Creative Inspiration

Creative Inspiration: STRONG and BOLD Color

This post continues my discussion and exploration of my sources of Creative Inspiration. In my previous post on creative inspiration I discussed Temperature. Now I am ready to explore color as a source of creative inspiration – but not just any type of color – I am inspired by strong and bold color!

I am attracted to soft muted colors and I daydream of making a quiet modern quilt in pale blues, light creams, soft yellows and maybe a touch of light pink. However I am not inspired by these colors and I rarely used them in such a muted combination. I am inspired by the POW, the BAM, the WOW of strong and bold color!

Below is a quilt I made a couple years ago that I will call Asian Fabric Slideshow. It has no actual name but the name of the pattern is Slideshow and it is a fast and simple pattern. However, the quilt does not look like a quiet simple quilt – it is made with a very bold color combination: vibrant deep orange and bold electric green. On one hand I don’t know what the heck I was thinking when I chose this combination of colors but it looks spectacular on the wall. I get a lot of compliments on this quilt which is featured in my living room.

Asian Fabric Slideshow - pieced by T. Hogan, long arm quilting by BA Guadalupe
Asian Fabric Slideshow – pieced by T. Hogan, long arm quilting by BA Guadalupe

I remember being in a quilt shop and seeing the two main fabrics in this quilt displayed the same collection on the shelves and thinking: “wow, not sure what I am going to make yet with those fabrics but I have to make something with them!”

Quilt Retreats

Getting Ready to “Retreat”

In my post Retreating is not necessarily “retreating” I discuss the pleasure of attending a quilting/crafting retreat with other crafters – whether they are old friends or new friends.

Well later this week I head to a 4-day  quilting retreat with my quilting friends from California, Oregon, and Washington. I am very excited to see old friends and to be able to just relax and work on projects. Or just goof off visiting with my friends and pretend to work on projects!

Now it is decision time: what projects do I select to take to the retreat (whether I am planning to work on them or only pretend to work on them)?

I usually bring TOO MANY PROJECTS to quilting retreats! In my mind I am going to be so productive and get a backlog of projects done. In reality I might get 1/2 to 1 project done.

Projects to bring to quilting retreat?
Projects to bring to quilting retreat?

I think I am going to bring two projects pictured above – both are UFOs (quilters slang for “unfinished objects”).

Next decision: do I cut the fabric according to the pattern ahead of time and do I start some preliminary piecing; or just wait until I get to the retreat?

I have a couple days to figure this out. I also have a couple of days to psych myself up on how much stuff I will get done at the retreat.

Yes I am being delusional and it is time to be honest: I will bring these two projects with me to the retreat under the guise of planning to be productive. I might even unpack them at the retreat and lay out the fabric and the pattern and mention my strategy to get my piecing done. Then I will set out to wander around and see what others are working on*, catch up on my quilting friends lives, and lounge around and read some crafting magazines. That is the proper way to attend a quilting retreat.

 *Refer to the post Creative Inspiration: What Others Are Working On! – I am easily distracted by the cool projects other quilters are working on…

Creative Inspiration

Creative Inspiration: Temperature

I wanted to return to my series of posts exploring my Sources of Creative Inspiration. In the previous post in the series, I explored Creative Inspiration: Quilting Mentors. This time I want to explore “Temperature” as a source of creative inspiration. Temperature? Like the outside weather temperature or the temperature of the room you are crafting/quilting in? Or like if you are “running a temperature” because you have a fever? No. When I refer to temperature, I mean the temperature that the color combination in a piece evokes in you. Does it make you think of a chilly winter day or a hot summer day? Does a grouping of colors give you the sense of cool and relaxing or warm and vibrant? Example: if you think of a palette of light blues and light creams you might naturally think of “cool”. While deep reds and oranges together in a grouping might make you think “warm” or “hot”. Last year temperature inspired a piece I created called It’s Getting Quite Warm In Here. As you see below the piece has a lot of red, orange and yellow in it, as well as sharp edge/points representing small flames. I was planning for it to be part of a series I planned to call: So How is the Temperature? where each piece would give you a feel of a range on a temperature scale: freezing, cold, cool, warm, hot and burning.  Now that I revisit this piece with this post, it might just continue on with the series (so many ideas swirling around in my head).

Studio, What's on the Design Wall

What’s on the Design Wall: Flannel Shirt Log Jamming

Check out Sassy’s related post on her blog Schnauzer Snips about her time napping in flannel shirt material  Okay, I promise – no more posts about log jamming for a while after this post…maybe. The log jamming continues and now I have a new recruit: If you read the post This is the Story of a Quilting Husband, you read that my husband Terry recently learned to quilt. This past weekend I taught him to log jam (see posts What’s on the Design Wall: “Log Jamming” and “Log Jamming”: The Sequel). On the Design Wall are his first batch of log jamming blocks, made from Flannel Shirt Flannels!*

First set of shirt flannel log jam blocks by Terry, the Quilting Husband
First set of shirt flannel log jam blocks by Terry, the Quilting Husband

*The shirt flannels were rediscovered during part two of my purge of fabric (see post The Fabric Purge!). This time I worked through my flannels and weeded out those no I no longer needed and rediscovered my tucked away collection of shirt flannels. 

Fabric Scraps Obsession, Studio

“Log Jamming”: The Sequel

This is a followup to my post What’s on the Design Wall: “Log Jamming” :

Last Tuesday evening I took the Log Jam Class at the Stitchin’ Post quilt shop, this time with the actual instructor, Jackie. Jackie is the Queen of the Log Jam (and a wonderful and fun instructor) and I picked up a couple tips I missed when my friends and I made our own class up earlier this year (when our instructor had to cancel so my friends taught me how to “log jam” as discussed in the post What’s on the Design Wall: “Log Jamming” ).

