My Minimalism Journey, Studio

Chaos in the Craft Room!

So a couple days ago John and I decided to switch back my studio to another room and our bedroom back to the primary bedroom.

In case you have no idea what I am talking about, see this post from June 2025 – Thrifting for the Studio.

My studio is located in the former Primary Bedroom of the house. A couple years ago my husband John and I decided we didn’t need that much room for our main bedroom and moved to a smaller bedroom. Originally it was a carpeted room but in summer 2024 John put in a floor.

I’ve always had a small space to sew and craft until I met John and then a couple years ago we turned our primary bedroom (which is fairly large) into my studio.

However In my small crafting spaces I created entire bodies of work such as those I exhibited in my solo show (see 2019 post Solo Show Seattle Municipal Tower, Part III) The Wardrobe Meets the Wall. (And no new body of work has occurred in my large studio!)

I made that entire The Wardrobe Meets the Wall collection of 12+ quilts in a tiny little back bedroom of my house in Oregon where I had to use part of my hallway as my design wall.

I know of course I traveled a lot in 2025 but this has been an ongoing problem – I don’t seem to be as “creatively inspired” in a large space. I just had a gut feeling that I needed a cozy little space of creativity again.

So we switched the rooms back and Chaos in the Craft Room ensued:

Moving the contents of my large studio and walk in closet into a much smaller space was quite the undertaking!

The good thing of this move is I spent a couple days preparing for it and purging what I didn’t really need. It seems that I thrifted stuff to fill the space – I expanded to fill the space…

It took a couple days after we switched rooms to settle into my new room, which is less than half the size of the space I had in the primary bedroom, and here is what it looks like now:

Yes my design wall had to be split into half as it wouldn’t work in the room in it’s full size.

Besides giving me a small cozy space to work in to stimulate my creativity, John and I also made this switch because we are considering selling the house someday and moving to a smaller Ranch-style house. We recently toured houses in a cool new development in another section of the Denver Metropolitan area and fell in love with a one story house with a basement that could be finished however we liked.

We aren’t ready to sell/move just yet, but we were going to have to switch the rooms back anyway someday in order to put our house on the market.

So what became of my huge stash of craft supplies (most of them thrifted)? Well I moved all the sewing related supplies that didn’t fit in the studio shelves into the closet in my new studio:

The non sewing supplies got moved to the closet in the upstairs guest room which had previous housed my clothes, which are now moved into the walk in closet off the primary bedroom.

And…

As far as the Primary Bedroom, John and I took a couple days and turned it into a relaxing bedroom sanctuary. I want it to be our private sanctuary so I am not sharing any photos. (I recently saw on YouTube a tour of a Hollywood actor’s home on the Architectural Digest channel and she wouldn’t show her bedroom because she said that was her private sanctuary. That inspired me!)

Well here’s to getting into my cozy new studio and creating!

Studio, What's on the Design Wall

“Toward 2050” Quilt Top Done

This post is a quick follow up to the “Toward 2050” – Volunteering to Make A Quilt Top .

After seeing the Toward 2050 exhibit and walking the labyrinth at the Desert Botanical Garden in Phoenix, Arizona in February, I knew I wanted to contribute to the project in someway and ended up volunteering to sew one of the “blankets” (what they were calling the quilts, ouch) to be made from 30 of the flags that people around the world created inspired by their feelings on Climate Change.

So I turned this pile of 30 – 9 1/2″ by 9 1/2″ flags:

Into this quilt top per the detailed instructions provided:

It was challenging as the flags were really more individual art pieces and likely not originally created to be incorporated together into one piece*.

I ran into issues of trying to sew through very thick materials; and dealing with flag original construction and design issues such as sections within a flag not fully stitched together.

*I am not sure if the original participants knew their flags would become “quilt blocks”:

But I got it done (and so appreciated sharing my challenges with my friend W who was also working on piecing a different set of 30 flags) and will mail to the Toward 2050 project team tomorrow for them to send it on to their volunteer longarm machine quilters to finish.

Special Events, Studio

“Toward 2050” – Volunteering to Make A Quilt Top

Back in May I shared in the very long post QuiltCon February 2025, Phoenix Arizona, that while in Phoenix, Arizona for QuiltCon 2025 I visited the Desert Botanical Garden and got to spend time at the Toward 2050 exhibit.

I was so taken by the exhibit that I wanted to be part of it if possible and signed up to volunteer to piece one of the quilt tops together.

But let me back up and first give you some background from that May 2025 post.

BACKGROUND ON TOWARD 2050

Here’s an excerpt from the Toward 2050 website:

According to the Intergovernmental Panel on Climate Change (IPCC), the United Nations body for assessing the science related to climate change, global climate is on track to increase by 1.5° C by 2040, and with that, irreparable damage will likely be done to earth’s ecosystems if our course is not changed decisively and with haste. In the IPCC’s Climate Change 2023: Synthesis Report, clear goals and pathways have been defined to reverse our emissions of green house gases – 50% by 2030, and to arrive at net zero emissions by 2050, keeping the global rise in temperature to under 1.5° C in perpetuity. Hence, 2050 marks a very important point in our human history…

Textile work from makers from 45 U.S. states and 9 countries have become important parts of TOWARD 2050, which has culminated in this immersive installation at Desert Botanical Garden in Phoenix, Arizona – February 8th through June 1st of 2025. Makers were called to create environmentally themed, textile panels in the style of “prayer flags”. Our goal was to collect enough double sided flags to define the pathways of ​this interactive labyrinth experience. That goal was met thanks to the generousity and commitment of all the makers participating in this project.” 

Here are some images from the TOWARD 2050 textile flags  labyrinth (which took over a half hour to the center and back) I walked during my visit to the Desert Botanical Garden.

I recently found this video on YouTube of the labyrinth I walked back in February 2025:

NEXT STEP: MAKING BLANKETS (QUILTS)

As you can see from the Toward 2025 website screen shot above, after the exhibit (and raising awareness), the next step is to make “blankets” (to me they would be quilts) to donate to communities that will “suffer future climate catastrophe).

