section of the Three Sisters Mountains – I captured in the photo the “Middle Sister” and the “North Sister” mountain. Below is a snapshot from the information at the Three Sisters Viewpoint (you can stop here for a wonderful view of the Sisters Mountains, part of the Cascade Mountain Range on your way heading to Sisters or leaving Sisters, Oregon).

REUNITED

Last week in a series of posts I shared my adventures at the 2016 Sisters Outdoor Quilt Show (SOQS), held Saturday July 9, 2016. Friday, I took off from work and returned to Sisters, Oregon to pick up my favorite hat and vest I had left at the Stitchin’ Post during a class I attended at the end of May (see post Adventures in Appliqué).

So now you are thinking: “Tierney, why are you just now picking up your favorite knit hat and vest in the third week of July when the class was the end of May?” You are starting to suspect that the hat and vest are not really that dear to me, right?

Wrong. I did not realize the hat and vest were gone until a couple weeks ago. I did not connect/remember needing a hat and vest at the end of May 2016 (I forgot we had a cold snap at the end of May before it heated up nice and toasty in Central Oregon). When I realized they were gone a couple of weeks ago, I thought I had lost them during the late winter or early Spring, I grieved their lost (the hat was knitted by a friend of mine) and moved on.

While I was at the Men Behind the Quilts: Quilt Auction and Calendar Preview (see post Countdown to Sisters Outdoor Quilt Show) I ran into my teacher from the appliqué class and she asked me if I had picked up the hat and vest I left at the end of May. I was overjoyed!

I tried to pick up the hat and vest on Saturday July 9th when I stopped by the Stitchin’ Post during SOQS, but it was a mad house there and one of the lovely staff members pleaded with me to try back the following week.

When we returned to Sisters on Friday July 15th and I was finally reunited with with my hat and vest (imagine a scene from a Disney or Hallmark movie where the animated hat and vest are running in slow motion into my open arms and I give them a loving embrace – queue sappy music and closing credits…).

A LITTLE MORE ON THE SOQS

I follow a wonderful blog Woolie Mammoth which focuses on “quilting happenings” in Central Oregon. It’s blogger Anna, also has a YouTube channel where she shares her adventures on the road quilting. Recently she posted a video of what it is like to drive down Cascade Ave (Highway 20 as it runs through the town of Sisters) before the Sisters Outdoor Quilt Show and then what it is like to walk around the show:

2016 Sisters Outdoor Quilt Show

Here are a couple random photos I wanted to share, that I do not think were included in the links I provided in previous posts to the Stitchin’ Post Facebook and the Sisters Outdoor Quilt Show Facebook pages.

First my blogger buddy Claire of the wonderful blog knitnkwilt.wordpress.com had one of her modern improv quilts in the show. It was fun to watch the progress of this quilt on her blog:

Without Orange There Would Be No Blue (2016) by Claire of knitnkwilt

Here is another quilt I loved at the show of Our Lady of Guadalupe, it was tucked away in a sweet garden spot at the beginning of the SOQS. I thought the colors were so wonderful:

At the SOQS we parked in one of the neighborhood in Sisters, Oregon and here is a wonderful stained glass insert a Sisters resident had in their fence:

Here are the cute furry creatures we took with us on a day trip to Sisters, Oregon on Friday:

While in Sisters, we stopped at the beautiful Sisters Coffee Company which looks like a mountain lodge. In the Fall and Winter (and in early Spring) it is nice to sit around the roaring fire in the stone fire place, sip your tea or coffee and read a book. They do not care how long you stay!

And finally, here is another photo of the quilt I shared in my post Adventures in Appliqué. This quilt was made by women in Uganda in collaborations with the Sisters of the Heart Foundation which was run by my appliqué instructor, Janet Storten. This quilt along with other quilts by women in Uganda were hung around the Sisters Coffee Company.

Okay, that is enough on Sisters, Oregon for now. It is a pretty special place to me!

Quilt Shop Tours, Sisters Outdoor Quilt Show

2016 Sisters Outdoor Quilt Show Part IV

July 13, 2016June 22, 2022 tierneycreates: a fusion of textiles and smiles

This will be the last post in my series of posts about the 2016 Sisters Outdoor Quilt Show (SOQS). Here are the links to the previous posts if you are just visiting my blog for the first time today (welcome!):

2016 Sisters Outdoor Show Part I

2016 Sisters Outdoor Quilt Show Part II

2016 Sisters Outdoor Quilt Show Part III

A Taste of the Stitchin’ Post

The Sisters Outdoor Quilt Show began in 1975 when it’s founder, Jean Well Keenan, owner of the Stitchin’ Post, hung her quilts around town. It has significantly grown until then and you can read its history on the About Us page of the SOQS website. If you are not familiar with Jean Wells Keenan, check out her website – jeanwellsquilts.com – she is an internationally renown art quilter, author, teacher and a very accessible and friendly individual. She has cultivated the Central Oregon Art Quilting community (please see my post Creative Inspiration: Quilting Mentors)

We have many awesome quilt shops in Central Oregon, but no shop compares to (or attempts to compare to) the Stitchin’ Post. It has the finest selection of unique quilting fabrics in the area and specializes in fabrics that appeal to art quilters. It also has art quilting supplies and a wonderful collection of books. It offers classes (in the “Textile Education Center”) that are geared towards the individual wanting to expand their quilting skills or the experienced art quilter desiring to develop new techniques.

I wanted to share some photos of what the Stitchin’ Post is like during SOQS – packed and crazy – and awesome! It is filled with the excited energy of out of town (and international) quilters, hungry to add beautiful new fabrics to their collections or plan a new project. You can barely walk around the shop and there are long lines of happy quilters smiling with their new finds in hand, visiting and making new friends while waiting on line.