Taking the class again (well taking it for real with the official instructor), got me even more addicted to log jamming. I also learned that the log jamming technique is based on an old African sewing process. I thought it was something the quilt shop had developed, I did not realize it had so much history. Log jamming is such a great way to work through your fabric scrap collection!

So far I have completed 56 – 6 1/2 inch log jam blocks and I have another 30 some in progress. Not sure when I am going to stop working on the blocks and make them into something. Maybe I will just create a huge pile of log jam blocks enough for a couple King-size quilts. But, alas, that will still not put a dent in my fabric scrap collection

Below is a photo of the basket of coordinating scraps I use while log jamming and my current stack of blocks. My plan is to keep  log jamming with this palette until I exhaust this palette of scraps (or I become exhausted from using the same palette!)

IMG_0378
Basket of scraps for log jamming and stack of completed blocks
Books, Music, Podcasts, My Minimalism Journey, Studio

The Fabric Purge!

Before I talk about my FABRIC PURGE, I wanted to give a little follow up on my Addicted to Audiobooks post:

I had mentioned in the post that one of the disadvantages of free audiobooks from your local library is a short loan period (14 days for example). Recently I discovered that my library allows up to a 21 day audiobook loan period but you have to set up your account that way! I guess when I first set up my digital book account with my library originally I accidentally selected the 14 day hold as my default. I wish I knew this earlier as recently I was in the middle of enjoying Beyond Willpower by Alexander Loyd and my loan expired! The audiobook has other library patron holds on it so I have to wait patiently until my turn comes around again. Ultimately it is my fault for alternating between three audiobooks at once time – 21 day loans will make it even easier (maybe I can alternate between four or five audiobooks…just kidding!)

FABRIC PURGE!

Sometimes you have to let go of clutter to make space for your creativity. I had collected an unwieldy amount of fabric in my 15+ years of being a quilter. My fabric collection (aka “Stash”) includes purchased new fabric, purchased (from thrift shops and garage sales) used fabric, recycled fabrics (old jeans, manufacturing remnants), and fabric given to my by quilting friends.  When I say “fabric” I mean anything from a 1/4 yard to several yards of fabric, not scraps. We won’t talk about my scrap collection at this point…

I had organized all my quilting cotton, non flannel fabrics either by color, by type (Batiks) or by collection in an old IKEA bookcase cabinet. This cabinet was REALLY STUFFED. It was so stuffed that I could not find smaller pieces that have somehow “melted” into the larger pieces. It was time to reevaluate what I really loved and needed in my collection and to let go of that which I do not really love or really need. I had taken Monday and Tuesday off from work for a little “staycation” so I had no excuse not to begin the PURGE!

The purge was kind of painful and tedious. I do not want to discourage anyone from evaluating their clutter and purging, I just want to be honest. I removed all the fabric from the bookcase cabinet and it transformed into a scary mess on the floor. In the spirit of honesty and full disclosure – I did at one point sit on the floor crying and exclaim: “Why do I have this much fabric? I do not need all this!” I had to keep self-coaching to get through the project, reminding myself how wonderful it will be to quickly find the fabric I am looking for and to get rid of what I will never use.

It took two days of sorting through fabric and refolding fabric to complete the project (by the way, I did take many breaks of course and did other things on my “staycation”). I found on Pinterest this wonderful link to instructions on how to uniformly fold your fabric using a ruler so that your fabric will stack easily together: How to Tuesday: Ruler Folding  (from a lovely blog – Create Kids Couture). I organized most of the fabric by color (this time I integrated the Batiks) and some by special collection (one shelf). I purged a giant bag of fabric to give my local quilting friends (oh no I am just adding to their stash so they have to purge someday!)

The fabric purge was worth it, despite some brief emotional distress. I feel like I have made room for my creativity by eliminating clutter!

BEFORE THE PURGE

IMG_0324.2015-04-26_195115

AFTER THE PURGE

IMG_0328.2015-04-27_194415

Studio

A “Charming Quilt”

In my posts What’s on the Design Wall: Rediscovering My “Charms” and What’s on the Design Wall: Pre-cuts Wrangling, I discuss trying to use up my out of control collection of pre-cuts such as charm squares (5 inch pre-cut coordinated squares).

Update: I continue to work through my pre-cuts collection, actually MAKING QUILTS out of them instead of using them to just decorate my studio!

Below is a quilt, “Charming You”, that I created from two packages of charm squares (40-42 squares per package) Moda fabrics.  This quilt measures 45″ x 61″ and has a cozy flannel backing. I just got it back from the long-arm quilter and it is ready to put on the Etsy shop!

Studio, What's on the Design Wall

What’s on the Wall

No there is not a word missing in the title -.this post is about what is on an actual wall (house wall) not the design wall in my studio (as I normally post on).

New Wall Art: Miniature Kimono Shadowbox

I have been making miniature kimonos for years – they involve an origami-like folding of fabric to create a kimono shape and measure about 6″ x 7″. Miniature kimonos make great little gifts and I have given them as gifts to friends and family for years. I have also framed a single kimono alone in a shadowbox or in coordinated set of 2-4 kimonos, as gifts.

They were the first items I made for my tierneycreates Etsy shop. Then one day, I abruptly burned out on making them. It has been many months since I thought about making a miniature kimono.

Until the other day: On a whim, I decided to make myself a shadowbox set of kimonos. I chose red, black, cream and gold Asian fabrics to coordinate with a fun schnauzer print I have on the wall where I wanted to hang the kimono wall art.