From the Toward 2050 website here are the packets that will be sent out to volunteers and what they want the “blankets” to look like:

Images credits: Toward 2050 website

VOLUNTEERING TO MAKE A QUILT/BLANKET TOP

So I signed up and a couple weeks ago (while I was traveling) a package of 30 flags arrived in the mail:

Here are the 30 blocks laid out quickly on my design wall:

And here is a sampling of some of the blocks I was sent to piece together made from participants all over the world:

Volunteers are required to provide the fabric for the lattice and borders for the “blanket top” they are piecing from the Toward 2050 blocks (the “blanket” will then be longarm quilted by other volunteers).

I was planning to search through my fabric stash to find something that would work with all the different colors in the blocks when I received a gifted piece of fabric in the mail from one of my awesome penpals! (You know who you are and you ROCK! Impeccable timing!)

Turns out this fabric would work well with the blocks and I tested it out in the image above.

Talk about a serendipitous surprise!

I will of course share the pieced blanket/quilt top with you all in a future post once I get it put together.


Postscript

If by chance you are interested in participating, they are still looking for volunteers to piece tops using 30 of the textile flags the they will send you.

See the link below if you are interested:

Join us to make blankets from the TOWARD 2050 flags!

Toward 2050 overview taken from a nearby desert mountain. (photo courtesy of Bill Timmerman, Timmerman Photography)

Fabric Scraps Obsession, Studio

Framed Samples

As part of my birthday gift, my sister sent me a collection of upholstery fabric samples.

My sister is the Sr. Construction Project Manager for a university and the Interior Design team she works with had a collection of upholstery samples that they were going to put in the trash. My sister knows I love working with upcycled fabrics so she rescued them and sent them to me.

The collection of samples were beautiful and I decided to experiment and frame four that really caught my eye to hang on the wall across from my studio.

They look even better in person, the hallway is a little dark even with the light on so it was challenging to photograph.

I haven’t decided what I am going to do with the rest of the samples butI’ve been collecting ideas on one of my Pinterest boards.

Studio

Thrifting for the Studio

I haven’t shared an updated tour of my quilting/crafting studio in quite a while. I thought I’d share a current studio tour and share how I’ve decorated and equipped it with many thrifted items bought second hand from charity thrift shops (local and found during my travels).

My studio is located in the former Primary Bedroom of the house. A couple years ago my husband John and I decided we didn’t need that much room for our main bedroom and moved to a smaller bedroom. Originally it was a carpeted room but in summer 2024 John put in a floor.

Here is the current view of the studio when you walk in the double doors:

The cutting table is comprised of two adjustable desks from World Market set at their highest position. John built a shelf that connects the two desks to provide additional storage.

Underneath I store the bulk of my yarn collection which includes a lot of thrifted yarn (last year I came across cheap collection of gorgeous and usually pricey fingerling weight sock yarn in brand new condition at a thrift store that I couldn’t leave the shop without for the imaginary day I start knitting socks…):

I use wine crates from liquor stores (which I either got for free or for a couple dollars) to store my fat quarter fabric collection (which I admit is a bit obscene…). And no I did not drink the wine formerly in the crates in order to obtain empty crates, ha!

John built the shelving unit below the wine crates in the first image above where I store some of my cotton fabric yardage; as well as the ironing station in the second photo.

Most of the art in my studio is thrifted including these two pieces that I love:

If you aren’t familiar with my story I am a widow who moved from my awesome life in Oregon to Colorado in 2019 to begin anew and reinvent my life (which included meeting John, a widower, and starting a new journey). Early on I had doubts about my big life move but signs like this remind me that I am where I need to be; and to “embrace new beginnings”.

I have a thing for fabric scraps (though I’ve culled my ridiculous collection of fabric scraps over the years and donated many bags of scraps to charity thrift shops) and I store my fabric scraps by theme in thrifted baskets in a shelving unit that John built me a couple years ago.

I have most of the baskets labeled with wooden tags and thrifted adhesive letters. In addition to fabric scraps I have some specialty fat quarters and my collection of fabric panels. The two baskets on the second to last shelf are gifts from an Oregon based friend who had her friend crochet me these baskets/bags from recycled plastic shopping bags!

Here is another shelf unit that John made using plumbing pipes and wood. It houses more of my cotton fabric yardage as well as thrifted various thrifted fabrics to include silks, wools and synthetic home decorating fabrics. On the bottom shelf are containers filled with projects waiting to be made.

The shelving unit contains a very important item in my studio: the candy bowl which I found at a thrift store:

Occasionally you need a sweet treat while you are creating!

My sewing table was a free table I got from neighborhood online forum offering used items for free or for sale. John made a topper for it to expand the surface area and put openings in the table to run cords through.

Above the table is the sign: “Happiness is homemade” that I found at a thrift store a couple years ago. It always makes me smile.

In addition to several of my sewing machines, I have various supplies, goodies, a radio and a bluetooth speaker for crafting music, on my sewing table;

All the jars and containers on the desk as well as the decorative plates holding pincushions, etc. are thrifted. Many of the buttons in the jar of buttons and the little spools of ribbon in a jar are thrifted. The wooden sewing box that says “Clarks…Making Cotton” is from John’s beloved grandmother. I am honored to have it my sewing space and I store larger buttons in it.

John built a little extension table for my sewing table and under that table I store MORE containers with projects waiting to be made; and projects in a thrifted basket.

I love the view out my studio windows next to the sewing table. I am surrounded by Aspen trees and it feels like I am in a treehouse.

The little art flags that hang on the window were discovered for $1 all bunched up at a thrift shop. They appear to be images painted on colored kraft paper and using a low heat iron I was able to smooth all the little flags out and hang them at the window.

Above the windows on each side of the sewing table are shelves that John built filled with more thrifted baskets and various decorative boxes storing supplies and fabric scraps:

The area rug in the studio is a Ruggable washable rug that I found for $5 at a thrift store. These rugs retail for over $300! I laundered the rug and purchased the special rug pad for the rug from Ruggable so it would lay properly.

Do you see the exercise ball and thrifted basket to the left of the rug? In addition to a sewing studio, I also use this space as my morning stretching/yoga studio, layout out a yoga mat.

John gave me his old bar mini fridge (which I’ve liberally covered with stickers from my travels) and I added in a tea station to the top of it which includes thrifted containers and baskets for tea and biscuits; and thrifted mugs for tea:

Must have tea and biscuits while crafting!