I assume people I do not know, do not want their photos on my blog, so below I attempt to focus the photos on fabric displays with limited human subjects. Believe me this was difficult as the place was very packed!

Photos from the Show

I took a ridiculous amount of photos from the 2016 SOQS and I have not yet mastered using Smilebox to create a slideshow to post to my blog, so instead I will provide links from the Sisters Outdoor Quilt Show Facebook page and the Stitchin’s Post’s Facebook page which are filled with images from the 2016 SOQS – enjoy!

Sisters Outdoor Quilt Show Facebook page

Stitchin’ Post Facebook page

And finally, here are some photos I had to post – an empty restaurant building in Sisters got an recycled-denim-jeans quilt makeover in honor of the 2016 SOQS with a “cowboy” stuck upside down in his jeans and boots in the building chimney!

Central Oregon is infused with creative people!

Books, Music, Podcasts, Sisters Outdoor Quilt Show

2016 Sisters Outdoor Quilt Show Part III

July 12, 2016June 22, 2022 tierneycreates: a fusion of textiles and smiles

Continuing my series of blog posts of photos and experiences from attending the annual Sisters Outdoor Quilt Show on Saturday July 9, 2016.

Tierney’s SOQS Quilts

Part of the fun (or challenge) of putting quilts in the Sisters Outdoor Quilt Show (SOQS) is finding where they are hung in the show.

In addition to the quilt, Recycled Doors, I had in the Central Oregon SAQA Doors Exhibit (see post 2016 Sisters Outdoor Quilt Show Part II) I had 5 other quilts. I was only able to locate 2 of the 5 other quilts at the show.

Terry the Quilting Husband and I stumbled upon one of my quilts in an awesome location – in front of The Nest Design Studio. The aesthetic of my quilt hung outside a home design studio was exquisite. I am honored that the SOQS staff selected that location to hang my quilt.

Modern Bedtime – designed and pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe

I discovered a crowd of people looking at the quilt and I could not resist: I introduced myself as as “the artist”, answered questions and posed for photos with the quilt.

I also loitered around the quilt for about 5 minutes to introduce myself again to the next group of people admiring the quilt. I got to chat with several lovely individuals, posed for a couple more photos with the quilt, and got some new tierneycreates blog readers!

Alas, the quilt did not sell. I might have priced it too high and it was not bed size as I had originally intended (for that story, please see the 5/1/16 post The Downsized Quilt). However, I am happy to have it back at home. It now rests on the back of the chair in my cozy reading nook.

Terry the Quilting Husband’s SOQS Quilts

The 2016 SOQS was Terry’s first time showing his quilts. He was part of the Special Exhibit: Made by Men. Here is a link to the Bend Bulletin article on the Made by Men Exhibit, which featured 27 quilts made by male quilters from 4 different states:

Sisters quilt show highlights men’s quilts

Terry tried to play it off but I could tell he was pretty proud having his five (5) quilts hanging in the special exhibit.

I dragged him over to several groups of people who were admiring his quilts and introduced him as “the quilter”. It was very endearing to listen to him answer questions on how a quilt was made and his design process!

DSCN3459 — Colorful Modern Squares – designed & pieced by Terry Hogan, quilted by Betty Anne Guadalupe

DSCN3455 — Charming You – pieced by Terry Hogan, quilted by Betty Anne Guadalupe

DSCN3457 — Cozy Flannel Shirts – designed and pieced by Terry Hogan, quilted by Betty Anne Guadalupe

DSCN3456 — Squares Gone Wild – designed and pieced by Terry Hogan, quilted by Betty Anne Guadalupe

DSCN3463 — Cozy Flannel Snuggle – designed and pieced by Terry Hogan, quilted by Betty Anne Guadalupe

Two (2) of his quilts sold – Cozy Flannel Shirts and Charming You. He already has two quilts in queue for the 2017 Sisters Outdoor Quilt Show!

POSTSCRIPT

I continue to listen to and enjoy the excellent audiobook – Grit: The Power of Passion and Perseverance by Angela Duckworth (2016), read by the author, first mentioned in my 07/02/16 post Grit.

The author discusses the famous “Bricklayer Parable” in regards to “job” vs. “career” vs. “calling“. Here is a paraphrasing of that parable:

A man comes upon three men laying bricks for a church being built.

He asks the first man: ‘What are you doing?’ The first man replies: ‘I am taking bricks and piling them one on top of the other and putting cement in between them.’

He asks the second man: ‘What are you doing?’ The second man replies: ‘I’m building a wall that will form the outside structure of a large building.’

Finally he asked the third man: ‘What are you doing?’ The third man replies: ‘I am building a house of God.’

All three men are performing the same job but they all have different perspectives on that task – “a job” vs. “a career” vs. “a calling”.

So far (and I am over 1/2 way through) this is, in my opinion, a truly inspirational five (5) star audiobook.

Studio

Orange

July 3, 2016July 20, 2016 tierneycreates: a fusion of textiles and smiles

If you ask me: “Tierney what is your favorite color?” I would likely reply “Purple“.

There is very little purple in my recent art of utility quilts. There is very little Purple in my house. However, there is a lot of ORANGE.

I would never say that Orange is my favorite color but if you look at the background on my blog (which is a photo of a quilt I made based on an old tile floor); if you look at the quilts I have made over the past 5 – 6 years (art and utility quilts); and if you look in my fabric stash, you would think I was beholden to the color Orange.

Check out a photo of my living room area – notice a lot of “shades of orange” in the quilts on the wall?

I am not sure when my apparent and subconscious love of the color Orange began and I am not sure when it will end.

