It’s the 15th of the month and time for my monthly “ScrapHappy” post as part of the ScrapHappy group I belong. At the end of this post I have a link to the other blogs participating in this monthly event in case you’d like to check out their ScrapHappy posts.
For this month’s ScrapHappy post I thought I would honor a legendary scrap quilt and it’s maker.
Harriet Powers is recognized in the African American quilting community as one of the “Mothers of African American Quilting” and is known for her famous Bible Quilt (which is a scrap quilt) first exhibited in 1886.

Image from the Smithsonian Museum website
According to the Smithsonian Museum, “Harriet Powers, an African American farm woman of Clarke County, Georgia, made this quilt in about 1886. She exhibited it at the Athens Cotton Fair of 1886”.
Two of her bible themed quilts which are considered icons of American quilt making are in the collections of the Museum of Fine Arts in Boston and the Smithsonian National Museum of American History in Washington, DC.
Here is her Bible Quilt from the collection of the Museum of Fine Arts in Boston:

Image from the Museum of Fine Arts, Boston website
Last year Dr. Carolyn Mazloomi, founder of the Women of Color Quilting Network (WCQN) to which I belong, sent out a request to WCQN members to contribute to purchasing a headstone for the gravesite of Harriet Powers.
Harriet Powers passed away in 1910 and the small cut stone marker, inscribed by one of her sons (she had 9 children with her husband Armstead Powers) originally marked the grave for her and her husband who passed in 1909. In 2008 this fragile marker was broken and removed.
Members of the WCQN, including myself, contributed to purchasing a beautiful headstone for Harriet and Armstead Powers gravesite and on December 2, 2023 there was a “Recommittal and Dedication Ceremony” at Gospel Pilgrim Cemetery in Athens, Georgia.
I was invited but could not attend. Dr. Mazloomi kindly sent me the pamphlet from the ceremony.
When I lived in Central Oregon in 2016 I took an appliqué quilting workshop at the Stitchin’ Post in Sisters, Oregon with the amazing teacher Janet Storton (who runs the Sisters of the Heart Foundation helping women in Uganda empower themselves through craft making).
In this appliqué workshop you could work on making a Bible Quilt inspired by the one made by Harriet Powers or another project. Janet brought in a bag of her scraps, which included African themed fabrics, to share with the class.
I ended making my wallhanging sized quilt Tree of No Hurry based on the Lao Tzu quote: “Nature does not hurry, yet everything is accomplished” with the new appliqué techniques I learned in the class.

Here are my blog posts from 2016 – 2017 related to the process of making this piece:
The Backstitch and the End of Tangled Floss
Everything is Accomplished (What’s On the Design Wall)
“Tree of No Hurry” at QuiltWorks Gallery
Here is one of the Bible Quilts made by Ugandan women that Janet works with as part of her foundation that was exhibited at the 2016 Sisters Outdoor Quilt Show (Janet shared the quilt top before it was quilted during our workshop):


As promised, here are the bloggers that participate in the ScrapHappy monthly posting event, check out their blogs linked below for their ScrapHappy posts:
Kate @Tall Tales from Chiconia , Gun @Rutigt – G Adrian, Eva @bambisyr-evaj, Sue @From the Magpie’s Nest, Lynda @Life on the Farmlet, Birthe @Birthes rom, Turid @Den syende himmel, Susan @DesertSky Quilting, Cathy @nanacathydotcom, Tracy @It’s a T-Sweets Day!, Jan @The Snail of Happiness, Moira @The Quilted Snail, Sandra @Wild Daffodil, Chris @chrisknitsews, Alys @Gardening Nirvana, Claire @Claire93’s Blog, Jean @onesmallstitch, Dawn @DawnGillDesigns, Gwen @Deep in the Heart of Textiles/Textile Ranger, Sunny @The Adventures of Team Wil-Sun, Kjerstin @Quimper Hittys, Sue @Going Batty in Wales, Vera @lifebyacompassnotaclock, Ann @Ann F Stonehouse Quiltmaker, Dawn @myquiltprojects, Carol @Quilt Schmilt, Preeti @Sew Preeti Quilts, Nóilin @Paper, Pen and Mug, Viv @Where the Journey Takes Me 2, Karrin @Karrin’s Crazy World, Amo @View From Our Hill, Alissa @ Snakes & Cranes, Lynn @Tialys, Tierney @tierneycreates, Hannah @quietwatercraft

















































































The quilt measures 57.5 inches by 72.5 inches (146 cm x 184 cm).

It was inspired by the pattern All Sizes by Amanda Jean Nyberg from her book, No Scrap Left Behind.
And here is it currently being machine quilted on my sewing machine:
I decided to machine quilt it myself rather than send it out to be professional long-arm machine quilted. Slowly I am making progress, I try to work on a section each day.




As I mentioned in the post 
Just two more sections to go on this quilt; and I will update you again after I get the other two sections completed.

These bins contains scraps organized by color.
One of these collections, is a collection of scrap triangles, most given to me by other quilters when they trimmed these triangle when piecing blocks for their quilts. The triangles are in various sizes.
But I’ve decided I want to start using (and cleaning out) my ridiculous collection of themed bags of scraps (mainly given to me by other quilters) and my scrap triangle collection had gotten out of control.
And pulled out this awesome book by Amanda Jean Nyberg, No Scrap Left Behind, for ideas.




Eventually my “hot mess” of scrap triangles, turned into this on my design wall:
But hey – it’s going to be a very scrappy quilt!
Someday it will be done…


When I returned home, I trimmed these blocks to 5′ x 5″ (12.7 cm x 12.7 cm) blocks and began piecing them together and musing over how to finish the quilt including whether to machine or hand quilt it, etc.:
That’s where I left off in my previous post about this quilt – 
Here it is ready for hand stitching:
I bought a couple spools of gray Perle Cotton for hand stitching (I am not sure how much I need yet and did not want to over-buy):
And I’ve started stitching:
The quilt measures around 60″ x 60″ (152.4 x 152.4 cm) and it is going to take a while to hand quilt it, even with using large 





But let’s back-up a moment, and tell you how this piece began and got to this point…

I began with creating a pattern with the dark gray framed blocks:
Then I worked on framing them with the light gray blocks:
I like the effect with the dark gray floating in the lighter gray blocks.






