Maybe I need more tea and biscuits as here is the design wall in my studio that John built which is EMPTY right now as I finish up sewing the binding down on the Pieces of Colorado quilt (see the post Quilt in Progress: “Pieces of Colorado” Update #2):

And finally, the tierneycreates Beastie (made by Helen @ Crawcraft Beasties) hangs out in my studio in her “apartment” box made by John.

The antique sewing machine music box in the “apartment” below was a thrift store find gifted to me by my stepson and his wife a couple years ago.

Thanks for stopping by for an updated studio tour and to see what I’ve collected from thrift shops for my studio!

Fabric Scraps Obsession, ScrapHappy, Studio

ScrapHappy November 2024: Update on Denim Quilt

It’s the 15th of the month and time for my monthly “ScrapHappy” post as part of the ScrapHappy group I belong run by Kate and Gun. At the end of this post I have a link to the other blogs participating in this monthly event in case you’d like to check out their ScrapHappy posts.

Update on the Denim Quilt

For this month’s ScrapHappy post, I am updating you on my post Now Quilting the Denim Quilt! on beginning the quilting the denim quilt I pieced from denim scraps (recycled old jeans) and home decorating/upholstery fabric samples scraps.

I finished quilting the quilt using an “organic matchstick” pattern and two different threads.

I decided to put a “facing” on/”face” the quilt instead of adding a binding on the edges. If you are unfamiliar with the concept of “facing” a quilt, here is the handy YouTube video I used to remind myself on how to do a facing as it seems like years since I added one!

Here is the newly faced quilt on the ironing table in my studio getting a good press:

Here is the back of the quilt showing the thrifted cotton tablecloth I used as the backing:

And finally, here is the quilt (still needing the facing edges sewn down) nearly completed:

Thanks to my friend Rick G. on photographing this quilt using his equipment.

So what name did I finally decide on for the quilt and what is my Artist Statement? The answer is below:

What Direction Do I Go?

54 inches by 53 inches

In my early 50s the direction of my life radically changed with the sudden passing of my husband who’d been part of my life since I was 20 years old. Part of my identity and all the direction of my life evaporated and I was left with the following life question: What Direction Do I Go? Made entirely with recycled fabrics including the batting, this quilt reflects my struggle to find a new direction.

I decided to stick with my original concept for the quilt that I discussed in an earlier post when I was piecing this quilt.


Here are the other bloggers that participate in the ScrapHappy monthly posting event, check out their blogs linked below for their ScrapHappy posts:

KateGun, EvaSue, Lynda, Birthe, Turid, Tracy, JanMoira, SandraChrisAlys,
ClaireJeanDawnGwen,Sunny, Kjerstin, Sue LVera, Ann, Dawn 2, Carol, Preeti,
NóilinVivKarrin,  Alissa, TierneyHannah and Maggie

Fabric Scraps Obsession, From the Woodshop, Studio

From Journal Cover to Pillow

Pausing my series of posts about my September trip to the California Coast to share my conversion of a journal cover to a pillow.

I made this journal cover from fabric scraps in the first Journey to Art Quilting class I took with Jean Wells at the Stitchin’ Post in Sisters, Oregon, likely around 2013 or 2014.

We were working on improvisational quilting exercises; and I remember I added the turquoise in because Jean said your piece needs a “surprise”, something unexpected, and she called it “a poison”.

For some reason I just just feeling tired of this journal cover and no longer wanted to use the journal it covered, I wanted to fresh start for creative journaling. However I didn’t want to get rid of the piece.

So I decided to make it into a pillow!

The class with Jean was very memorable, it was actually a workshop series where we met monthly (or it might have been bi-weekly). The piece which eventually because Abandoned Water Structure and was sold to the City of Seattle’s Portable Works Collection was started in this workshop:

Long arm machine quilted by Guadalupe Designs

For more on this piece see the post “Your Body of Water” Exhibit, Seattle Municipal Tower Gallery (in this post you will find the original image that inspired this piece – an actual abandoned water structure outside of Maupin, Oregon)

Oh and back to the pillow – for now I am keeping the pillow in the basket in the entry to our home in a basket under a table John built (see post From the Woodshop: Floating Top Hall Table).


Postscript

We had a chair at the top of the top floor stairs landing that I like to sit in and stitch. The other day John the Woodworker made me a little table to hang over on of the chair arms so I would have a table there.

It’s a cozy place to hang out and quietly stitch.

Special Events, Studio

Now Quilting the Denim Quilt!

This is a sort of follow up to my post: ScrapHappy October 2024: Recycled Hope .

Finally I am machine quilting the denim quilt I made last year which is currently called “What Direction Do I Go?”.

Here is up on the design wall before quilting:

Here it is in progress while I am quilting with the first color of thread (I used two colors):

Here it is partially finished (I am over halfway done with adding a second color of thread):

I am quilting it in a style I call “Organic Matchstick” quilting. Yes I totally made that phrase it. Matchstick quilting looks like this:

Image credit – Epida Studio epidastudio.com/how-to-quilt-it-matchstick-quilting/

My quilting is a bit more “organic” with an occasional line touching or a little wiggle (why yes I of course planned that – ha!)

Here is the back of the quilt, I love the feel/texture of the quilting:

I cannot wait to finish it. I plan to do a “facing” instead of binding the quilt. Okay well back to work for me!


Postscript: Halloween Cuteness

Oh and here is some Halloween cuteness (yesterday was Halloween). We stopped over a friend’s house last night and they had two of their dogs in Hawaiian shirts dressed up as Magnum. P.I. (if you remember that that 1980s show starring Tom Selleck):

Here are Pepi and Lewis doing their best Magnum, P.I. impersonations. Dolly the Aussie Shepherd was having no part in it!

Bet you can’t tell the dogs apart from Tom Selleck, right? Ha!

We had quite the giggle over the dogs’ costumes 🙂

Studio

The Reveal: New Studio Floor

Here is the follow up to the post – In the Midst of Chaos on the 2nd Floor.

John finished installing the new floor in my studio on Sunday and then installed a new built-in shelving unit using industrial pipe on Monday.