There was an article in the 2015 premiere issue of Room to Create magazine on “Color & Creativity” (page 8). In this article the publication discusses how color impacts mood. Here is an excerpt of what the article said on the color Orange:

ORANGE

Looking for excitement, energy and enthusiasm? Orange may be your soulmate.

I guess Orange is my “color soulmate”!

Do you have any color that keeps surprisingly appearing in your work?

POSTSCRIPT

I just realized that I had the quilt below on the wall of my living room for a number of years. I will be showing/selling it in this year’s Sisters Outdoor Quilt Show. The ORANGE is really strong and prevalent in this quilt!

DSCN1214 — Splendid Splendor – pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe. The pattern is called “Slideshow”.

Books, Music, Podcasts, Creative Inspiration

Creative Inspiration: Lying in Bed

June 26, 2016July 17, 2016 tierneycreates: a fusion of textiles and smiles

It’s Sunday, a day (like Saturday) when many people have the opportunity to sleep in (or at least sleep in a little later than on a workday).

Continuing my series on sources of my creative inspiration, I realize that lying in bed and quietly thinking can be a source of much creative inspiration!

A very creative friend of mine told me a couple of years ago that she could will herself to dream quilt designs while she sleep; and when she needed it, inspiration would arrive while she slumbered.

I do not remember many of my dreams, and those I remember are not necessarily sources of creative inspiration, but I do have moments of intense inspiration when I am laying in bed preparing for sleep or lingering in bed upon waking.

Worrying and reviewing the day used to fill my mind before going to sleep until learning to essentially “chill out” a couple of years ago. Now I can bring my mind into focus before going to sleep on a quilt design or other crafting project. It is amazing how what was a challenge to me in my studio during waking hours, now has a clear resolution as I quietly ponder it in bed.

My first experience with idea was at the end of 2014 while I was making a piece for our public library’s Novel Idea Book (all of Central Oregon is encouraged to read the same book and then the book’s author speaks at the annual Novel Idea book event). That year’s book was A Tale for the Time Being by Ruth Ozeki. I loved the book so much I wanted to make a small art quilt inspired by this thought provoking novel.

I was stuck for weeks on the design of this piece until one night, while lying in bed and before falling asleep, I focused all my mental energy on the what I wanted for this piece. It is difficult to put into words – I did not force myself to think about the piece, rather I relaxed and asked for inspiration to come to me.

Hope I do not sound too “New Age” or mystical here, but it was like what the piece needed to be just flowed into my mind and through me. It was a wonderful feeling – as if the Universe was telling me how I could translate what moved me in this book into textile art. When I woke in the morning, I had a clear vision of what the piece would look like and felt tremendous relief and a sense of peace.

And it all happened lying there in bed. Since that experience I have used the time lying in bed before falling asleep or upon waking to explore options in creative design. Bed can be a good place – keep those worries out of your mind and invite the creativity in!

DSCN3134 — Jiko’s Secret Robe (2015) – inspiration for this piece arrived while lying in bed

Postscript

For more on “clearing your mind of worry before you fall asleep” see my post Monday on the “Butte” in which I briefly discuss Arianna Huffington’s audiobook – The Sleep Revolution: Transforming Your Life, One Night at a Time and share this Ralph Waldo Emerson quote:

Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day and you shall begin it well and serenely. – Ralph Waldo Emerson

Studio

Breaking the Law! (Update on Recycled Door)

June 17, 2016November 15, 2023 tierneycreates: a fusion of textiles and smiles

There is song from the 1980s by a British heavy metal rock band Judas Priest titled “Breaking the Law” where in the song, they repeatedly sing the chorus: “Breaking the law, breaking the law, breaking the law, breaking the law.”

When I lived in Seattle a friend and I would enjoy singing choruses of this very campy 1980s song under our breath or at the top of lungs when we were not following standard rules of behavior or etiquette, etc.

This song was played my head when I made the decision to do a traditional quilt binding instead of a “facing”on the back of my art quilt Recycled Doors for the upcoming Central Oregon SAQA (Studio Art Quilt Art Quilt Associates) exhibit at the 2016 Sisters Outdoor Quilt Show. Please see my post Update: Recycled Door for more information on this piece.

(If you are unfamiliar with “facing a quilt”, here is a link to the Quilting Daily’s page on Finishing a Quilt with a Facing. Facing creates clean edges to the quilt with no edge binding.)

Facing the back of an art quilt to create a smooth edge appears to be the expected and acceptable standard and is what I have always done in the past on any quilt I want to be classified as an “art quilt”.

I feel feeling very rebellious after talking to my friend Wendy who suggested, as an option to finishing the quilt, a binding to bring out the orange in the center of the piece. I was reading to do some “law breaking” and did a traditional binding instead of facing the quilt.

Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. – Albert Camus

Postscript

You may notice my new blog template – quite different from the previous one. I really enjoyed the Chalkboard Template, but after reading that article on making blog pages easy for all readers to read and the feedback you all provided, I am going to try this new format for a while.

Creative Inspiration

Advance your Art

June 14, 2016June 17, 2016 tierneycreates: a fusion of textiles and smiles

Unlikely Artistic Inspiration in a Business Publication

There is a professional publication that arrives every month in my mailbox – Healthcare Business Monthly. It comes as part of a professional membership I have in the healthcare industry.

I appreciate all the work that goes into this publication but many times the articles are fairly dry and technical; however an article by Tara Cole in the June 2016 issue (page 58), really caught my attention.

The title of the article is “Advance to the Career You Want”. In this article the author provides tips on how to develop yourself professionally and move into the career you want.