I made myself a set of 5 miniature kimonos
I made myself a set of 5 miniature kimonos
Another view
Another view
Auditioning buttons
Auditioning buttons
Finalized buttoms
Finalized buttoms
Preparing the inside of the shadow box
Preparing the inside of the shadow box
Mounting on the shadowbox background with small pins at top and bottom of each kimono
Mounting on the shadowbox background with small pins at top and bottom of each kimono
On the wall in the entry
On the wall in the entry
Above the whimsical schnauzer print
Above the whimsical schnauzer print

I love making gifts for family and friends as well as items for the Etsy shop, but sometimes you need to just make something for yourself!

Studio, What's on the Design Wall

What Was On the Design Wall: Rescued Blocks

Usually I post about what’s on the design wall – what I am currently working on. I was looking through some digital photos and came across photos from when I was working on the 1930’s Block Quilt, made from rescued blocks. So this is sort of a “design wall retrospective” post!

I am fascinated with recycling fabric, especially fabric intended for other purposes (clothing, blankets, upholstery, etc.). I also enjoy finding abandoned blocks and rescuing them!

What are “abandoned blocks”? They are quilt blocks leftover from making a quilt (when too many blocks were made than needed), or when a quilt was started but not finished and the quilter just gave up on the blocks. You can rescue sets of abandoned blocks from thrift stores, friends, and even inside your own stash! Betty Anne had a friend who found a set of block from the 1930s in her attic and did not want them. Betty Anne rescued them and then let me adopt them!

Originally these rescued blocks did not fit together and were in a strange pattern (so strange that no matter what I did I could not make them fit together). So I redesigned the blocks, cutting off the left and right corners (which I recycled into the quilt’s border). After trimming down the blocks they fit well together into a small lap size quilt (41″ x 44 1/2″).

The abandon blocks are now rescued and part of a quilt (I bet they are a lot happier than they would be just sitting around an attic all alone!)

Studio, What's on the Design Wall

What’s On the Design Wall: Fabric Surface Design Experimentation

Check out Sassy’s page Schnauzer Snips for her latest adventures!

Last Thursday I took the day off from work and participated in a Fabric Surface Design Workshop (actually more like a play day!) through my local SAQA (Studio Art Quilt Associates) chapter.  There were four workstations set up for the participants to watch demos on the following surface design techniques:

  • Fabric printing (using fabric ink and stamps)
  • Fabric painting (using special fabric paints to achieve a structured or an abstract watercolored-like designs)
  • Using decolorant to achieve unique surface designs (by removing color from different areas of a fabric in specific patterns)
  • Mono printing (one time printing using unique found items and special textile techniques)

All the techniques demonstrated were wonderful but I was most drawn to the fabric printing using fabric ink and stamps. The demo involved using manufactured stamps or designing and carving your own. After the demos were complete we had time to play with the new techniques. I ended up carving my own custom stamp with a with a special carving block and a linoleum cutter/carving tool. On SAQA member had a beautiful hand carved tree stamp I fell in love with so I tried to model my hand carved stamped after it.

Below are some photos from my play day! I have an idea already on the piece I am going to design around these printed squares…eventually…

Studio, What's on the Design Wall

What’s on the Design Wall: Pre-cuts Wrangling

Pre-cuts Wrangling!?!?! What does she mean? Has she been sniffing her fabric glue sticks (normally used for appliqué, not as recreational substances)?

“Pre-cuts” = Those addicting beautifully coordinated collections of pre-cut fabrics in common sizes such as 2 1/1 inch strips, 2 1/2 inch squares, 5 inch squares (aka “charm squares”), 10 inch squares, fat quarter (18 x 22 inch sections of fabric) bundles, and various other tempting configuations.

Wrangling = “To tend or round up” (Dictionary.com)

I have a lot of precuts, more than I need. Likely more than any human needs. I appear to use them to decorate my crafting studio.

Decided to do something crazy – actually USE them instead of just decorate with them!

In my post What’s on the Design Wall: Rediscovering my Charms I discuss delving into my charm pack (5 inch squares) collections and using them to make quilts and wallhangings. Taking a break from charm packs, I have moved to a smaller size of pre-cut – the 2 1/1 inch square pack. I wrangled up my collection of 2 1/2 square pre-cut packs and selected several colorful Rowan/Westminster Fabric packs to create a series of “16 patch” blocks to turn into a quilt. I pieced the 16 patch blocks into a scrappy “postage stamp” style quilt.

I provide some very general simple directions for wrangling your 2 1/2 inch pre-cut packs into a scrappy quilt below the photos.

 2 1/2 Pre-Cut Quick Quilt (Wrangle & Design As You Go)

  1. Wrangle a couple packs of 2 1/2 squares (approximately 42 squares in each pre-cut pack) – I think I used 2 or 3 to start
  2. Chain piece non matching pairs of the squares – you will end up with a series of 2 patches
  3. Chain piece the pairs (2 patches) to another set of pairs (2 patches) – you will end up with a series of 4 patches
  4. Chain piece the 4 patches to another 4 patch – you will end up with a series of 8 patches
  5. Chain piece the 8 patches to another 8 patch and finally you will have a series of 16 patch blocks
  6. You can be careful and match your seams, and press between each patch construction or throw caution to the wind and not press until you complete the 16 patch
  7. Sew the 16 patch blocks into rows and then the rows together in to a quilt top
  8. Wrangle and Design As You Go – you might discover you need another 2 1/2 pack to get the size of quilt you want or you might have to save some 8 patches and use them on the side or bottom of the quilt to even out the rows. I used my design wall to decide what block “mathematical configuration” to use. I started with 4 x 7 (4 blocks in a row, 7 rows) but that seemed too narrow. I finally decided on a 5 x 6 quilt (5 blocks in a row, 6 rows of 5 blocks) and will take the row of blocks off the bottom of the design wall, add a couple more and add 1 additional block to each row.