Here is John working on the floor installation (and yes he watched a lot of YouTube videos as he likes to do with most projects he’s never done before):

I took lots of installation photos but I will spare you and skip right to the finished floor photo:

I have no words to describe how excited and pleased I am to have the carpeting gone and have a floor in my studio.

Then I began the process of putting the studio back together (which took a couple days to finish up):

While I was working on putting the studio back together, John built a new shelving unit for my studio using industrial piping and recycled wood from another project:

And here is the reveal of the mostly put together room with it’s new floor (I am still refining my organization):

It feels so light and airy now with the carpeting gone.

I showed the progress on my @tierneycreates Instagram and someone comment: “Awesome, now back to work”.

Yup, with the new studio floor I need to get myself in gear to start making things again!

Studio

In the Midst of Chaos on the 2nd Floor

My studio is located on the second floor of the house and is located in the former “Primary Bedroom” (I discovered there is a shift from using the term “Master Bedroom” to “Primary Bedroom” in the world of real estate) – see post A “New” Studio about the change to the Primary Bedroom for my studio in Spring 2022.

The studio has a carpet which is not in the best condition and for a couple years I’ve dreamed of getting rid of the carpet and putting in some type of hard flooring.

See the ripples in the carpet

We found a great deal on high quality wood laminate flooring and John plans to start working on removing the carpeting and then laying the new floor down this weekend, so it was time to clear out my studio.

Oh my. There was more stuff in my studio than I realized and we had to scatter the stuff all around the 2nd floor to include the primary bathroom closet, the upstairs guest bedroom/office, our bedroom, and the upstairs hallway.

It took me 2+ days to get the stuff moved out of the studio. It started slowly with moving in some fabric to the guest bedroom:

But then more and more stuff went into the guest bedroom…

Then it grew to this…

Until it finally ended up like this:

Here is the evolution of cleaning out the studio in photos:

The last image above shows how icky the carpeting is and why it needs to go!

The hallway is filled with stuff and it looks like chaos upstairs!

I’ll share photos again when the project is done and I will surprise you on what the flooring looks like as I forgot to take a photo of the large stacks of flooring currently in the Primary Bathroom closet.

Studio

Studio Refresh

Two Sundays ago, right before the Super Bowl game, I decided that I needed a studio refresh after I had completed my year long purge of my fabric stash.

It began in Winter 2023 while I was recovering from a broken ankle where I realized that 1/2 my fabric stash was fabric that other quilters had generously given me over the years. This happened with my fabric scrap stash and my UFO pile and I purged and donated what I didn’t want any longer.

It was now time to get really honest with my fabric yardage stash (again, as I’ve had other purges); and a couple Sundays ago I finished what I began in early 2023.

In addition to the fabric purge, I did some reorganization in my studio.

Here is my studio the morning of Super Bowl Sunday:

I realized I needed more vertical storage so I repurposed some of the wine crates I was storing scraps or fat quarters in and had John mount them to the wall:

And here is the “refreshed” studio right before it was time to sit down and watch the game:

Someone (or someones) are going to have a very happy surprise at the charity thrift store as I donated bags and bags of fabric. I now mainly have fabrics that I have selected/purchased or those others have given me that I REALLY LOVE.

The refreshed space feels good!

Studio, What's on the Design Wall

The Expansion of “Go Boldly”

I mentioned in my previous post What’s Going on in the Studio, that I was planning on enlarging the small lap quilt/wall hanging size quilt I made Go Boldly (quilt pattern by Elisa’s Back Porch Designs) which was 56 inches by 56 inches (142 x 142 cm), since I had a lot of extra blocks:

Well, here is the expanded quilt after I laid out additional blocks on my design wall (I still need to sew them together to the existing quilt):

As part of what’s up on the design wall is a sewn together quilt and the other part are individual blocks, I can’t tell you exactly how big the expanded version will be (without doing a lot of pesky math subtracting seam allowances, etc.). However what is currently up on the design wall measures approximately 86 inches x 86 inches (218.5 cm x 218.5 cm).

Believe or not I still have 48 sections leftover and I plan to make them into 12 blocks (each block has 4 sections) that I will piece together as part of the back of the quilt.

I’ll sew it all together after I finish machine quilting Strings Attached:

Studio, What's on the Design Wall

What’s Going on in the Studio

This is sort of a follow up to this post – Update on Some W.I.P.s.

I thought I’d do a quick share of what is currently going on in my studio…

1) Sewing Machine Cleaning – it was time for a deep clean after I finished quilting SuperSymmetry Table Runner (see post SuperSymmetry Table Runner is Finished! ):

2) Expanding Go Boldly – I decided to make Go Boldly bigger as I had more pieced blocks. Originally I was going to make two quilts with the block but now I think I will make one big one and then use any left over blocks for a pieced quilt back. I now have it up on the design wall to work on enlarging it:

Right now the quilt is 56 inches by 56 inches (142 x 142 cm) which is wallhanging or small lap size, but I should be able to bring it to large lap size or perhaps a bed size (perhaps…) with the expansion.

3) Strings Attached – I decided to go ahead and get it ready for machine quilting. I made the quilt sandwich with batting and backing fabric and I plan to just go ahead and machine quilt it with coordinating red thread and just get it done!

4) What Direction Do I Go – just waiting to start hand quilting in the evening in front of the TV. First I have to finish the gray granny square blanket I am working on in the evenings in front of the TV (see posts Guest Blog Post: Progress on “My Blanket” and Update on Some W.I.P.s on the crochet project). I received some awesome hand quilting advice from one of my blogging buddies and I cannot wait to start on it, I even put together my little hand quilting bag of supplies which is lying on top of the quilt in the image below:

I feel like I am really moving forward on my projects (because there are new ones I want to start but not allowing myself to until I finish these!) 🙂

Studio, tierneycreates

SuperSymmetry Table Runner is Finished!

All quilted and on the dining room/library table now!

After I finished quilting it and putting on the binding, I decided to launder it (and then try and iron out wrinkles) so it was ready for any future laundering after spills. I want it to be a “working” table runner that will stay on the table during a meal.

(Before company comes for dinner I will give it a better pressing, I was just so excited to put it on the table!)