I thought the author’s tips in this article could translate into how to “Advance to Where You Want to Go with Your Art”, “Artist Development”, “Advance Your Creative Journey” or something like that.

Here is a listing of the author’s eight (8) tips which I am going to apply to advancing my creative journey:

Get comfortable with being uncomfortable
Be open to change
Be curious
Stay connected
Get technical
Challenge yourself
Be honest
Use your time wisely

I embrace all these tips! Lately I have been working on #5 – Get technical: taking classes, talking to mentors, reading up on new quilting techniques, etc. I have definitely been challenging myself (the secret quilt I am finishing for the by invitation exhibit – I have been quilting this quilt myself – gasp!)

Time for a Random Photo

And now here is a random photo: Recently I returned from a long weekend visiting a friend in the Denver, CO area (see post Creative Inspiration: Travel). During on weekend together, we went on lovely walks on nature trails. One of the trails had many gopher or prairie dog holes along the path and I was fascinated looking at the prairie dogs popping up and talking to one another.

I was not fast enough with my smartphone camera to capture the adorable prairie dog that was popped up from its hole, but here is a photo of one of the holes, right after the prairie dog seeing my camera disappeared into:

But wait – I will connect this photo to this post:

Sometimes on your creative journey you have to retreat into a metaphorical hole and focus alone on your art.
Sometimes on your creative journey you have to venture into an unknown hole to move forward in your art.
Sometimes on your creative journey, you have to follow someone into a hole and see where it leads (but I was too big to follow after the prairie dog!)

Please share any thoughts you have on how this photo could relate to an artist’s creative journey (or how you are concerned that I obviously need my “special medication” adjusted! Ha!)

Creative Inspiration

Creative Inspiration: Travel

June 8, 2016June 17, 2016 tierneycreates: a fusion of textiles and smiles

Continuing my series on my sources of Creative Inspiration, I share in this post photos from a recent trip that inspire my creativity.

Let’s Begin with a Disclaimer

If you have followed my blog for a while or if you are new to my blog, it is apparent I am not a very good photographer. Reading books on improving my photographic skills has not helped. So I thank you in advance, for accepting me as I am, bad quality photos and all.

Traveling, and photos taken while traveling are sources of creative inspiration for me. They may not inspire a specific piece, but they do inspire to me to create – especially when they are photos of the works of other artists (if I dare refer to myself as an “artist”) that stimulate my creativity!

Recently I returned from a long weekend visiting a friend in Denver, Colorado. I took many photos, primarily with my smartphone camera. Below are photos from the Denver Chalk Festival, the Seattle Airport’s Ship in a Bottle Exhibit, and the Redmond-Bend Airport’s Chris Cole kinetic fish art exhibit.

Denver Chalk Festival

We attending on Saturday 06/04/16 and the sidewalk chalk art pieces were still in progress (my apologies to all the talented chalk artists who I am not individually crediting in the photos):

Here was my favorite piece: a canine interpretation of the famous painting American Gothic (which I once got to see in person at the Art Institute of Chicago). Poop scooper instead of pitch fork!

Although the one above was my favorite, the most impressive piece was the one below (imagine what it looked like completed!):

Seattle-Tacoma (SeaTac) Airport Ship in a Bottle Exhibit

As a kid I was fascinated with ship-in-a-bottles. I thought they were magical. Seeing the exhibit at SeaTac airport (a layover on my way back to Central Oregon) really inspired my imagination and creativity:

Redmond-Bend Airport’s Chris Cole Kinetic Fish Art Exhibit

Awaiting my flight to head to Denver, Colorado (via a connection at SeaTac), I enjoyed looking at Chris Cole’s Kinetic Fish Exhibit. The Redmond, Oregon City News website has information on this exhibit: Redmond Municipal Airport Adds New Art.

The two fish sculptures had motors and various parts of the fish moved inside the glass exhibit enclosure. Very cool!

Postscript

Now it is time for an example of higher quality inspirational photography. You guess it – it is not by me, and it is not from my trip. My friend Miles quit his job and is traveling the world, going to all kinds of awesome exotic and historic locales.

He is a skilled photographer and here is one of his photos, from his travels to Dubrovnik, Croatia:

Now that is a truly beautiful photograph and the colors and composition may inspire a future quilt!

Books, Music, Podcasts

Embracing the “Yes”

June 5, 2016July 17, 2016 tierneycreates: a fusion of textiles and smiles

I just returned from a four day weekend visiting a friend in Denver, CO. Later this week I will share some photos I took during the trip which creatively inspired me.

I just wanted to share in this quick post the latest nonfiction audiobook I have started – Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person by Shonda Rhimes.

519M5lbusyL._SX344_BO1,204,203,200_.jpg

As you probably know, Shonda Rhimes is the creator and producer of TV shows such as Grey’s Anatomy and Scandal. A couple months ago I watched her TED Talk: My year of saying yes to everything, and I found it deeply inspirational.

I am early in the audiobook and I am enjoying it; and it is read by the author (I love when audiobooks are read by the author!).

So far 2016 has been a year of serendipitous opportunities for me artistically and I am glad I keep going against my natural instinct to say “no, thank you” and instead say “yes, thank you”!

The book opens with a quote from Maya Angelou:

“The need for change bulldozed a road down the center of my mind.”

Studio

Adventures in Appliqué

May 29, 2016May 30, 2016 tierneycreates: a fusion of textiles and smiles

Check out Sassy the Highly Opinionated Miniature Schnauzer’s page Schnauzer Snips for her latest musings…

It was about more than just improving my appliqué skills

Yesterday I took at wonderful appliqué class at the Stitchin’ Post in Sister, Oregon. The class was more than an appliqué skills building class, the class was about creating stories with quilts. It was a day long class from 9:00 am to 4:00 pm (with flexible time for lunch whenever we wanted).