 

If you are a new quilter or a future quilter and are unfamiliar with how to “chain piece”, check out numerous free online instruction videos available on YouTube or other sources. 

Creative Inspiration

Creative Inspiration: What Others Are Working On!

Please check out Sassy’s Schnauzer Snips page for her latest adventures, and check out The Wardrobe Meets the Wall’s post In Progress (Vessel) for photos on my current art quilt project for our collaborative collection. 

Creative Inspiration: What Others Are Working On, continues the series exploring Creative Inspiration that began in the post Creative Inspiration: Family. Other posts in this series include Creative Inspiration: Nature and Creative Inspiration: Fabric.

Winter's Houses (2015). Based on Sandy Bonsib's "House Block", 1998. Pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe.
Winter’s Houses (2015). Based on Sandy Bonsib’s “House Block”, 1998. Pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe.

If you are a quilter, this may feel familiar: you are at a quilt retreat, or at a quilt class, or you go over to a quilting friend’s house and you see what someone else in working on – and you are suddenly inspired to make something like their piece! 

You have just received creative inspiration from someone else’s piece in progress.

This has happened to me several times. A couple months ago I went over to a friend’s house for a “Sew Day” to each work on our separate projects while hanging out together. I saw what she was working on – these adorable house blocks based on Sandy Bonsib’s 1998 “House Block” (which is easy and fun to assemble, free pattern available online).

I attempt to shy away from traditional quilt blocks but what grabbed my attention (and inspired me to make one too) was the very creative color palette my friend had selected: Orange, Gray and Black.

As you see from the photo – I was inspired to experiment with this color palette and create the same quilt myself. I named the piece Winter’s Houses and used a Moda fabric that reminded me of snow at night as the border. Sometimes someone else is working on exactly what you know you should be working on!

A Crafter's Life, Studio, tierneycreates

Look Look I am in a Book (Part II)

In my posts Look Look I am in a Book  and Oh Wow! I shared my excitement of having several of my quilts selected to be in a book about quilting inspiration called 1000 Quilt Inspirations: Colorful and Creative Designs for Traditional, Modern, and Art Quilts by Sandra Sider. Well the other day my copy of the book arrived in the mail and I was…overwhelmed. Quilt images from 300 artists from 20 countries were selected for this book – and I am one of them!

I am a wanna-be art quilter and I dream someday of “quitting my day job” or at least moving to a part-time version of my health care industry day job and focusing most my energies on tierneycreates and creating. Being in this book feels like a step towards that dream. One of important things I did to advance on this path is to join SAQA (Studio Art Quilt Associates). Through SAQA I found about the call for entries for this book as well as call for entries for other shows I have entered (and been accepted to). I was also very inspired by an article in the SAQA Journal by Carol Ann Waugh on “Becoming a Professional Artist”. I wrote Ms. Waugh to thank her for this incredible article which outlines the steps to become a professional art quilter!

After the initial “intense floating” around the house (and around town on my errands) over seeing sections from five of my quilts in this book in person, I settled back to earth and thought about: “why am I really excited to be in this book?”

I am fortunate to know and interact with several real professional art quilters who have authored their own art quilting and/or traditional quilting books, been in endless shows as well as featured in many books. I greatly admire them and their art, however I realized that is not my goal and not why I was primarily excited about being in this book.

What is most exciting about being in this book is that something that I created might inspire someone else to create. A quilter in Des Moines, Iowa who is looking for color or design inspiration might be leafing through the book and come across my pieces in the book and go – “Aha – that is it!”. What an honor to provide inspiration to someone you never met and will likely never met. I am fortunate to have been inspired by so many talented people I have never met. It is all about sharing our inspiration and hopefully inspiring someone else to take chances, risks and be bold & fearless in their quilt creations!

Below are photos of the quilts that are in the 1000 Quilt Inspirations book. Much thanks to Betty Anne Guadalupe of Guadalupe Designs for her wonderful professional long arm quilting on four of the five quilts that got accepted!

Creative Inspiration

Creative Inspiration: Fabric

A quilter walks into a quilt shop and see fabric. The quilter does not just see fabric, a quilter sees INSPIRATION! In the post “Creative Inspiration: Family” I introduced a series of posts exploring my resources for creative inspiration. This post discusses another important source of my creative inspiration: FABRIC.

Have you ever browsed in a quilt shop and been strongly drawn to a particular bolt of fabric or to an entire collection? You do not have a project in mind for this fabric but you know you just absolutely positively have to have the fabric (or a sample of each fabric from the entire collection) as it inspires you to make something with it (eventually)! However, every quilter knows this is the primary source for an out of control fabric stash, eh?

Fabric/Textiles are a major source of creative inspiration for me. When I find interesting and unique fabrics they inspire me to create something that honors their beauty. Last year I was fortunate enough to be given a small collection of African textiles from someone’s estate. I was overwhelmed with the richness and colors in these textiles. This inspired me to create a piece, called African Windows, to showcase these fabrics. I used a basic “attic windows” pattern concept where shadows are created by piecing a darker solid fabric (in this case black fabric) strategically to create the illusion of a window.

Below are photos of my quilt African Windows (2014) which was long arm quilted by Betty Anne Guadalupe of Guadalupe Designs.

African Windows (2014). Pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe.
African Windows (2014). Pieced by Tierney Davis Hogan, quilted by Betty Anne Guadalupe.
Fabric Scraps Obsession, Studio, What's on the Design Wall

What’s on the Design Wall: “Log Jamming”

A couple of weeks ago I was scheduled to take a quilting class called “Log Jam“. Log Jam is an innovative way to rapidly create scrappy log cabin quilt blocks. If you are a new quilter or not a quilter, a “log cabin” block is a quilting block made by starting with a small center square and building consistent standardly sized strips of fabric around the center square. The log jam concept throws the requirement of consistency sized strips out the window. “Log jamming” makes the log cabin style quilt block construction process laid back, casual, scrappy and fun! When making a log jam quilt you can use a specific palette of scraps, solid colors, or random scraps to make the piece very scrappy.