Studio, tierneycreates

Update on Some W.I.P.s

Here’s an update on some works in progress (aka WIPs) that I’ve discussed in previous posts…

Gray Granny Square Blanket

Previous post on this project: Guest Blog Post: Progress on “My Blanket” 

I am plugging along with this great-to-work-on-while-watching-TV in the evening project. I’m working on attaching the 7th row of blocks. It will be an 8 by 10 blanket when done as I made 80 granny squares. I will add an extra border or two of the same yarn I am using as the lattice (to attach the granny squares).

SuperSymmetry Table Runner

Previous post on this project: ScrapHappy January 2024 – Update on Table Runner and More 

As I mentioned in that previous post, I decided to use a collection of traditionally pieced “orphan blocks” that my friend Wendy gave me as the backing for this table runner.

I figured that if I got a stain on the front of the runner while entertaining, I could flip it over and use the other side!

I’ve completed the machine quilting of the table runner and just need to sew the binding strips together, sew on the binding, and sew down the binding.

For the quilting I just went with a simple double crosshatch pattern (no that is not a real pattern name, I just made it up on the spot), following the lines of the pieced blocks.

I plan to press it, ha! It just came off the machine and I just finished trimming off the excess batting and backing so it is pretty wrinkly!

What Direction Do I Go? (Denim Quilt)

Previous post on this project: Denim Quilt Top Done and a Visit to a Fun Brewery 

I am so looking forward to hand quilting this quilt (yes I decided to hand quilt it)!

I got the batting and backing put together with the quilt top to make the “quilt sandwich”. I’ve also auditioned some threads (I plan to use multiple and to use pearl cotton weight) for the hand quilting.

Other WIPs Growing Inpatient As They Sit in Queue…

I have two more quilt tops awaiting quilting by me:

Strings Attached

Previous post on this project: Scrap Happy September 2023 – Strings Attached

I am going to machine quilt this small wallhanging.

Go Boldly

Previous post on this project: What’s on the Design Wall: Go Boldly

I haven’t decided on machine vs. hand quilting but if I do hand quilt it I have some cool threads I collected many years ago I want to use.

I will get to these two quilt tops eventually – ha!

I’ve been trying not to start any additional MAJOR projects before finishing my existing WIPs…but then some small projects might sneak in…you know how us crafters are!

Oh Mike wants me to tell you that he’s happy he doesn’t have to fill in for me with blogging since I seem to be back at it again (see his recent post Guest Blog Post: Humans Traveling and Dog Camp).

This leaves him more time for napping in the sun, on fleece blankets, in the upstairs bedroom (with the occasional waking up to intensely bark at people walking by and delivery trucks coming into the neighborhood).

Studio

Updated Tour of the tierneycreates Studio

Recently I mentioned in the post New Use for the “Big Closet” , that I moved my fabric storage out of a closet and into my studio (so I could easily see what I have in my fabric stash and “shop at home”!). I thought I’d share the latest set up of my tierneycreates studio which is our former Master Bedroom that we turned into my studio in 2022 (see post A “New” Studio).

Here is the view when you first walk into the studio:

Here you can see my obsession with color and Aurifil thread (the color chart mounted on the wall is the Aurifil palette/catalogue):

If you are new to this blog and curious about that color wheel quilt I made, here is a blog post on it – The Colour Wheel Quilt is Done.

Here is my fat quarter and fabric scrap storage area:

Ironing station, cutting table and pegboard storage area:

Here is where I am storing my fabric, sorted by either designer or type (including solid colors, batik, etc.):

Here is my sewing table:

I probably should have turned on the light above for better lighting of the image but you get the general idea.

And here is the design wall:

Right now the room is carpeted, because it used to be a bedroom, and the plan in 2024 is to remove the carpet and install hardwood floors. I am also thinking of painting it a white or cream to brighten/improve light reflection.

So that’s the current tour of my studio!

Fabric Scraps Obsession, Library Adventures, Studio

Library Stack Unrestrained…

Again, it’s been a while since I’ve written any posts for my blogging topic category – The Library Stack where I share my latest stack of local library books I’ve borrowed.

In this quick post I thought I would share my latest stack, recently acquired when I browsed the library “unrestrained” (by common sense and no longer being hindered by hobbling around in a walking book):

Yes it’s a bit ridiculous and I am not sure what happened to me while browsing (I guess I had an “out of body” experience) the library. It was the first time I was able to drive myself to the library and browse independently since I broke my ankle in January 2023.

Surprisingly I was able to haul all these books to the library’s check out station using a tote bag (and taking the elevator, there was no way my ankle was going to get me all the way down the library stairs!).

My plan is to flip through these books while I have breakfast each morning.

I think that is all the time I should allow this stack as I need to keep working on finishing my Colour Wheel Quilt that I most recently blogged about in this post Update on the “Colour Wheel” Quilt.

I just finished wrangling the quilt, with just the batting attached (to act as interfacing), under the sewing machine to machine applique down all those letters. So I am moving forward despite distraction from my latest (and unrestrained) “Library Stack”!

Special Events, Studio

Color Sorting

I use color in art quilts intuitively: selecting “what feels right” for a piece. I am inspired by combinations found in nature, color combinations that I see in publications, and colors that I enjoy seeing together.

Below are a couple photos from my inspiration board in my studio:

I also have a palette that I love to use, an example is in my quilt below The Lesson & The Equation:

You can also see my palette repeated in this poster from first solo show in April 2019:

(It’s funny but it took a while for me to realize that I actually have a palette that I repeat!)

That being said, I have studied “color theory” in both formal art quilting classes as well as by reading many books. For example I love Joen Wolfrom’s book Color Play: Easy Steps to Imaginative Color in Quilts (2000), the first book I ever read on color theory.

In order to challenge and “break the rules” when creating innovative art quilts, first you have to understand the rules! Although it might be disinteresting to some of the students in my workshop, it is a foundation of artistic creation and one I should cover during my workshop.

I realized that if I am going to teach an art quilting class next year (see post A Year of Finishes: The Pivot) I need to brush up on color theory. I thought the best way to do this was to create a project I found in the book Quilt Color Workshop by T. Bruecher, B. Greenberg, L. Goldsworthy, and J. Adams (2014), that I borrowed from the library.