The class was titled: Historic Story Quilt and was taught by the wonderful Janet Storton. The focus of the class was to work on blocks for story quilt (bible story blocks were used as an example) using various appliqué techniques for appliqué skill building.

I signed up for this class to build my appliqué skills for a future of series of quilts I want to make based on stories my father told us growing up (see post Creative Inspiration: Stories My Father Told Me). However I got way more out of the class than just improved appliqué techniques!

At the **Stitchin’ Post** we don’t attend our classes in a *regular classroom* – we study in a **Textile Education Center!**

The teacher, Janet Storten is the Director of Sisters of the Heart Foundation .

Sisters of the Heart Foundation‘s mission is bring hope, build a future, and empower a community in impoverished areas of the world such as Uganda. Janet spends part of the year teaching women in Uganda to create quilts and other crafts to sell in order to economically improve their lives and the lives of their communities.

You can read more about this incredible foundation at www.sistersoftheheartfoundation.org. They greatly appreciate fabric donations from quilters purging their stashes!

Here is Janet with a heart quilt (Sisters of the Heart) where each one of her students in Uganda made a different heart. She just got it back from long-arm quilting by Barbara of the Stitchin’ Post and trimmed off the extra batting before I took the photo:

Two other quilts made by her students in the community in Uganda, these quilts are sold or raffled to raise money for the quilters’ community in Uganda:

Here is the Bible Stories appliquéd quilt made by her students in Uganda:

My Adventure in Appliqué (what I actually did in class)

Here is what I worked on as I brushed up on my needle-turn appliqué technique and learned buttonhole appliqué techniques:

Our teacher instructed us to create folk-art looking elements, so “imagine” on the left is an acorn!

So you now thinking: “Whaaaat?!?!?” You spent 7 hours in an appliqué class and made two elements on a beige piece of fabric? Well…yes!

It is actually a story quilt I am working on that has to do with an acorn and a tree. Janet helped me perfect my needle-turn appliqué on creating the acorn (and help me select the scrap fabrics I used); and she taught me how to do buttonhole appliqué for the beginning of the tree. I also learned how to stitch words onto fabric so when I am ready I can add the words that go with my piece.

For now it will be a UFO (Unfinished Object for the non quilters reading) until I finish some of my pending urgent projects (due dates zooming closer!)

The class was a joyous way to spend a Saturday and in addition to the teacher, I got to meet some other wonderful people – the fellow students. They had incredible stories to share during class too.

Postscript

One other thing I learned in the appliqué class was just how meditative working on an appliqué project can be – I think I might fall in love with hand stitching.

I needed good light to do the needle-turn appliqué on the acorn section and found that sunlight worked best. I spent quiet meditative time sitting in the window of the classroom (it was a glorious sunny day in Sisters, Oregon) and just hand stitching.

Wow. Now I get it.

I plan to take more “techniques” classes. I have been quilting since 1999 or so but I am ready to spend more time “studying” quilting.

Studio

“I will not be discarded” & studio refresh

May 28, 2016May 29, 2016 tierneycreates: a fusion of textiles and smiles

Do Not Discard Me!

Have you ever just randomly cracked yourself up laughing? Maybe it is a joke no one would understand but you?

Well I was cleaning up my quilt studio and rearranging it to make it more cozy and less cluttered feeling, and I found this in a corner under a table:

What is this? Well if you refer to my post, We Will Not Be Discarded’s Debut, you will see it is a leftover scrap from another quilters project (their discard, headed for the trash) that I trimmed into a triangle. It’s other “friends” became the piece We Will Not Be Discarded! (that I sold at the Twigs Gallery Show in March – April 2016).

I began laughing at this sly piece hidden away that did not make it into the art quilt. I now have to make a tiny art quilt called – I Will Not Be Discarded! – or maybe just a potholder with it. I cannot bring myself to throw it away.

Studio Refresh

I got rid of one of the tables in my studio, even though I will have to now iron and cut on the same table (I have a removable wide ironing top). It felt like the room was way too clutter.

Instead of the table, I moved a comfy old chair into the room and I can sit and watch TV in the room while sewing down binding if I like. My TV is both a computer monitor and TV (so I can also watch “Tiny House Living” videos – my secret obsession).

The BEFORE:

The table covered with the quilt in the back is the one I got rid of, and I moved the work table to the back of the room.

THE AFTER:

Minus the table that was in the back of the room; moved the worktable to the back of the room and added a comfy chair!

I can sit in a comfy chair and think about my huge backlog of projects

The dogs are really enjoying “THE AFTER”

Postscript

I am headed off to the Stitchin’ Post in Sisters, Oregon this am for a day long class on appliqué.

In my post, Creative Inspiration: Stories My Father Told Me, I share how I would like to do a series of art quilts based on stories my father told me growing up. Well I want to brush up my appliqué skills (okay I want to obtain some decent appliqué skills) so that I have more options in creating these quilts which would lend themselves to appliqué.

Books, Music, Podcasts, Studio

Update: Recycled Door

May 25, 2016July 17, 2016 tierneycreates: a fusion of textiles and smiles

In the March 2016 post BLOG TOUR DAY 4: Unlikely Materials I shared a work in progress called Recycled Door. This art quilt is part of the Central Oregon SAQA (Studio Art Quilt Associates) group exhibit “Doors” that will debut at the 2016 Sisters Outdoor Quilt show.

We were challenged with making an 18″ x 40″ art quilt/wallhanging that represented our interpretation of a door. I found a door image I liked on Australian door and window manufacturer’s website Brisbane Timber . I created my interpretation of one of their doors, using recycled materials: jeans, corduroy shirts, a tweed jumper, and home decor fabric.