Unfortunately only three people registered for the class (myself and two of my friends) and it this did not meet the threshold to hold the class. The quilt shop was so wonderful and let us use their classroom anyway and hold our own class (two of my friends had taken the class before). So we spent 6 hours having a blast “log jamming“. The “log jam” method involves the kind of quilt block making you can do while chatting and giggling with friends – it is fun and less structured. We ended up being very silly and singing songs while we were working on our log jams. I even modified Bob Marley’s song “Jamming” to “Log Jamming”!

Now the 27 blocks I made log jamming are sitting on my design wall. I am trying to decide what I want to do with these blocks: maybe a table runner for my series of my Modern Quilt Table Runners on my Etsy shop or maybe one quilt with the blocks set into a solid background or floated. Every quilter should find space for a design wall – it helps to lay your pieces out to see where you want to take them!

If you live in the Central Oregon area, the Stitchin’ Post has a wonderful Log Jam class that my friends and I highly recommend you take!

Creative Inspiration

Creative Inspiration: Nature

In the post “Creative Inspiration: Family” I introduced a series of posts exploring my resources for creative inspiration. This post discusses another important source of creative inspiration for me: Nature.

There is so much beauty around us. Whether you live in beautiful Central Oregon like I do or whether you live in a busy urban environment. You just have to stop for a moment and look around. A solitary tree on a city block can be a wonderful source of nature based inspiration for your creativity as well as a panoramic vista in a national park.

Jean Wells in her inspirational books Intuitive Color & Design: Adventures in Art Quilting (C&T Publishing, 2009)  and Journey to Inspired Art Quilting: More Intuitive Color & Design (C&T Publishing, 2012), explores in depth how nature and the environment around you can be a significant resource for creative inspiration. I will talk more about Jean Wells and her influence on my creative inspiration in a future blog post on “Creative Inspiration: Mentors”. Check out Jean Well’s publications for inspirational ideas on your fiber art or just walk around and really see the beauty and inspiration around you!

To demonstrate Nature’s Inspiration, below are photos from a wonderful trip with a friend to Red Rock Canyon State Park a couple years ago. I used the colors in the photos from this trip to inspire a batik art quilt I made.

 “Nature does not hurry, yet everything is accomplished.”

~Lao Tzu

Creative Inspiration

Creative Inspiration: Family

A friend commented to me: “I thought your blog was just about quilting…”

If you have been following my blog you have figured out it is more than a discussion of quilting techniques and ideas. I enjoy writing about the creative process which includes the audiobooks I listen to while creating, food I enjoy when taking a break from creating (so I can be adequately nourished to continue creating), organizing the space in which I create and some general life topics that some how tie into creating. Of course I do throw in a couple quilting specific posts here and there!

This post begins a series on a topic I want to explore: Creative Inspiration. I will share some of my major sources of creative inspiration and if you are a creative person I would love hear about your sources of inspiration in the Comments.

My number one source of Inspiration is my immediate family which include my sister, brother, and parents (both deceased) as well as my husband. This post relates to inspiration from my biologic family and I will discuss inspiration from my wonderful husband in another post.

SISTER

My younger sister is an amazing woman and mother. She is a very creative person. She has been a major source of inspiration as it was her reaction to the second quilt I ever made (which I sent to her as a surprise) that inspired me to embrace quilting as a hobby. I have made her and her family numerous quilts over the years and they keep them until they are complete worn and threadbare and treat each one like a precious possession. How could one not be inspired to keep quilting? She was also the one who encouraged me to “get off my butt” and pursue my dream of starting tierneycreates. She worked with me on specific tasks, goals and timelines. She helped move tierneycreates from a daydream to a reality. She continues to cheerlead and be a pivotal source of inspiration.

BROTHER

My younger brother is an amazing man and father. While he was in undergraduate study he knew he wanted to be in business for himself and by the time he was in graduate school he had successfully started his entrepreneurial career. As a young man he told me “I just do not want to work for someone else, I do not want to spend my life as an employee”. He has such vision and drive that he has propelled himself toward the life that he wanted, despite and roadblocks or struggles. His entrepreneurial creativity example also inspired me to start tierneycreates. I do not see me leaving my “day job” in health care anytime soon but it is exciting to experience some of what he experiences as an entrepreneur.

MOTHER

My mother was a very creative woman and used to teach drama. She loved color and enjoyed interior decorating. I remember as a child we had many themed rooms in our house all uniquely decorated. She passed when I was in my 20s from breast cancer. I think I inherited her flair for color and design.

FATHER

My father (who passed in 2008) is my greatest source of inspiration. He was an educator, social worker, civil rights activist and community leader. Growing up in the 1970s where not a lot of African American history was taught in schools, my father thought it was important that I learn specifically about great African American innovators, inventors, activists and leaders. From a young age this inspired me to take risks despite adversity. My father grew up in the segregated South during the 1930s -1940s and he was involved in the Civil Rights Movement of the late 1950s and 1960s (he even met Martin Luther King, Jr. and other great Civil Rights leaders). Despite his experiences with great adversity and segregation he taught us to always treat everyone equally and never to think anyone is less than you because they are different from you. People are just people. He inspired my openness to new experiences, new people and new ideas, which I think is important in the creative process and defined the core of who I am as a person.