I am making the Colour Wheel Quilt on the front cover, which will serve as a class visual for my workshop as well as refresh my understanding of Primary, Secondary, and Tertiary Colors; and Pure Color, Tints, Tones, and Shades.

I have a lot of sorting to do to find the strips from my large collection of fabric scraps for the piece.

Currently I am sorting through my box of Reds, Purples, and Oranges to begin the project (I’ve organized many of my fabric scraps into wine crates that liquor stores have my kind enough to gift me or sell to me cheaply).

At first it was tedious, but then it became fun. It is a productive way to revisit my fabric scraps.

I am having fun mapping out the 6-day workshop I will give next year. I am planning to ship to the venue a large amount of my fabric scrap collection for the students to use if they like during the workshop. I am ready to move on from my crazy fabric scrap collection* and start digging into my crazy fat quarter collection (and create more scraps – ha!)

*75% of my fabric scrap collection is from fabric scraps others have given to me. So it is from others’ fabric choices. I am ready to primarily work from my fabric choices in the future…

A Year of Finishes - 2023, Studio, tierneycreates

7 Million Stitches+

Funny how you get sentimental over a sewing machine…

Last year I got my Bernina Aurora 440 QE (Quilter’s Edition) sewing machine serviced at a local Bernina dealer called Thread Play with Bernina. It just needed routine maintenance work and a “tune up”.

The awesome Bernina Service Technician told me when I picked it up after the service was complete, that I had sewn over SEVEN (7) MILLION STITCHES the machine!

Wow that is a lot of stitches!

I got really sentimental when I found that out as this Bernina sewing machine and I have been together since 2006, when I did a “24 months same as cash” financing to buy it. It was the most expensive sewing machine I ever imagined buying. But I’ve made so many things on the machine from utility quilts to art quilts; and lots of craft projects like bags, I definitely got my money’s worth!

I started quilting around 1999, while living in Seattle, WA, on a basic Singer sewing machine. A year or so later into quilting, I upgraded to a Husqvarna Viking sewing machine. I thought I had made it to the “big time” on that $300 machine!

As a beginner quilter I bought my fabric at discount stores like Joann Fabrics in Seattle. After a couple years of quilting and being influenced by other quilters, I began buying more expensive (and higher quality) quilting cotton fabrics from Quilt Shops.

By the time I moved to Bend, Oregon in 2005, I only bought fabric for quilt projects at Quilt Shops and one of those shops was Sew Many Quilts in Bend, Oregon.

Sew Many Quilts is a Bernina Sewing Machine Dealer; and every time I shopped there I began to drool over the beautiful engineered (that Swiss engineering and all metal internal parts) Berninas they had on display. Too many conversations with the friendly staff led to the purchase of my first Bernina!

Fast forward to 2022: My original Bernina is over 16 year old and although I’ve faithfully maintained it (nearly annual maintenance/tune-up visits; and staying on top of routinely cleaning and oiling it myself after each major use), the technology and features of Berninas has significantly advanced.

And now I am drooling over the latest Bernina models…

In early 2022, John decides to buy me one of the latest Berninas – the Bernina 770 QE Plus:

It is an AMAZING sewing machine, light years in features and functions than my old Bernina 440 QE.

But it just sat around looking pretty on the table in my studio, yet not being used. Despite my amazing new sewing machine, I keep sewing on my old and beloved sewing machine with 7 million+ stitches on it!

Recently I made myself put away the Bernina 440 QE and start using my dream machine the Bernina 770 QE. I made myself “break up” with my “longtime sewing buddy” and give the new machine a chance.

As part of the A Year of Finishes – 2023 project, I worked on quilting and adding the binding to a table runner I made from Batik fabric scraps (see post Update on Batik Scrappy Table Runner) for a friend which I promised a table runner many years ago.

I just did straight line quilting with a Walking Foot but the quilting was a breeze and so quick! It took half the time (or less) than it would have taken to quilt the table runner on my old Bernina.

I am now at the point where I am sewing down the binding so the table runner is nearly done and ready to ship off to my friend.

After she receives it I will share the full photo of the finished piece.

I hope my old Bernina is okay sitting around in its case not doing anything. Sigh, I love that machine so much but I need to be with more awesome technology now! My first Bernina sewing machine will always hold a place in my “sewing heart” and I am so grateful it got my through 7 million+ stitches!

(What I’ve left out from this story is how in 2021 I impulsively bought a used Juki sewing machine, but I’ll save that for another post once I figure out what I am going to do with the Juki. We ended up not getting along very well…)


Postscript

While I worked on the table runner, Mike the Miniature Schnauzer lounged under my studio cutting/work table.

He looked especially cute because he was snuggling with his favorite toy – Beary. Mike used to rip out the crotches of his toys (we do not know why) but he stopped a couple years ago. John and I thought the photo looks like Beary is looking gratefully at Mike because he still has his crotch – ha!

And an update on this post Cat Approved Quilt:

Now both of my stepson Z’s cats (both rescued kitties) are enjoying the quilt I sent him!

From the Woodshop, Studio

From the Woodshop: Some Additions to My Studio

John, my resident woodworker, was working on a remodel of our mudroom/laundry room beginning with a new bench (see post From the Woodshop: A New Bench and Beginning of the Mudroom Remodel ) but he is waiting on a new toy (a track saw) before he starts on the next part, the broom closet.

So he’s kept himself busy on the weekends instead with a couple projects for my quilting studio.

NEW EXTENSION TABLE

First he replaced the small plastic extension table with a pine slab on top that I was using next to my sewing/crafting table, with an actual table:

Here is Mike the Miniature Schnauzer checking out the new table:

The table has the schnauzer-stamp-of-approval!

Mike reviews the quality of John’s work (ha!) when he isn’t napping under the cutting table in the center of my studio:

Hopefully you can spot Mike somewhere in the schnauzer pillow…

MINI FRIDGE STAND

In the post The Horizontal Diaries, February 8, 2023, I shared that John had set up a breakfast station in the upstairs guest room when I was spend a lot of time resting (being “horizontal”) with my left leg elevated after breaking my ankle and having surgery.

Well I am spending less time horizontal these days and more time up and about; and I returned to coming downstairs for breakfast each morning. So we decided to move the small refrigerator (or “mini fridge”) out of the guest room and into my studio!