I just got this piece back from Betty Anne Guadalupe, my long-arm quilter and collaborative partner in The Wardrobe Meets the Wall Collection. She quilted it to represent the texture/grain of an wooden door.

Now I need put finish the facing for the back (finishing off an art quilt with a smooth edge instead of binding the edge) and it is ready for the July 2016 Sisters Outdoor Quilt Show!

As it was made with recycled materials, it will become part of The Wardrobe Meets the Wall Collection.

Postscript

I am listening to a new non-fiction audiobook, The Examined Life: How We Lose and Find Ourselves by Grosz, Stephen.

It is pretty DEEP. The author is a British psychoanalyst who shares 25 years of his client’s stories (confidentiality maintained of course!) in relation to baffling behavior based on hidden feelings.

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The narrator also is British and I am enjoying the British English pronunciation of words such as “schedule” and “garage”!

One of the most interesting parts of the book so far, besides all the interesting stories, is the author sharing a very profound interpretation of Charles Dickens’ famous story, A Christmas Carol. He delves deep into what actually made Ebenezer Scrooge change his ways!

Books, Music, Podcasts, Creative Inspiration

Creative Inspiration: A Pot of Tea

May 24, 2016July 17, 2016 tierneycreates: a fusion of textiles and smiles

Continuing my ongoing series of posts on sources of my creative inspiration, I would like to share how a simple pot of tea inspires me creatively.

Above is a pot a green tea being poured into my favorite mug. One side of the mug reads: “live in wellness” and the other side reads “the universe knows”. This mug reminds me to take care of myself and to trust my intuition and the flow of the universe. (Hope that did not sound too “new age” and scare away some readers, ha!)

Behind the mug in the photo is a teapot warmer I found 9 years ago at a Tea Shop in Sisters, Oregon (the shop is now closed/out of business).

Every morning, I make a pot of green tea, place it on the warmer and sit in the front window each morning before work, and on the weekends (when I can really linger) and daydream about current and future creative projects.

I keep my journal nearby to jot down any notes, thoughts, drawings, or other inspirations. (and yes, I have spilled tea on my journal…)

Sitting quietly with a pot a tea, even if for 10 – 15 minutes, really centers me and inspires me creatively. Many new ideas for fiber art pieces or blog posts have come from my time with the pot of tea.

In one of my profiles on a social media site, I describe myself as “an obsessive tea drinker”. I suspect there are worse things in life to be obsessive about, so I am happy with this obsession!

Postscript

A reader asked me to share what I thought of the audiobook The Path: What Chinese Philosophers Can Teach Us About the Good Life by Michael Puett and Christine Gross-Loh (I mentioned this book in the post Tuesday…an update).

Overall, I thought the audiobook is worth a listen and many sections inspired deep contemplation as I walked and listened.

As shared in the previous post, the author is a Harvard professor and the book is filled with “scholarly” like discussions that are at times rather esoteric (but not tedious); however the wisdom and insights into human nature by the ancient Chinese philosophers are highly accessible and timeless.

In addition to addressing the key teachings of several seminal ancient Chinese philosophers, the authors discuss the cultural, social, economic and political climates during the time in which the different philosophers lived, which influenced their writings and teaching.

Words for thought from ancient Chinese philosophers:

The effect of life in society is to complicate and confuse our existence, making us forget who we really are by causing us to become obsessed with what we are not.

– Zhuangzi (Zhuang Zhou)

The person attempting to travel two roads at once will get nowhere.

– Xunzi

Life is really simple, but we insist on making it complicated.

– Confucius

He who knows that enough is enough will always have enough.

– Laozi (Lao Tzu)

The sole concern of learning is to seek one’s original heart.

– Mencius

Monday 5/23/16 was an overcast day, but I found time for a walk around the base of Pilot Butte. I hope to return to hiking up the Butte next Monday!

A Crafter's Life

The “Downsized” Quilt

May 1, 2016May 2, 2016 tierneycreates: a fusion of textiles and smiles

Today a thought popped into my head: “tierneycreates is a quilter’s blog, perhaps I should post something about quilting!”

The Original Plan

I completed the binding on a “log jam” (free form log cabin block piecing) quilt I am putting the in the July 2016 Sisters Outdoor Quilt Show (SOQS) called Modern Bedtime.

It measures 63″ x 72″ which is short of a Twin size quilt and more like a large Lap size quilt.

This quilt was meant to be a King size quilt. I originally made its dimensions 98″ x 100″. I worked within the limit of the dimensions of acceptable quilts for entry into the SOQS (a maximum of 104″ on any side).

Last year the quilt I sold at the 2015 SOQS was a large Queen size quilt and I thought I would have a better chance of selling another quilt in the show this year if it were also bed size. I thought: “Maybe there won’t be a lot of large Queen/King size quilts in the show; so if someone attending the show was looking for a large bed size quilt my quilt would be available for consideration!”

Below is a photo of how the quilt started out. The original design had the log jam pieced center floating in a large khaki border. It is draped over a King size bed and you can see there is a nice drape (which I trimmed down to meet the less than 104″ on each side limit for SOQS).

The Universe however did not want this quilt to be King size (or Queen size, or Full size, or Twin size…).

Disaster Strikes!

Something very bad occurred when I pieced the border, I am not sure what exactly as I have been piecing/sewing borders on quilts for many years.

The long-arm quilter discovered that the borders where extremely uneven when she loaded it on her professional quilting machine. Not just uneven, they were “majorly wonky”! She tried to fix it but the borders were so strangely pieced she could not fix it without disassembling a large amount of the quilt.