My father shared many inspiring stories with us from growing up in the South during a difficult time for minorities, here is one of them:

In the late 1940s I got on a bus and sat near a man who called me a (racial slur) and loudly said “I don’t like you, (racial slur)”. I calmly responded “but if you got to know me, you would like me.” This relaxed the tension and opened friendly dialogue. At the end of the bus ride we shook hands and pleasantly parted ways. – Raoul Davis, Sr.

Strawberry Fields - Central Park’s Memorial to John Lennon, taken 2008 during my trip to NYC.
Strawberry Fields – Central Park’s Memorial to John Lennon, taken 2008 during a family trip to NYC.

What are your sources of inspiration? 

Quality of Life, Quilt Retreats

Retreating is not necessarily “retreating”

I am honored to be invited to teach a hand piecing/quilting/spiritual art class at the Women’s Relaxation Reiki Retreat in Finland, August 19-22, 2016 and I am working on developing Northern Lights (aka the aurora borealis) themed project options for the class since the Northern Lights will be in view during the retreat.

This will be a working retreat for me where I get to attend some classes and teach a couple of classes. I started thinking about the whole idea of going on a retreat/retreating and Quilting Retreats I have attended in the past (and those planned with my quilting friends in the near future) and this post shares my thoughts.

If you look up the word retreat in a dictionary you made find definitions like these below:

  • movement by soldiers away from an enemy because the enemy is winning or has won a battle
  • movement away from a place or situation especially because it is dangerous, unpleasant, etc.
  • the act of changing your opinion or position on something because it is unpopular

(Source – http://www.merriam-webster.com)

None of these definitions have anything to do with the type of retreats I enjoy! To retreat is commonly thought of as backing away and/or pulling into yourself. There are retreats such as spiritual based and meditation retreats where the purpose is to back away from your daily life and worries and to pull into yourself to gain perspective or spiritual enlightenment.  I admire people who attend these type of purely inward focused retreats. However the type of retreats enjoy involve connecting with people.

I am so fortunate to have a wonderful group of quilting friends from various parts of the country. I met these women through quilting retreats and because we deeply connected, we continue to retreat together year after year. We even plan our own special group retreat where only our private group attends. Yes, I will admit it – sometimes I bring a couple projects to these retreats and do not get much quilt piecing done. However what are you going to most remember about a quilt retreat: 1) that you completed 5 projects; or 2) that you hung out with some amazing women and had many laughs?

It is magical to connect with a stranger at a retreat on other common ground beyond being a quilter. I am originally from New York and I have bonded with another quilter because she is also “a Yankee”.

If you are a quilter/crafter, I bet you could not imagine attending a quilting/crafting retreat in which you just “back away/pull into yourself”. I have met a couple people at quilting retreats who just wanted to focus on their projects and were not very social – however I am not sure they had as great a time as those that did not get as much done but had a blast connecting with other retreat attendees.

Besides connecting with fun people, the other wonderful parts of quilt retreating are a scenic peaceful location (I do love a retreat where you can go for a solitary walk in a pastoral location and take break from the group setting), impromptu outings to local quilt shops (with old or new quilt friends), and yummy food to enjoy (that I did not have to cook!)

“Happiness [is] only real when shared” – Jon Krakauer, Into the Wild

Studio

A Novel Panel Idea

Our library has a community wide book club book once a year called A Novel Idea. In the fall, our library unveils the selected novel and everyone in the community is encouraged to read the book. In spring the book’s author is invite to town to speak for the ultimate book club meeting. As part of the Novel Idea celebration in the spring the library has an art show to feature art inspired by the community read novel.

I read the book, A Tale for the Time Being by Ruth Ozeki as soon as it was announced as the selected book and loved it. I was determined to enter the art show and create a piece of fiber art inspired by this wonderful novel.

But where to start…

I have a collection of pre-printed fabric panels that I have collected over the years. Some panels in the collection, that I bought long ago, I look at and go “what was I thinking?” Others I look at and think: “what am I going to do with that?” Some quilters look down on using panels and think they are cheating because you are not piecing the entire piece.

Remembered in my collection of panels I had a lovely kimono panel printed with images of the sea and sky – that seemed like the right place to start as part of the novel took place in Japan. I mirrored the palette of the panel to create a flowing extension of the panel’s scene.

Here are photos” from my design wall to completed piece just hung in the downtown branch of our library for the upcoming show

On the back of the finished piece I put a label about my inspiration:

Jiko’s Secret Robe (2015)

Quilt inspired by Ruth Ozeki’s novel A Tale for the Time Being: Nao’s great grandmother, Jiko, is a humble and wise 100+ year-old Buddhist nun who wears simple robes and lives a simple life. This quilt represents Jiko’s secret robe – a robe not visible to the eye but visible to the soul – representing the complexity and depths of Jiko’s spirit, experience, wisdom and compassion for all beings and the earth.

“For the time being, the entire earth and the boundless sky.”– Ruth Ozeki

Studio, What's on the Design Wall

What’s on the Design Wall: Rediscovering My “Charms”

If you would like to see what is on my design wall in regards to new pieces for The Wardrobe Meets the Wall Collection, check out the post In Progress on The Wardrobe Meets the Wall blog.  To stay up to date on Sassy the highly opinionated miniature schnauzer’s check out her page Schnauzer Snips

CHARM PACKS

If you are quilter you know exactly what I am talking about – those addicting little charm packs. If you are not a quilter – charm packs are collections of precut 5 x 5 in. squares in coordinating fabrics. They are a great way to sample a new fabric collection – they usually come in packs of 40 squares and have at least one of each fabric in a collection. They can also come in solid fabric collections.

I fortunately or unfortunately have acquired quite a stash of charm packs over the years.