John built a stand for it and now I have a drink and tea area in my quilting studio:

I think John is encouraging me to spend as much time creating in the studio I can with beverages and snacks…

DECORATIVE STORAGE

When John was first teaching himself (via books and YouTube videos) on how to make drawers, he made a lot of practice boxes to start. He recently repurposed a couple of those practice boxes as some additional storage for my studio:

I think we’ve run out of projects for my studio for now, so John is probably going to return to making cutting boards (see post Never Bored When Making Boards (From the Woodshop) ) until his track saw shows up!

Guest Blogger, Studio

Guest Blog Post: Let There Be Light!

Hey this is Mike the Miniature Schnauzer guest blog posting.

Recently I had to help my humans add additional lighting to Tierney’s studio (the former main bedroom, see post A “New” Studio). Since it was a former bedroom, it was not set up for studio lighting, so the humans thought adding a two sets of track lights – one over Tierney’s ironing station; and one next to her design wall would help.

The above photo is the studio during the day and if you look for the faintly drawn green arrows on the ceiling you can see where the track lighting was planned.

So first of course I had to go to the home improvement store and supervise the humans while they picked out tracking lighting and supplies for installation:

What would the humans do without me?!?!

John installed the track lighting. He had to get into the attic (via the main bedroom closet) and drill the hole for the lighting box as well as set up the wiring.

The attic has layers of insulation so John got very creative on how to try and decrease the amount of attic insulation coming onto the floor of Tierney’s studio by attaching an aluminum pan to the “hole saw” attachment he had or his drill:

After a couple hours of drilling, wiring and lighting installation, Tierney’s studio was suddenly filled with light!

I was of course exhausted after all that human supervision and it was time for a nap:

Beastie Adventures, Guest Blogger, Studio, tierneytravels

Guest Blog Post: The Fayetteville Friend’s Studio Project, Part I

Hello this is tierneycreates Beastie, filling in for Tierney who has just returned from a couple days in Fayetteville, Arkansas. Mikelet my miniature Miniature Schnauzer and I went with her, and we consulted/helped with the unpacking and organization of her friend J’s studio in Fayetteville.

(if you are new to this blog, my story is on this post –  I’m A Monster!!! and you can see all my posts at this link: Beastie Adventures).

Tierney and J’s Central Oregon based friend MJ also met up with us there (and Tierney and I got to fly on the same flight from Denver to Bentonville, AR as MJ had a connecting flight from Central Oregon).

J had moved from Central Oregon (where Tierney and I used to live) to Fayetteville, AR and then had a major life changes and did not have the time and chance to unpack and organize her quilting/art studio. She invited MJ and Tierney to visit her and MJ came up with the idea that we could also work on getting J’s studio to the point where she could do her art again.

Here I am on my way to Arkansas – Mikelet and I traveled in Tierney’s backpack:

After visiting with J and MJ a while when we first arrived in Arkansas, we headed upstairs to J’s studio to see what we were getting ourselves into

Oh dear.

Looking around, I realized we’ve got a bit of work to do.

Well I went ahead and set up a temporary desk in the tissue box so I could blog about our project!

Next guest post I will show our progress, but for now I will close out this post with a funny sign J had in her studio:

Studio

Treasures Discovered in my Fabric Stash

Yesterday I discovered treasures in my fabric stash: a collection of what I believe to be South African Shweshwe fabrics.

Many years ago, an art quilting mentor in Oregon had shared with me some of the bounty of fabrics she inherited from her friend’s aunt who had died, who was a world traveler, and had collected fabrics from all over the world during her travels (primarily small samples and pieces, rarely yardage/metres).

I was able to select a sampling of fabrics from the huge stash of fabrics and I was attracted to a collection of blue and white fabric fabrics, that had a lot of texture to them, that I thought were Japanese textiles.

I end up shoving this collection of blue and white fabrics away with my collection of Asian fabrics and I did use a some of them to make this simple blue and white quilt years ago, along with a large collection of Japanese blue and white fabrics I got from the inherited stash:

I was just trying to put to use a bunch of the awesome fabrics I got from the late aunt’s stash, little did I understand the treasures I was using up….

So, as I shared in the August 2021 post Awesome Surprise Treats in the Mail!, my South African based long time blogging friend Mariss (@fabrications) sent me some treats in the mail all the way from the other side of the world, which included these awesome Nelson Mandela fabric pieces:

At the time I received these fabrics (June 2021), I did not make the connection to the similar other fabric in my stash, which I had mistakenly labeled as “Japanese”.

But yesterday a light bulb went on in my head (oh how dim my brain has been sometimes) and when I came across that stash of blue and white fabrics again, I took a close look at the label most of them had on the back:

3 Leopards fabric by the Da Gama Textile Company in South Africa! A little further research and the fabrics appear (and please correct me if my brain bulb is being dim) to be South African Shweshwe fabrics.

From the Da Gama Textile company’s website, here is some background on Shweshwe fabrics if you are not familiar with Shweshwe:

Shweshwe has a history going back thousands of years, with the shweshwe we know and love today making its way to SA for the first time in the early 1840s. Today, we produce shweshwe by the traditional processes, using a weak acid solution to bleach out distinctive designs. This gives the fabric an authentic look and feel, as well as the distinctive smell that consumers know and love. Shweshwe is a unique Eastern Cape fabric and Da Gama Textiles is aptly referred to as the “home of the original shweshwe”. It is not uncommon to see patrons taste, smell and feel the fabric before committing to a sale, to ensure the cloth is authentic. Shweshwe is sold by folded bolt and not on a cardboard core in roll form, staying as close as possible to its roots of origin. All of these unique characteristics date back to the long sea voyages from the UK to South Africa, which formed the original transport route for this cloth. A strong starch is used to preserve the fabric, resulting in the hard handle and distinctive smell, which disappear after washing.

The Shweshwe fabrics I am lucky to have in my fabric stash are so beautiful and have an amazing texture and feel to them. Here is a sampling of some of the fabrics I have:

All the backs are marked with either a full or partial version of the Da Gama Textile Co. label.