Additionally, there were several other strange and embarrassing quilt piecing errors (I am too embarrassed to mention these).

What the heck happened? I do not make mistakes like this! I do remember that I was in a hurry to finish up the quilt to get it to her to put it in her queue of customer quilts for the SOQS (she gets very backlogged with customer quilts prior to the SOQS). I was always working long hours on a challenging work project and very tired at the end of the workday.

Perhaps I should not have engaged in “Piecing While Tired” (PWT).

Downsizing

I had a painful phone conversation with the very kind and patient long-arm quilter as we tried to figure out what could be done about this quilt. She had tried removing one of my borders and trying to fix it for me. I kept thinking: “I am so disappointed in myself, I so wanted to sell this quilt at SOQS as a King size quilt”. I wanted so badly for this quilt to work out as I had planned.

Then suddenly I decided to just let it go. I asked the long-arm quilter to just cut off the offending borders and finish quilting the quilt.

*Modern Bedtime (2016)* by Tierney Davis Hogan, quilted by Betty Anne Guadalupe

I trimmed off the left over borders, put on the binding and have embraced the quilt as it. I am still showing it/listing it for sale at the SOQS.

Life is a balance of holding on and letting go – Rumi

Warning: Never work on a quilt while tired and stressed from work! Lesson learned!

Postscript

I am working on something exciting right now but it is a secret. It is a piece for an invitation only special juried exhibit. More to come!

Creative Inspiration, WCQN

Creative Inspiration: Stories My Father Told Me

April 23, 2016August 29, 2018 tierneycreates: a fusion of textiles and smiles

This post continues my series on my sources of Creative Inspiration.

Friday Night at Barnes & Noble Bookstore: A Discovery

Life is filled with serendipitous events. Several Fridays ago such an event occurred.

A wild Friday night in Central Oregon involves hanging out at the local Barnes & Noble bookstore. I love browsing in bookstores. I love bookstores, period. They are nearly as magical as libraries (except the discoveries at bookstores are not free to take home!)

While browsing the magazine section of Barnes & Noble, I came across a magazine I had not seen before – American Craft Magazine (and I thought I knew all the magazines in the “crafting” magazine section). This magazine is published by the American Craft Council.

Flipping through this magazine I found an article on an exhibit by the WCQN (Women of Color Quilting Network). I did not know, as a woman of color, that there was a Women of Color Quilting Network! I made a mental note of the acronym and immediately upon returning home I googled the WCQN.

The WCQN , according to their website “is a non-profit organization founded in 1985 by Carolyn L. Mazloomi, a nationally-acclaimed quilt artist and lecturer, to foster and preserve the art of quilt making among women of color.”

Wow. What a discovery for me!

I contacted the Director of WCQN, Dr. Carolyn L. Mazloomi, to find out how I could join.

WCQN Inspiration

After several wonderful exchanges with Dr. Mazloomi, I am now a member of the WCQN. I had the opportunity to view her website, www.carolynlmazloomi.com and view her amazing art. I also spent a considerable amount of time looking at the the WCQN website, www.wcqn.org, and viewing their past exhibitions (www.wcqn.org/exhibit.html).

I was overwhelmed with inspiration to explore an additional direction in my art quilting – telling stories with my art quilt.

The WCQN art quilts poignantly share stories from a people of color’s perspective and shared experience.

Wanting to explore this theme in the future, I am inspired to create a future series of art quilts called Stories My Father Told Me.

Stories My Father Told Me

My father, Raoul A. Davis, Sr. was an amazing man. He passed in 2008, and left behind a legacy of stories and inspiration.

Born of the 4th of July, he was the son of two teachers and grew up the segregated South (Charleston, West Virginia) in the 1930s. He faced many hardships and challenges but always forged ahead to achieve his goals and dreams. He was the first black to attend Kiski School in Pennsylvania, received a bachelor’s degree from Central State University, and obtained his master’s degree from Columbia University. He also served his country in the US Army.

He served as a leader in the nonprofit sector for over 40 years. His service included working with gangs and underprivileged youth as a Social Worker in NYC; founding the Urban League of Long Island, NY; and creating the first Empire State Black Arts and Cultural Festival (today known as the African American Family Day Art Festival).

He retired as the Deputy Commissioner for the Office of General Services for the State of NY. In his retirement he volunteered and consulted for local nonprofits and community agencies.

His resume was impressive, but what I remember most about him is his stories.

Starting from my earliest memories as a child, I remember him telling me stories of his challenges growing up in the segregated South, stories of his athletic pursuits (he was an accomplished multi-sport athlete), stories about the intense hazing he received as the first black to attend Kiski Prep School, stories of overcoming shocking physical and psychological abuse in the US Army in the 1950 by his drill sergeant, and many other inspirational stories from his life.

A couple of years before he passed he decided to write his autobiography and I offered to help him by transcribing his handwritten notes and pulling them into a rough draft. It was so wonderful to read the stories I knew well from hearing in my youth; and I was honored to help him with this project.

Unfortunately my father passed before finishing his autobiography. I did take what I had and make it into a book for my sister and brother (two incredible individuals who continue my father’s legacy and inspire me daily); and for his grandchildren (one of which he did not get to meet before he passed).

I am still left with all his stories in my head and in my heart, and I think I want to share them in another medium beyond the verbal and written word: in my art quilts.

His Stories into My Quilts

I am in the early stages of thinking of how I want to translate some of my favorite stories into a textile story – will I do something abstract, or will I do a pictorial quilt (time to brush up my appliqué skills!).

An ongoing theme in all his stories is: Here is a challenge, it may seem impossible, but you can overcome it!