You go into a quilt shop and see a new fabric collection and daydream of a yard of each of the new 20 fabrics. Then you remember you need to eat and keep a roof over your head so you don’t give into the temptation of such a glorious shopping spree. Walking away from the collection you were coveting, you spy over in the corner the charm packs sets for the new fabric collection! You now think – “Yes! I can have a taste of the new collection (and still be able to pay my mortgage)!”

You bring them home, with no particular plans in mind for them and put them with the rest of your impulse buy charm packs…

Examples of 5 inch charm packs
Examples of 5 inch charm packs

A year ago I decided to stop hoarding charm packs and to actually use them. There are many wonderful books with charm pack specific patterns – patterns designed to start with 5 in. squares and go from there.  I made a couple quilts from these pattern books, but quickly burned out of this structured traditional quilt making. So I put the rest of the charm packs back in their display (gather dust) area and forgot them.

I was reorganizing my fabric a week ago and came across my stash of charm packs again and thought: Why do I have to use a pattern? Why can’t I just do something initiative and “modern quilting” style? So I took two charm packs of collections of various solid color batik fabrics and randomly sliced each 5 x 5 in. square into three sections. Then I reassembled this huge pile of charm pack sections into random columns. I experimented and sliced up one of the columns to make thinner columns and alternated the columns.

I am still experimenting and plan to create table runners out of these columns. Below are photos of “playtime” on my my design wall.

I think they are on their way to becoming quite CHARMING. I am glad I rediscovered my CHARMS!

My Minimalism Journey, Quality of Life

Living with Less?!?!?!

A favorite pastime is to browse the library shelves for crafting and home design/decorating books. During a browse the other day I found a book Living with Less: how to downsize to 100 personal possession by Mary Lambert (2013).

I am really into the “Tiny House” movement and I am known to blow a weekend afternoon looking at “Tiny House Porn” on YouTube. I love the idea of scaling back and scaling down your life and “living with less” in exchange for quality of life. Ms. Lambert’s book provides an excellent process on scaling back your life to 100 personal possessions.  In exchange for this downsizing you can gain an “ordered life” and  “liberate your mind, body, an spirit”. After reading 1/2 of the book and skimming the other half – I was sold on this wonderful concept.

Until a casual conversation with my husband…

My husband Terry has been very tolerant of my obsession with tiny houses and scaling back our lives. We already live in a 1300 square foot house (having scaled back 9 years ago from a 2800 sq. ft house) and we have a fairly simple and thrifty lifestyle. Still I fantasize about being able to “quit my day job” in health care and dedicate myself full-time to tierneycreates.

Terry, the Realist, quietly nods his head while I give him an enthusiast summary of the book Living with Less and idea of each of us pairing down to 100 possessions. Terry gets up from his chair and begins to start counting out loud the quilts hanging on the wall, hanging on the quit rack, on beds and chairs, and then in a cabinet. He states: “do these all count as one item or 25?” Then he begins to count the craft books I have on the shelf, and I tell him to stop (as I do have an issue with craft books).

He sighs and states: “So will you just be keeping a pair of underwear, a pair of socks, a pair of shoes, and 1 outfit in your scaling down?  And, do all those fat quarters of fabric count as one piece of fabric?”

So, as much as I admire Ms. Lambert’s concept of scaling down I do not think it can happen anytime soon.

My pile of scraps for making scrap quilts: Do they each count as 1 item or can I group all the scraps together as one item?

 

Books, Music, Podcasts

Life is Nonfiction: Part V

We arrive at the conclusion of a series of posts which began with Life is Nonfiction, a listing  of my favorite nonfiction audiobooks and subsequent discussion of key insights I gained from listening to these books.

In my prior post in this series, Life is Nonfiction: Part IV, I opened with a brief discussion of  the fictional audiobooks I have listened to recently as part of my 2015 “a year of fiction”. I realized forgot to mention that I had recently finished the Ann Patchett’s book The Magician’s Assistant, a highly enjoyable listen about being in love with someone you cannot have, closure, and finding your own way. Currently I am listening to Ann Patchett’s The Story of a Happy Marriage, an excellent collection of her essays. After reading or listening to Bel Canto, State of Wonder, The Magician’s Assistant and now The Story of a Happy Marriage, I have decided to start with her earliest novel, The Patron Saint of Liars and read/listen to her entire catalogue of novels. I have become interested in exploring an author’s entire body of work. It is intriguing to find reoccurring themes in an author’s writing. So far several of Ann Patchett’s novels touch upon some version of unrequited love.

Now onto the key insights I gained from the remaining favorite nonfiction audiobooks:

Robinson, Ken (2013). Finding your element: how to discover your talents and passions and transform your lifeNew York, NY: Viking.

KEY INSIGHT: Be brave and identify where your passions lie. The pursue them!

Singer, Michael (2013). The untethered soul: the journey beyond yourself. Oakland, CA: New Harbinger Publications.

KEY INSIGHT: I think this book is a mandatory read for humans. I first read it and then I listened to the audiobook. The audiobook is humorous in a way, after reading this very profound book, as the narrator sounds like a slightly irritated New Yorker telling you to “get over yourself”. The key insight of the book is basically “get over yourself”! Don’t listen to your ego talking and bossing you around, find your real voice, the voice at your core. This book helps you dispel with the negative self-talk and “chatter” and get to the magic and the beauty of being a conscious living being. I must recommend that for your first exposure to this book – read the book and then if you want to revisit it listen to the “slightly irritated New Yorker” narration!

Taleb, Nassim (2012). Antifragile: things that gain from disorder. New York, NY: Random House.

KEY INSIGHT: Awareness of the fragility in systems, what makes them fragile, and how to protect yourself professionally and personally.