And here is the whole pile including the Nelson Mandela fabric that Mariss sent me:

I revisited that blue and white quilt I made many years ago and winced to see fabrics such as this example below in the quilt:

I was thinking: “I should have saved that fabric for something really special.” But then I remembered that I look at/enjoy this quilt every day as it at the foot of my bed on my partner John’s grandmother’s antique chest. So the Shweshwe I’ve already used in my stash has gone to good use!

POSTSCRIPT

I found this awesome blog post from 2018 by Urbanstax called What is Shweshwe, that is worth a read:

urbanstax.com

Did you see that blue and white wedding dress photo in the blog post made from Shweshwe fabrics – WOW!

A Crafter's Life, Agriculture Report, Studio, Sunflowers!

Update on Memory Quilt

Thought I would give a little update on the memory quilt I am making for a grieving friend who lost her mother, with her mother’s favorite clothes. Here is a link to the previous post if you’d like some additional background – Update on “The Challenge” .

Here is the quilt top completed that I shared in that previous post:

Originally I was thinking of sending it out for professional long-arm quilting and my friend was going to pay for the professional quilting. Then I got concerned with there being issues over the unusual fabrics I had used in the quilt (acrylic sweater, polyester scarf, velour robe, etc) with the long arm quilting machine.

I discussed it with my friend and she was good with me quilting it myself (though it would not be nearly as lovely quilting as a professional long-arm) and she would give me money for the cost of the batting, etc. She is not a quilter and does not have expectations of super high quality machine quilting on my part – whew!

Last week I was trying to figure out the logistics of domestic machine quilting and thought I better hand stitch some of the blocks that have special logos, embroidery, etc. to secure them instead of trying to machine quilt around the logos. I found some heavy embroidery thread from my stash of thread of Sashiko* stitching and did some lap quilting (in the middle of the hot summer):

(*but wait a minute Tierney: I’ve followed your blog a long time and I do not remember any posts about Sashiko stitching…Why yes, I have the supplies and started a piece like 10 – 12 years ago…but someday I am really going to pick the piece up again and then blog about it..)

It was fun and for a moment (yes only a wee moment), I actually considered hand quilting the entire quilt. But I came to my senses as that would not be very fun in the hot summer and I would like to get this quilt to my friend, who is facing some other life challenges right now, sooner than in 6 months to a year! (Exhibit A – “Seattle Scrappy” which took me over a year to hand quilt – Seattle Scrappy is Done!)

Speaking of hot summer, I recently got my first full sized tomato (as opposed to the grape or cherry tomatoes I have successfully grown) in my little container garden on my upper back deck and I was so happy!

As I joked on my @tierneycreates Instagram account, I wanted to frame it! As of this writing, I now have two full sized tomatoes. Right now both tomatoes are sitting as decoration on my kitchen counter and I better use them before they go bad!

I am also celebrating the appearance of the first sunflower in my garden. I love love love sunflowers and I’ve blogged about them several times in the past especially when I lived in my house in Oregon where I grew sunflowers every year.


Postscript

We are at that point in summer (August), where for me I am OVER summer and the heat, longing for Fall/Autumn.

I was so longing for Fall that I made one of my favorite colder weather dishes – chicken pot pie:

I made two because we help feed John’s recently widowed father (John’s stepmother suddenly passed at the end of 2021) who lives nearby and he loves my chicken pot pie!

Yes it was lovely (not) having the hot oven, in the heated up kitchen due to the hot oven, in the hot weather outside. Brilliant, eh?

Also just sitting around one evening with that memory quilt on my lap hand quilting it made me yearn for cooler weather.

But then I reminded myself that come early March, I am only dreaming of warm weather! I have to always remember to just embrace the current season I am in.

So back to relishing in my 2 full sized tomatoes and my sunflowers (smile).

Studio, What's on the Design Wall

Update on “The Challenge”

I keep getting away from blogging as I seem to be having a very busy summer. We just returned from Chicago where we met up with my brother and his family for the weekend. Tomorrow my sister arrives and we go on a road trip to celebrate her birthday for a couple days and I show her a little of Colorado. Then the following week I head to a quilt retreat on the Washington coast.

I did in between traveling, get the quilt top done on the quilt I discussed in the post The Challenge… , of my friend’s late mother’s favorite clothes that she asked if I could turn into a quilt. As I shared in that post, here is what I started with:

The challenge laid out

The sweatshirt, T-shirt, jean jacket, jeans and shirts did not scare me. The sweaters, scarf and the velour robe did!

I bought woven interfacing (like 12 yards of it) and fused it to all the deconstructed clothing (my first step was to deconstruct the clothing).

Deconstructing the clothing

I was able to pull out the logos on the t-shirt and sweatshirts; and embroidery on the jean jacket. After fusing all the non denim fabrics to the woven interfacing, I was able to cut them into 5.5 inch x 5.5 inch blocks and create 10.5 inch by 10.5 inch 4-patch blocks.

What to do with these sweaters?

I did consult with my friend Wendy who suggested Solvy, a water soluble stabilizer. Wendy has a lot of experience with Solvy. Wendy did a little workshop for me at her house years ago and I made a little thread bowl with thread scraps like in her book Fast, Fun & Easy Incredible Thread-A-Bowls: 2 Techniques-5 Projects-Unlimited Possibilities. I still had a sample of it that she gave me.

image credit – amazon.com

Solvy is a little on the messy side and I decided to just try using the woven interfacing on a section of one of the sweaters as a test. It worked, not perfectly, but good enough. I was able to cut some hearts out of one of the sweaters, and then fuse the heart to a 10.5 inch by 10.5 inch block and satin stitch it down:

Ta da – was able to use one of the sweaters

I did not use the other two sweaters, I am returning them to my friend.

So here is the completed quilt top which I will machine quilt myself to batting and backing fabric; and then figure out what to use for binding.

up on the design wall

It’s not my greatest work as the fabrics were very challenging to work with and I cannot believe I added a thin polyester scarf to a quilt, but I did it! Don’t even get me started on the velour robe – the deconstructed fabric shed everywhere and was a disaster when I tried to press the blocks with it in it. But I made it work also…

It does look better in person, you’ll just have to trust me (smile).

When I get it quilted and the binding sewn down, I will give you all the final photo as well as what ended up being the measurements on the quilt.