One of my favorite stories that my father told me, is a story from his growing up in the segregated South and a bus ride experience that embodied his outlook on dealing with racial prejudices:

As a teenage in the 1940s, I was riding on the bus and a white guy was forced to sit next to me because no other seats were available. He turned to me and growled – “I hate you, you #%%$%%!”

I calmly replied to him “Well, you would like me if you got to know me”.

We ended up having a great conversation and when we got to his bus stop, he exclaimed as he exited the bus: “Raoul, you are alright”.

My father likely did not change this man’s racist outlook on people of color, but he may have left an imprint in this man’s mind and heart to evaluate people based on their character not their color.

My father, who was also active in the Civil Rights Movement of the 1950s and 1960s and fortunate to have met Martin Luther King, Jr., believed in focusing on getting to know each other as individuals and not judging an entire group or population.

He believed change came through dialogue not violence. He taught his three children to be brave, no matter what adversity life threw at them; and to as Mahatma Gandhi said “…be the change you wish to see in the world”.

He also taught us to be proud of who we are as individuals, as a people and of our heritage, and not to listen to those who tell you otherwise.

“I will not let anyone walk through my mind with their dirty feet.” – Gandhi

I would be honored to share his stories through my quilts.

Outside Adventures!, tierneycreates

Monday

April 18, 2016June 22, 2022 tierneycreates: a fusion of textiles and smiles

As you can see, I am playing with my blog template again. Why does WordPress give me so many interesting options for my blog template? How can I ever be happy just sticking with the same template, ha! I welcome your feedback on the latest look to the tierneycreates blog: “Chalkboard” template.

Happy Monday to you all! A couple photos and updates to share with you as follow ups to various previous posts:

Creative Inspiration: The Scents of Spring

The flowering crabapple tree is in full bloom in front of my house and unbelievably, deliciously, inspirationally fragrant. When I step out from front door I am immediately enveloped with this incredible scent of Spring and the sounds of busy bees buzzing around the crabapple tree blooms!

Update: Ohio

I appreciate all the feedback on this post. I did decide to orientate the piece vertically.

It is now with Betty Anne Guadalupe to work her quilt magic.

Twigs Gallery Show Photos

I recently learned that my piece, made from discards from another quilter’s project, We Will Not Be Discarded, has sold in the Twigs Gallery Collaboration show!

Very exciting – this is my first time selling my quilting art at a gallery show!

If you would like to read more about the story behind this piece, please see the post What’s on the Design Wall: “We Will Not Be Discarded!”.

You Got to Start Somewhere

I walked Pilot Butte again today, this time it took me 46 minutes to go up to the summit and back down, 4 minutes off my time last Monday (when I returned hiking our “mini mountain” in town for the first time after an 8 month hiatus after my foot injury).

The 360 degree views of Bend, Oregon and Central, Oregon continue to be breathtaking on another impossibly blue sky day here (we have a lot of impossibly blue sky beautiful days).

In the post You Got to Start Somewhere I shared that I listened to the audiobook Become Who You Were Born to Be by Brian Souza while hiking Pilot Butte. Today I continued my listen of this inspirational audiobook while hiking the Butte.

I wanted to share a wonderful quote by Ralph Waldo Emerson from this book which brought a smile to my face and a small tear to my eye from its beauty and truth.

What is Success?

“To laugh often and much;

To win the respect of intelligent people and the affection of children;

To earn the appreciation of honest critics and endure the betrayal of false friends;

To appreciate beauty, to find the best in others;

To leave the world a bit better, whether by a healthy child, a garden patch, or a redeemed social condition;

To know even one life has breathed easier because you have lived.

This is to have succeeded.”

– Ralph Waldo Emerson

Enjoy the rest of your week!

I am sure before the end of the week I will have more thoughts to share with you from all the thoughts that constantly swirl around in my head. Perhaps they will even have to do with quilting! (Smile).

Studio

Update: Ohio

April 14, 2016September 16, 2018 tierneycreates: a fusion of textiles and smiles

This is a quick follow up to my post from earlier this week: In Progress: Ohio.

My new recycled silk garment scrap piece is done and ready to go to Betty Anne Guadalupe to work her art quilting magic. It measures approximately 24″ x 14″.

I have not decide if I want the piece to orientate this way:

Or this way:

I welcome any thoughts and comments you have on the orientation – thanks!

Studio

In Progress: Ohio

April 11, 2016April 11, 2016 tierneycreates: a fusion of textiles and smiles

Check out Sassy the Highly Opinionated Miniature Schnauzer’s page Schnauzer Snips for her latest musings (and a new homemade dog biscuit recipe!)

This is an update to my 04/07/16 post, What’s on the…Table. I am making progress with my piece “Ohio” and still using the table to design it rather than the design wall (the mini recycled silk log cabin blocks were not sticking well on the design wall).

I have sewn all the 2.5″ x 2.5″ recycled silk blocks together. I decided to “float” them in a piece of taupe/tweed looking recycled silk (it has a beautiful texture, it is a tweed like woven silk).

I am still deciding what I want to do with the little 2″ x 2″ blocks I made; and how I want to float the blocks in the lovely tweed-like recycled silk.

It will be a small piece overall, it was meant to be a companion piece to Betty Anne Guadalupe’s piece, Ohio Star, part of our The Wardrobe Meets the Wall Collection.

I cannot wait to complete the piece and give it to Betty Anne to work her quilting magic/artistry!

I have some scraps left over, and we’ll see if Betty Anne is up to the challenge to try and make a third small piece from the tiny scraps! (My piece in progress, Ohio, is made from her scraps from Ohio Star, which was made from my original piecing disaster Ohio Star!)