Tolle, Eckhart (2005). A new earth: awakening to your life’s purpose. New York, NY: Dutton/Penguin Group.

KEY INSIGHT: Like the book The untethered soul, this book focuses on the awareness of the ego and then letting go of the ego. Listening to this book helped me gain quite a sense of peace and release from things that I was obsessing and worrying about as ultimately many of them do not matter in the whole scheme of the universe.

Tolle, Eckhart (1999), The power of now: a guide to spiritual enlightenment. Novato, CA: New World Library.

KEY INSIGHT: Live in the moment. The past is not changeable and the future is not ultimately known. This book helped me let go of many worries and to appreciate what I am experiencing in the moment. This book is about being fully present in the Present.

Weber, Lauren (2009). In cheap we trust: the story of a misunderstood American virtueNew York, NY: Little, Brown.

KEY INSIGHT: This book was an enjoyable discussion on the history of frugality and that “being cheap” is not a bad thing!

White, Jennifer (2004). Work less, make more. Ashland, OR: Blackstone Audiobooks.

KEY INSIGHT: This book encouraged intense scrutiny of what was really important to me in life. I realized that my health care career was not at the top of the list. At the top of the list is family (including furry family members) and my tierneycreates creations!

Whew – not sure what I was thinking when I decided to take on discussion/key insights of so many nonfiction audiobooks. I hope you will find a book or two that inspire you after all these insights. I did notice repetition in “self-help” nonfiction audiobooks but repetition of important ideas/concepts can be a good thing. Happy Listening!

Studio

Rethinking a Closet

I am addicted to “Studio Porn” – photos of artists’ and crafters’ studios. At least once a week I settle in with a cup of tea, in a cozy chair, and leaf through publications such as Studios and Where Women Create or various books on craft/art studio organization. These publications are filled inspirations on how to organize, design, and decorate your studio.

My studio is small, but I feel lucky to have a place in my home that I can dedicate to my crafting. It was designed as a bedroom and I removed the traditional bifold closet doors to open the space to organize and store supplies. I thought: “who needs closet doors when you can have more open space?”

Then I saw the studio of Jean Wells in the Better Homes and Gardens book Studio Spaces: Projects, Inspiration & Ideas for Your Creative Place (2011) and I saw what a closet can be in a studio! Ms. Wells turned one side of a closet door into an inspiration board and the other into a design wall. Her closet doors became my dream closet doors! Thanks to a generous gift from my mother-in-law, my dream studio closet doors have become a reality!

Cindi and Rob of CR Construction did an excellent job designing my new closet doors based on the photos from the book. They put sheet metal on the left door and wrapped Warm & Natural cotton batting on the right door. They designed a unique floating track system that allowed the doors to float over each other without touching when opened. This allows pieces on the design wall side not to be disturbed (who wants to redo their design wall every time they open their closet?). Cindi and Rob added strong bright lighting inside the closet – previously I had no light and would aim a lamp in the studio towards the closet to illuminate it in the evening.

My home studio is very simple and a mishmash of furniture and shelves thrown together, but my closet feels really special and inspires my creativity!

Check out the Textiles Adventures page for other updates.

tierneycreates

2015 Goals

Over the past month I have been thinking about my 2015 goals related to tierneycreates. I have two main goals: 1) post more on my blog; and 2) get the tierneycreates Etsy shop up to 100+ items. I just have to work around my full-time health care job I have in order to meet these goals!

Recently, and probably too late for the Valentine’s Day holiday, I have been working on sets of little love note pillows to sell on my Etsy shop. They would be perfect for Valentine’s Day but they also work well as a little wedding gift, a little way to say I love you gift, and a nice little treat to show yourself some “self-love” and have around your house. Before I even got the them posted onto the Etsy shop I sold a couple to friends to give as Valentine’s gifts – they are so cute in person it is difficult to capture their cuteness in a photo (and that could be because my photography skills are lacking…).

I have also been working on a new piece for the collaborative collection, The Wardrobe Meets The Wall, tentatively called “Vessel”. If you’d like to see it in progress check out the photo on the In Progress post on The Wardrobe Meets The Wall blog.

Sassy has been trying to keep her her section of the tierneycreates blog updated so be sure to check out her posts at Schnauzer Snips!

tierneycreates

Oh Wow!

I had to title this post “Oh Wow!” as I am feeling oh wow right now. In my post Look Look I am in a Book! I share my excitement that several of my collaboration silk quilt pieces were selected to be in Sandra Sider’s 1000 Quilt Inspirations: Colorful and Creative Designs for Traditional, Modern, and Art Quilt.

Well…I just got a huge surprise:

I friend of mine told me today –  “Tierney I pre-ordered the book you are going to be in on Amazon”. So I went to Amazon (amazon.com) and located the book 1000 Quilt Inspirations: Colorful and Creative Designs for Traditional, Modern, and Art Quilts. I noticed that the book now has a “Look Inside” preview on Amazon. When I clicked on the “Look Inside” to see the book preview, I discovered, on page 12 of the book at the beginning of on Chapter 1 Traditional Designs 0001-0206, four (4) photos from my batik quilt Filmstrip. These images are #0001, 0002, 0003 and 0004 – I start out the 1000 of the 1000 quilt inspirations!

I did not even realize they had selected those photos, I thought only details from the two silk art quilts I did with Betty Anne Guadalupe (part of our The Wardrobe Meets the Wall Collection) were going to be in the book. I checked the back index (which the shows in the “Look Inside” preview) and I appear to have a total of 8 images from my quilts in the book.

The book does not come out till March 2015 so I have to be patient to see the rest but I am pretty excited to be in an Amazon “Look Inside” preview. I am so honored to have been selected to be in this book!

1000 Quilt Inspirations